An award-winning exhibition curated by an Old Elizabethan academic about the earthquake, tsunami and nuclear disaster that hit Japan in 2011 has returned to the UK.
The exhibition, Picturing the Invisible, is now on at the Heong Gallery – a contemporary art space in Downing College, University of Cambridge, that has recently hosted exhibitions featuring artists including Ai Wei Wei, Barbara Hepworth, and David Hockney.
Featuring striking photography as well as a series of essays by internationally renowned experts in fields ranging from science to diplomacy, the exhibition is curated by Dr Makoto Takahashi (OE 2003–2010), a Fulbright-Lloyd’s Fellow from the Program on Science, Technology & Society at Harvard University’s Harvard Kennedy School. and a lecturer at the Technical University Munich’s Department for Science and Technology Studies.
Bringing together Makoto’s research interests in the Fukushima disaster with his longstanding involvement with art, the exhibition was shown at the Royal Geographical Society in London in 2021 and subsequently in Munich, where it won the European Association for the Study of Science and Technology’s 2022 Ziman Award.
It returns to the UK in an expanded format and is being shown until 23rd April during Wednesday–Sunday afternoons at the Heong Gallery. Admission is free.
“We are proud to be the first research-led exhibition at this venue and I would be truly delighted to welcome the QE community to this exhibition space,” said Makoto, who curated it in collaboration with his students in Munich.
Organised in memory of ‘3.11’ (the 9.1-magnitude earthquake occurred on 11th March – or 3.11 in some countries’ dating practice), Picturing the Invisible provides a striking photographic portrait of life in the wake of the triple disaster.
It brings together seven talented photographers, working in the affected territories, and pairs their works with essays by policymakers, academics, authors, and activists.
The exhibition’s promotional material states: “Together these works make visible the otherwise overlooked legacies of 3.11: the ghostly touch of radiation, lingering traumas, and the resilience of the affected communities.”
Reviewers have been fulsome in their praise: Marigold Warner, of The British Journal of Photography, called it “cool and noteworthy”, while The New Statesman’s creative editor, Gerry Brakus said: “A striking and evocative collaboration between academics, artists, and policy makers… It is educational, beautiful, heart-breaking and inspiring… Unmissable.”
A full exhibition programme can be found here.
The relaxed evening event at the School drew alumni, former staff, governors and trustees, current and former parents, current boys, and other supporters of the School, as well as visitors from the local community. It was held as one of the events marking
All profits from the sale of the book will go to The Friends of Queen Elizabeth’s (FQE) for reinvestment into the School.
“It was fascinating to learn more about what John had uncovered through his research about this remarkable School’s rich history. His work has made a significant contribution to our understanding of the School and the context in which it has evolved over the centuries.
“Moreover, I was encouraged that when asked, John was fully confident that the School would still be thriving in its current location in 50 years’ time for the 500th anniversary!”
The School’s 1573 Royal Charter;
During the evening, assistance was provided by prefects and by a small number of those who have been involved with the School archives, either as part of the QE palaeography group or through Duke of Edinburgh Award scheme volunteering.
As the evening progressed, there were readings from the book and the discussion between Dr Marincowitz (Headmaster, 1999–2011) and Surya (OE 2007–2014).
The final musical contribution came from a second piano quartet, comprising Zeyuan Wu (Year 11), Joshua John (Year 11), Zehao Wu (Year 8) and Felix Chen (Year 8), playing Saint-Saens’s Danse Macabre, arranged for eight hands. All the musical items were selected because they were based on literary stories or plays.
The event featured sessions focusing on specific professions, seminars offering guidance on a range of career-related topics, and an afternoon careers fair where the boys could gain one-to-one advice from alumni and other external guests.
“We wanted to give students the opportunity to hear from and talk to people working in a wide range of industries and professions, whether to open up new possibilities for them or to provide insight into areas they were already considering. This kind of support is invaluable as they begin to make decisions about their futures.”
After his talk, and a session on Appropriate Alternatives to University, all Year 11 had a half-hour talk on careers in medicine. They could choose also between sessions looking at careers in law, finance and STEM (Science, Technology, Engineering, Mathematics).
Mr Kane, who leads on careers provision at QE, said: “There are many different pathways to success, and the day made clear to the boys that career progression may take unexpected turns along the way. We raised awareness about alternative paths to university, including apprenticeships, which is a route a small number of leavers have successfully followed in recent years.
Iain began by saying that he had, in fact, had other plans for the first half of 1973…
“My favourite memory of the 400th anniversary was organising the School fete. I persuaded the school to hold a joint fete with the Girls’ School and for the proceeds to go to the new Marie Foster home for multiple sclerosis about to be opened in Wood Street.
Iain was a keen sportsman. He was captain of the athletics team and played rugby on the left wing in the First XV, also playing for the county in both sports. He was the Borough of Barnet schools 100 metres sprint champion for two years. “My time of 11.2 seconds was a record that stood for several years, I think.”
After Iain finally handed over the School Captain’s mantle to Maxwell Ball, who took over in the Autumn Term of 1973, he went on to his own English Literature degree at Warwick.