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Boys from across the School gave free rein to their creative side in the latest edition of the pupil-run magazine, The Arabella.

The 37-page colour publication features contributions from boys in every year group under the theme of ‘hidden beauty’.

The contents from the 26 contributors include poetry, art, creative prose writing in English, French & German, and essays on music.

Headmaster Neil Enright said: “I congratulate all those whose work has been featured: it is another high-quality edition of our creative magazine, with plenty of examples of the sort of free-thinking scholarship that we seek to cultivate at Queen Elizabeth’s School.”

The most entries were for the poetry section, where the ten contributors’ poems – with titles as diverse as The Passageway (Ishan Nakadi, of Year 9) and Introspect (Akheel Kale, of Year 11) were interspersed with examples of boys’ GCSE and A-level artwork.

The section featuring writing on modern languages is prefaced by the editor-in-chief, 2023 School Captain Darren Lee, of Year 12. Addressing the pupil readership, Darren writes: “Don’t feel restricted to only writing in French or German: we would love to see entries in languages spoken at home! In the next edition, we hope to extend the languages section and include Classics submissions…”

In the music section William Joanes, of Year 10, takes a highly technical look at Hidden Science in Music, illustrated with a picture of the inner ear, while Year 12’s Tharun Dhamodharan delivers a paeon to the human voice, The Hidden Instrument.

The creative writing section is similarly varied, from final-year student Antony Yassa’s science-based examination of The Microscopic World to Year 11 pupil Shreyas Mone’s musings on Beauty in destruction – “a different kind of beauty” – where he cites examples such as volcanoes, thunderstorms and even videos of building demolition.

Six artists’ work is featured, including the front-cover illustration by Year 13’s Dylan Domb, pictured top, and pieces by Gabriel Gulliford (also Year 13), above right, and Year 12’s Pratham Bhavsar, left.

As the foreword explains, the magazine is named after Arabella Stuart, a descendant of Henry VII and sixth in line to the crown, who fell foul of King James I when in 1610 she secretly married another potential heir to the throne, William Seymore. While her husband was sent to the Tower of London, Arabella was committed to the care of the Bishop of Durham, but fell ill in Barnet en route. She stayed for some months at the home of a Governor of the School, Thomas Conyers, while her spiritual needs were attended to by another Governor, Rev Matthias Milward, who was also subsequently appointed Master (Headmaster) of the School.

Darren led an editorial team of 21 boys. Staff assistance and support came from: Assistant Head (Pupil Destinations) James Kane; Head of English Robert Hyland; Curator of QE Collections and Head of Library Services Jenni Blackford; Library Services Assistant Corinna Illingworth, and from teachers in the Languages department.

Submissions are now being invited for the next issue, which will be issue 8 and is on the theme of ‘The Lure of Power’.

• Anyone with access to the School’s eQE portal may read The Arabella here.

The 2023 School Captain, Darren Lee, has taken a prize as one of the runners-up in a prestigious national German essay-writing competition.

Following an adjudication process that looked both at content and language, Darren was named among the prize-winners by King’s College London.

The A-level German writing competition run by King’s Department of Languages, Literatures and Cultures was on the theme of how to tackle and overcome the climate crisis (Wie bewältigen wir die Klimakrise?).

Congratulating him, Assistant Head of Languages Burgunde Lukasser-Weitlaner said: “Darren’s prize is richly deserved. His competition entry was creative; it displayed his impressive language skills to good effect, and it also made a convincing argument.”

Darren opened this 443-word piece with an original poem, before then setting out to break down the issue into the ‘macro’ and the ‘micro’, considering how both large corporations and individuals could tackle the climate crisis.

The poem takes an apocalyptic view, ending with the words “…unsere Masken können nicht den Gestank eines sterbenden Planets reinigen”. (“Our masks cannot clean the stench of a dying planet.”)

But thereafter, while not flinching from the difficulties, Darren, who is in Year 12, strikes a cautiously optimistic note, stating that although it might appear that humanity is already doomed, there is in fact some progress.

He concludes his essay by urging people to eschew the temptation to blame others (“Es ist zu einfach, die Schuld auf anderen zu geben”), whether it be the rich, previous generations or huge, faceless corporations.

Instead, businesses can work together at the micro level, he urges, and thereby collectively reach the macro targets needed to provide a healthy environment for future generations.

He thanked both Frau Lukasser-Weitlaner for providing him with the opportunity to submit his essay in the competition and his German teacher, Rebecca Grundy, “for equipping me with the skills to write it!” Darren attended an online prize-giving organised by King’s.

The runner-up prize is only the latest success for Darren, who officially took over as School Captain on New Year’s Day and recently won a prestigious Arkwright Scholarship for engineering.

Queen Elizabeth’s School is to work with the charity, Classics for All, as a ‘Hub’ for developing the study of classics across schools in North London.

Based at King’s College London, Classics for All was established to halt the decline of classics in state schools nationwide. As a Hub School, QE will host events such as  debates, symposia and lectures for other local schools on topics related to classics.

The School re-introduced Latin as a full curriculum subject in 2012, and all boys opting to study more than one language at GCSE are invited to take classes in Ancient Greek. The announcement follows QE’s inaugural Shakespeare and Latin Festival, which got under way towards the end of the Autumn Term.

Headmaster Neil Enright said: “I welcome this announcement and congratulate our teachers on all the creative work they are doing to enrich our pupils’ appreciation of classics. Learning Latin and Greek not only gives the boys insights into the rich cultures of Ancient Greece and Rome, but also instils academic rigour generally and is of particular help in the learning of modern languages.”

The announcement of QE’s new role is one of a series of recent announcements from external organisations which have further underlined QE’s academic credentials. Earlier this month, the influential Sunday Times Parent Power survey confirmed that this year’s QE A-level results were the best of any state school in the country. Before that, Schools Minister Nick Gibb wrote to Mr Enright to congratulate the School on its “leadership in continuing to promote the teaching of languages”. All 191 boys in last year’s Year 11 were entered for at least one modern foreign language GCSE – a 100% rate which puts QE “amongst the top schools in England for the proportion of pupils studying a language at GCSE”, Mr Gibb wrote.

In addition to a School production of Julius Caesar (staged in School and at Finchley’s artsdepot as part of this year’s Shakespeare Schools Festival), the QE Shakespeare and Latin Festival has featured lectures by academics from UCL and King’s College London. Boys across the School have also been getting involved in mythology quizzes and recital competitions.

Crispin Bonham-Carter, Assistant Head (Pupil Involvement), said: “Since we are one of the few state schools to teach Latin to all, it’s not surprising that universities are keen to forge closer links.”

In her lecture delivered at the School, Dr Emily Pillinger, Senior Lecturer in Latin Language and Literature at King’s, looked at Decadence in New York and Ancient Rome. Her well-attended talk was open to senior Latinists and English Literature GCSE and A-level students. “Dr Pillinger drew out the links between Baz Luhrmann’s film of The Great Gatsby, Fitzgerald’s novel and the ancient Latin text, The Feast of Trimalchio,” said Mr Bonham-Carter.

For her part, UCL Professor of Latin Gesine Manuwald lectured on the real-life characters of Julius Caesar, Mark Anthony and Cicero.

“Both academics were hugely impressed by how engaged and knowledgeable our young classicists are,” Mr Bonham-Carter added.

Deloitte innovation specialist Ed Greig demonstrated robots on his visit to QE – but told the boys to focus on the nature of any problem, not the technology involved in the solution.

Mr Greig, who works for Deloitte Digital (part of the global Deloitte financial services and consultancy group) as its Chief Disruptor, made it through the snow to give a lunchtime lecture about his work, which involves working with new technologies to understand how they can benefit clients.

He told the boys: “The mantra of my team is to fall in love with the problem, not the solution.”

He stressed the importance of understanding the true nature of problems, suggesting that invariably they are really about cultural change rather than technology – even if technology might be involved in the solution.

He gave the real-life example of a prosthetic arm for a six-year-old girl, where the issue was not merely the functionality of the limb, but making sure the girl would actually wear it by ensuring its design was fashionable and appealing, so that she would want to put it on.

There were now so many more opportunities to create and replicate experiences than even ten years ago, he said.

He gave demonstrations of both AI-powered software robots and hardware robots: having brought along a robot dog, he made it climb the stairs leading to the stage in the hall in QE’s Main Building.

He also sent a robot around Deloitte’s offices looking for people to say ‘hello’ to members of his QE audience – a task complicated by the fact that, as a result of the snow, the offices were virtually empty!

Mr Greig, a Fellow of the Royal Society of Arts, read Politics, Philosophy and Economics at the University of Warwick. After running his own web design business, he joined Deloitte in 2009 as a Technology, Creative and User Experience Consultant in 2009.

In his current role, his work involves demonstrating the benefits of new technologies in a tangible way by building proofs-of-concept and minimum viable products.

After winning plaudits at Harvard for his performance in a 24-hour ‘hackathon’, 16-year-old Soumil Sahjpall’s entry in an online follow-up event took third place, beating off competition from university teams worldwide.

During his trip to the US, Soumil rubbed shoulders with Ivy League students as he developed blockchain software for cryptocurrency TRON in a coding marathon. His app earned him an ‘honourable mention’ from the judges, who placed him in joint-ninth place out of 55 teams.

He then entered the TRON International Hackathon 3.0, an extension of the in-person event, which featured more than a thousand competitors from across the globe. Soumil said he was proud that his third place was the result of a vote by “a cryptocurrency community of thousands”.

Assistant Head (Pupil Destinations) James Kane said: “Our warm congratulations go to Soumil. He showed significant commitment in entering these competitions in the first place; he then demonstrated great skill and put in a huge amount of hard work to achieve international success against competitors several years older than him.”

TRON, a leading cryptocurrency with a current market value of $5 billion, set a brief to develop a dAPP, or “decentralized app” – that is, software that runs on the blockchain, as opposed to on a server hosted by technology giants such as Amazon or Microsoft.

The in-person hackathon at Harvard in Cambridge, Massachusetts, featured a 24-hour period dedicated solely to developing the dAPP. In addition, Soumil attended workshops, and there was time allocated to presenting and pitching to judges.

Because of his age, even taking part represented a success: the organisers cleared him to compete, based on his performance in previous hackathons. Altogether, 55 projects were presented by some 200 young people, most of them six or seven years older than Soumil.

“I found out about this hackathon with relatively short notice, so I competed solo,” he said. “I was relatively confident in my abilities and knew I’d still be having lots of fun, so that was all right. The average team size was around four members – with a maximum of five – so I was at a disadvantage.”

Although delighted with the honourable mention – one of only ten available – for his presentation, and the $500 cash prize that went with it, he said “the real take-away from this is the experience and the people I met.” These included students from Harvard, Yale, MIT and Boston’s Northeastern University.

In the online event, the TRON International Hackathon 3.0, Soumil submitted his project, which he called ‘Project Pledger’, under the ‘academy’ track, designated for university-level students and his work was voted third.

QE actors mixed the language of Shakespeare with modern costumes and props to create a potent performance for our times.

The boys put on Julius Caesar at North Finchley’s artsdepot in the Shakespeare Schools Festival and then twice in School to Years 9 and 11 as part of QE’s inaugural Shakespeare and Latin Festival.

In his review of the play, Head of English Robbie Hyland said: “This was one of the strongest productions Queen Elizabeth’s has staged in recent years, not only due to the strong individual performances, but particularly due to the strength of ensemble performances.

“Julius Caesar is, among other things, a play about the relationships between leaders and their citizens – our production, featuring most cast members on stage most of the time, clearly demonstrated how impactful one voice can be on the many.”

First performed in 1599, Julius Caesar centres on the assassination of the eponymous Roman dictator in 44BC. In Shakespeare’s telling, Roman general Brutus joins a conspiracy led by the politician, Cassius, to assassinate Caesar, ostensibly to prevent him from becoming a tyrant. Caesar’s right-hand man Antony stirs up hostility against the conspirators, and Rome falls into civil war.

The play contains many often-quoted lines, including:

• Yond Cassius has a lean and hungry look: He thinks too much: such men are dangerous
• This was the most unkindest cut of all
• Friends, Romans, countrymen, lend me your ears.

“Many congratulations should go to the whole cast and crew, as the actors allowed some of Shakespeare’s most famous lines to shine – from Mark Antony and Brutus’ soaring funeral orations to Caesar’s resigned acceptance of his fate,” said Mr Hyland.

The director, Gavin Lister, of Rough Magicke Drama, explained in his notes for the production that he originally considered a Godfather-style setting for the play, with the characters as mafiosi. But following the “extraordinary turn after extraordinary turn” in UK politics over recent months, it became “impossible to ignore the modern-day political turbulence and the parallel themes explored in the classical piece we had been given the gift to perform.

“That is not to say our production is specific to Britain. It is not. The unstable political situations over the course of our rehearsal period in Italy, Brazil, China and Iran have provided us with a social background in which the themes of the play can be seen playing out very much in present-day real life.” These he enumerated as “the dangers of autocracy, the clandestine bargaining that takes place in corridors of power, the brutal and clinical nature of conspiracy, and the effectiveness or ineffectiveness of the people’s voice”.

“The students have embraced the themes and the concept, and they have provided more pieces of inspired drama and theatricality than I could have hoped for. For that, and for their general work ethic and insatiable enthusiasm, I thank them,” Mr Lister added.

Drama has undergone a resurgence at QE in recent years, and the School is currently raising funds to create The Robert Dudley Studio – a facility devoted to drama and the spoken word.

Many of the cast spoke of how much they enjoyed taking part in the production.

Year 11 pupil Saim Khan, in the title role, said: “Playing the hardened political genius that is Julius Caesar was a very different experience to previous roles that I’ve done and a great opportunity to try something completely new.”

Year 10’s Simi Bloom, who played Flavius, a Roman tribune (a representative elected by the people), said: “Learning how to incorporate the modern world into a centuries-old story has been really fun and interesting, especially drawing parallels between prominent figures or systems of today and those of the Roman Empire.”

Year 11 actor Uday Dash said: “I had to adapt and build Cassius into a manipulative, calculating character, which was both a challenge and a unique experience.”

Riann Mehta, of Year 12, who played Caesar’s wife, Calpurnia, said: “It has been extremely pleasant to explore a female character by stepping out of gendered expectations. Embracing feminine stereotypes has been a major development in my theatrical presentation and has been a vastly entertaining experience.”

The play was one of the highlights of the Shakespeare and Latin Festival.

The festival programme also included a very well attended lecture on Decadence in New York and Ancient Rome for senior Latinists and English Literature GCSE and A-level students given by Dr Emily Pillinger, Senior Lecturer in Latin Language and Literature at King’s College London and a talk from UCL Professor of Latin Gesine Manuwald, who explored the real-life characters of Julius Caesar, Mark Anthony and Cicero.

Assistant Head (Pupil Involvement) Crispin Bonham-Carter said: “Dr Pillinger drew out the links between Baz Luhrmann’s film of The Great Gatsby, Fitzgerald’s novel and the ancient Latin text, The Feast of Trimalchio.”

“Both academics were hugely impressed by how engaged and knowledgeable our young classicists are.”

The festival was one of a number being held at QE allowing teachers and boys to take time to celebrate a subject beyond the classroom. “Our staff are passionate advocates for the broader-world impact of their disciplines,” said Mr Bonham-Carter.