Twice postponed because of Covid-19, the 2021 School Play, an adaptation of the best-selling book, The Curious Incident of the Dog in the Night-Time, has finally been performed.
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ast drawn from Year 9 performed the play to their year group classmates in the morning and then again to parents, staff and visitors after school.
Crispin Bonham-Carter, Assistant Head (Pupil Involvement), said: “After all the disappointments surrounding the previous postponements, this was a good day, even though a couple of cast members still had to miss it because they were isolating: it was just fantastic to have live theatre taking place in the School once again, and for boys to have the opportunity to perform to an external audience.
“I pay credit to our resident Theatre Director, Gavin Malloy, for helping the boys construct such an impactful presentation of the story. Hopefully, the success of this production will inspire other pupils to get involved in drama opportunities, such as the free workshops that Mr Malloy runs.”
Based on Mark Haddon’s award-winning novel, the moving, darkly comic, and ultimately inspiring story centres on the challenges a boy with autism faces in navigating the world. It also explores themes of family breakdown and the mystery of who killed Wellington, the eponymous dog.
The performance captured the full dynamic range of the story, from the chaotic, disorientating noise and bustle of public spaces (with which the protagonist, Christopher Boon, struggles), and the outbursts of anger as the nature of the family breakdown is laid bare, to the intimate and emotional moments as Christopher’s parents try to explain what has been happening.
“All the acting performances were strong, but William Joanes, in the lead role, did a superb job, being on stage for the vast majority of the production. Appropriately for QE, his character gets an A* in A-level Maths before the play is out!” said Mr Bonham-Carter.
“The cast, technical crew and director were also brilliant, with the performance ‘in the round’ really drawing the audience into the heart of the action. The staging was particularly effective and was aided by the great work on the sound and lighting by Old Elizabethan Chris Newton, of School Stage.
“Well done all – it was worth the wait!” Mr Bonham-Carter added.
Lesley Malpas, Founder and Chief Executive of not-for-profit organisation, Operation Future Hope, not only outlined problems around the world, but also examined environmental depredation close to home, explaining that Britain suffers some of the world’s worst biodiversity loss.
Her positive stories of rewilding included the reintroduction of beavers in Britain, the transformation of what was previously an intensive dairy farm into a wildlife haven that now boasts owls, bats and nightingales in abundance, and the steps taken by a number of schools to improve their sites.
“There seemed to be lots of scope for small initiatives that could have a positive impact and would allow interested students to get actively involved in the School’s stewardship of its grounds,” said Mr Bonham-Carter. “Generally, the site is already supporting nature quite well, she explained, so we are starting this project from a good place. We look forward to receiving her report and understanding further what would be achievable on our campus.”
During the visit – QE’s first live theatre visit since before the pandemic – all of Year 11 experienced a radical take on Shakespeare’s tragic tale of two young Italian ‘star-crossed lovers’ that eschewed romance in favour of an unsparing focus on mental health.
Throughout the play, the boys stood in the theatre yard, or pit – the area which in Elizabethan times was the cheapest part of the theatre, with no seats provided. “This meant that sometimes the actors were moving between groups of students as they performed,” said Mr King.
For his part, TimeOut’s Andrzej Lukowski’s said: “…I thought the billboard was an interesting idea in a mercurial show that often manages to be frustratingly dysfunctional and giddily fun at the exact same time….Essentially Ince’s desire to offer up two hours of hard-hitting social realism and two hours of wild escapist fantasy at the same time is not entirely reconcilable. Kitchen sink regietheatre* isn’t really a thing. But just because it doesn’t always ‘work’ doesn’t mean it’s not good: I loved the wild, irreverent roar of the ball [the scene in which Romeo first sees Juliet]; equally, I think Ince is on to something in choosing to earnestly highlight the number of references to suicide in the play – it seems quite reasonable to interpret the star-cross’d lovers as being depressed.”
Building on QE’s strong international reputation in robotics established over the past five years, four senior and five junior teams qualified for the global VEX finals, which are usually held in the US but this year were run online because of the pandemic. Teams also took the opportunity to compete in offline, in-person events locally, including one hosted by QE.
At a VEX IQ Showcase held at QE, Gearsquad not only won the Teamwork award – jointly with GCA Gearers, a team from Greig City Academy in Haringey – but also took the Excellence award, as a result of which they have already qualified for next year’s world championships.
The pairing of Dhruv Syam and Ashwin Sridhar (now Year 12) – Team Salutem Validus – reached the final of the Amazon Longitude Prize Explorer competition with DevSalutem, their AI-powered wellbeing assistant with a companion app.