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Old Elizabethan Robert ‘Judge’ Rinder experienced an emotional journey to the Nazi concentration camp where his grandfather, Morris Malenicky, was imprisoned in this week’s episode of the BBC One’s Who Do You Think You Are?

Polish-born Morris lost seven relatives – his parents, four sisters and a brother – in the Treblinka Camp in Poland in 1940 and he was the only one of his immediate family to survive the Holocaust.

In 1942, he had to register the deaths. The certificate, which is shown to Robert (pictured above at his Bar Mitzvah with his grandfather), reads: “Malenicky. Place of birth: Piotrkow, Poland. Circumstances of death: Four sisters, a brother, parents, Treblinka Camp. Gas chambers, crematorium.”

At this point in the programme, Robert (OE 1989–1994) says: “Imagine writing that, how your four sisters, your brother and your parents were wiped out.”

In an interview with the TV Times, Robert explained why he wanted to take part in the programme: “So many of us are interested in understanding where we came from and I only had an outline that I wanted coloured in. But it’s also important that we all understand more about the Holocaust.”

Morris, who was a teenager at the time, escaped the fate of his family only because he was deemed strong enough for work: he was put into forced labour at a glass factory in Piotrkow, his home town. Later, he was sent to the Buchenwald and Schlieben camps in Germany and then to Theresienstadt in Czechoslovakia, which was liberated by the Russian Army three weeks after his arrival.

After the war, he was brought to the UK by a Jewish charity, the Central British Fund. He later met and married Lottie, Robert’s grandmother. Morris died in London in 2001 at the age of 78.

During the programme, Robert is shown the house where Morris grew up in Piortrkow, the ruins of the glass factory, the Buchenwald camp and its sub-camp, Schlieben. At Schlieben, he meets one of his grandfather’s friends, Ben Helfgott, who tells him about the starvation they suffered there,

He told the TV Times: “…there was a biting cold and I imagined my grandfather there in ragged clothing. I met up with my grandfather’s friend, Ben, who had been with him there. The most powerful moment was when Ben said to me, ‘Let’s walk out of here together’. That changed my life.”

Robert is also seen visiting Lake Windermere, where Morris arrived, and watches footage of the orphans’ journey to England. “As I approach Windermere, I imagine what my grandfather would have felt coming from the dankness and greyness of Schlieben into this – big sky, and green, verdant English loveliness.”

Robert said he had spent a great deal of time with his grandfather, yet he had never really told the family what had happened. “…The Holocaust was an unforgettable shadow in the family as my grandfather would behave in eccentric and challenging ways because of what he’d been through.”

Overall, Robert described the experience of making the programme as “an amazing gift. They’d just been statistics before but I read details of how his siblings were good at school and that they loved performing and that breathed life into these young children for me.”

He told the TV Times that his plans for the coming months include more episodes of Judge Rinder and of the Crime Stories programme and, perhaps, a chat show as well.

Equipped only with card and drinking straws, Year 10 boys had to be constructively creative during an architecture event held as part of QE’s Enrichment Week.

For the challenge run by the Art department, House teams were asked to make an architectural structure made up of modular forms, with a theme of Folded Architecture.

Two of 2017’s Year 13 leavers, Nabil Haque and Tochi Onuora, who are both studying Architecture at Cambridge, came back to help.

Towards the end of the day, the participants were instructed to consider what purpose or building form their structure could fulfil. (They had not been told they were making buildings earlier in the day, so that their thinking would not be constrained by notions of what they considered to be normal for buildings.)

With function therefore following form, the six-strong teams decided that what they had designed could be put to use for buildings as diverse as stadia, hospitals, safari lodges and residential accommodation, to name but a few.

The pieces were judged at the end of the event. The Stapylton House team – comprising Alex Aliev, Nikhil Gulshan, Rakul Maheswaran, Jack Runchman, Aqif Choudhury, Riaz Kalim and Jude Miranda – won overall. Their contribution was praised for the way that it essentially used the same hexagonal shape repeatedly to build up the structure and create something very stable, yet still architecturally interesting.

Head of Art Stephen Buckeridge reported that the two visiting Old Elizabethans were very complimentary about the boys’ innovation, lateral thinking and openness to exploring new ways of thinking. He added that the models looked very professional, considering the time spent and rudimentary nature of the materials used. In fact, so good were the models that a small exhibition was staged to give other staff a chance to see them.

Headmaster Neil Enright evoked Nelson Mandela as he urged QE’s young prize-winners to embrace both optimism and persistence.

Mr Enright congratulated the award-winners and explained how they could learn from the former South African President and 1993 Nobel Peace Prize-winner, speaking on what would have been his 100th birthday.

Almost 120 prizes were awarded at the 2018 Junior Awards Ceremony to boys from Years 7–9 across a broad range of categories that included not only academic subjects, but also House prizes and awards for sport, the performing arts and service.

The Headmaster pointed out that the boys receiving awards had achieved double success, firstly by securing a place at the School (more than 2,400 boys sat last year’s entrance examination) and then by winning a prize. “You have been the best of the best in your year groups for the respective subjects, extra-curricular activities and contributions to school life for which prizes are being given. You should therefore be very proud of what you have achieved,” he said.

Just as Mr Mandela had spoken of “keeping one’s head pointed towards the sun, one’s feet moving forwards”, the boys should “keep taking those forward steps” and should also be “highly, but realistically, ambitious”.

Warning pupils against “complacency and hubris”, Mr Enright added: “Being humble, modest and grounded – when coupled with hard work and an inner confidence – is a safe pathway to success, and these are characteristics happily common among QE boys.” And he alluded to Nelson’s Mandela’s axiom that “a good head and a good heart are always a formidable combination”.

The guest speaker at the afternoon ceremony in the School Hall was Old Elizabethan Daniel Isenberg (1999–2006), a young barrister who studied at Cambridge and Harvard and was also Judicial Assistant to Lord Sumption and Lord Carnwath at the Supreme Court.

Other VIP guests included Chairman of Governors Barrie Martin MBE and the Mayor of the Borough of Barnet, Councillor Reuben Thompstone.

The ceremony was enhanced by music performed by the boys, including three pieces from British composers – Samba Triste from Three Piece Suite by Sir Richard Rodney Bennett, Promenade from Le Tombeau de Couperin by John McLeod and Hypnosis by Ian Clarke.

The final vote of thanks was given by Ugan Pretheshan, winner of the Year 7 Public Speaking Award.

Afterwards, boys and their parents enjoyed refreshments with the Headmaster, staff and guests.

Old Elizabethan Kam Taj returned to the School to lead a workshop on Oxbridge preparation for 32 sixth-formers.

Kam, a performance coach and motivational speaker, who himself studied at Churchill College, Cambridge, covered topics ranging from university interviews to procrastination in the all-day session.

The course was part of the extensive programme QE provides to support senior boys as they make university applications and consider career choices that best match their talents and aptitudes. Applications to Oxford and Cambridge must be made by 15 October for places starting the following autumn. QE boys secured 144 places at the two universities in the five years from 2013 to 2017.

Afterwards, Kam (Kamran Tajbaksh, OE 2004–2011) praised his Year 12 audience who had “stayed engaged and receptive for the duration of the course”, even though, as he pointed out, they had just completed their examinations and were looking forward to the start of the summer holidays in just a few days’ time.

While at QE, Kam achieved 13 A* grades at GCSE and four A*s with one A at A-level. On graduating with a first in Manufacturing Engineering, Kam initially took up a post as a management consultant with a global company. However, he had begun doing performance coaching work while still at university: “It was far more fulfilling than academics (even more so than my sports!) – and my clients were achieving great results.”

So, in 2016, he “left the strategy consulting world and began living my dream for myself”.
He recently published his first book 8 Principles of Exam Domination, which aims to help pupils achieve their desired grades with minimal stress.

His talk covered topics entitled:

• Acing uni interviews
• Overcoming procrastination
• Planning & prioritisation
• Mindset management

Kam also introduced a new topic, with the QE boys the first to hear about his Motivational Fire Formula.

Afterwards, Kam thanked the School from his Instagram account and wished all the boys a “great summer” and hoped they would “come back refreshed and ready to smash Year 13!”

Old Elizabethan Dr Mustafa Sarkar has some sound expert advice for anyone feeling down after the end of the World Cup – and especially after the England defeats in the semi-final and in Saturday’s third-place play-off.

Mustafa (OE 1997–2004) has a global reputation as a sports psychologist and has won a string of awards for his work.

A Senior Lecturer at Nottingham Trent University, he was interviewed by the Nottingham Post about how to cope with the negative feelings surrounding England’s departure following the growing sense of elation that followed them as they reached the semi-finals.

Such feelings, he told the newspaper, are entirely natural: “Often the short-term impact will be having a negative mood with feelings of disappointment and frustration. There has been a loss – of momentum, of identity, and of unity – the country coming together.

“Some people might be able to see that England over-performed compared to expectations, while others might see it as a lost opportunity because of the way the draw opened up. There’s an element of personality in this, in terms of levels of optimism and pessimism and how people view situations generally.

“The negative moods will probably be short-lived, in a similar way to how the players themselves will feel…After a period of time – maybe a week or two – there will be more objective reflection. And I think the majority of people will be optimistic about the future. There will be stages of denial and then acceptance, and then moving on and seeing the positives in the situation.”

Mustafa had particular advice for those who fall into “thinking traps” and find themselves unable to stop dwelling on England’s missed opportunities – the scoring chances missed by Kane, whether Croatia’s semi-final equaliser should have been ruled out for a dangerously high foot, or Harry Maguire heading wide from a good position in Saturday’s match against Belgium.

“For example,” he says, “if you think that ‘England are never going to be in this position again’, that’s quite an illogical thought. The team is quite young and there’s a good chance of them being in that situation in 2022.”

“Reflect back, and think of three or four positives that came out of the World Cup for England – both the team, and the nation. For example, reaching the first semi-final in 28 years, or winning a penalty shoot-out at the World Cup for the first time. This can help to reframe how you think about these potentially negative events.”

Alumnus and former QE teacher Tim Adnitt is now firmly established with a multinational music technology company, while continuing to work very successfully as a record producer and sound engineer.

Tim (OE 1988–1995) is a Product Owner for Native Instruments, leading teams in London and Berlin for the German company, which creates software and hardware for computer-based audio production.

He has also worked on several award-winning albums, including Saluting Sgt. Pepper by British musician Django Bates, in collaboration with Frankfurt Radio Big Band and Eggs Laid By Tigers. This creative re-imagining of the Beatles’ seminal LP was named The Times & The Sunday Times 2017 Jazz Album of the Year. As a composer, Tim has written music for the Royal Opera House, the Royal Shakespeare Company and the Globe Theatre.

His work centres on Komplete Kontrol, the award-winning keyboards used by many of the world’s leading composers and producers including Stevie Wonder, Herbie Hancock, Jean-Michel Jarre, Hans Zimmer, Junkie XL, John Powell, Noah Shebib, Jacob Collier and Justin Kauflin.

He played a key role in the creation of Native Instruments’ Native Kontrol Standard (NKS), the de facto industry standard for browsing and hardware control of virtual instruments and effects.

Tim is known as an advocate for accessibility in music technology, working to promote a change in mindset across the industry towards musicians and producers with disabilities. He co-designed Komplete Kontrol’s accessibility features for visually-impaired musicians. Tim has spoken at numerous events and conferences around the world on this topic, including: last year’s Audio Developer Conference in London; Moogfest 2018 in North Carolina, USA (where he co-presented a workshop with Stanford University’s Thinking Matters Fellow, Tiffany Naiman), and Berklee College of Music Accessibility Conference 2018 in Boston, USA.

He is supported at Native Instruments by fellow Old Elizabethan and former Music Technology student Adil Ghanty (2003-2010), who joined the company in summer 2015 – an appointment that is “testament to the strong tradition of Music and Music Technology at QE,” Tim says.

After leaving QE, Tim read Music at City, University of London, before going on to take a Master’s degree in Composition. Tim taught Music Technology at the School between 2005 and 2014.