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In a QE first, an entire year group headed off to a West End theatre to watch a Shakespeare production.

The 190 Year 9 boys saw Hollywood A-lister Sigourney Weaver starring in The Tempest at the Theatre Royal, Old Drury Lane.

Their visit came shortly after QE’s Year 12 English Literature students took part in a two-day joint event with The Henrietta Barnett School that included a visit to a performance of Richard II at the Bridge Theatre in Bermondsey. QE has a long-standing partnership with the girls’ school, and this event was designed to stretch pupils of the two schools, giving them a taste of what studying Shakespeare at university might be like.

Head of English Robert Hyland said: “Giving students opportunities to experience live theatre remains a central part of our philosophy as an English department. In particular, given the density of language in Shakespeare’s plays, seeing them performed brings them to life in a way which the classroom simply cannot achieve.

“We were very lucky, therefore, to secure tickets to see two sell-out shows in The Tempest and Richard II. Taking just under 200 Year 9 students to see The Tempest will remain a highlight of the academic year. For many, it will have been their first experience of professional theatre, and one which I hope will last for many years after they leave the School. Even afterwards, I could still hear students around the School and in class discussing features of the performance, which hopefully balanced enjoyment with a richer and deeper understanding of the text.

“Working with our colleagues at Henrietta Barnett allowed us to put on a brilliant day and a half of activities. From a standing start, students became fully acquainted with the characters and themes of the under-appreciated Richard II. It was a treat to see students fully engaging in the dramatic activities, and speaking so knowledgeably about the Bridge Theatre performance.”

The Year 9 boys students studied The Tempest in the Autumn Term, with the trip therefore forming a conclusion to their studies. Sigourney Weaver, the star of films including Alien and Avatar, played Prospero in a Jamie Lloyd Theatre company production. It was, said Mr Hyland, “a rare opportunity for students to see a world-class actor and production company in real life”. Fourteen staff, drawn from all departments, accompanied the pupils.

Asked to write their own reviews, the Year 9 boys were enthusiastic about their visit. Ridit Bhor praised the “wonderful chemistry” shared by the characters, Miranda and Ferdinand, while others praised the set design, described by Pothan Bobba as “nothing short of spectacular” and by Avi Aggarwal as “hauntingly beautiful”.

The two-day Sixth Form event centred around the production of Richard II at the Bridge Theatre production, which starred Jonathan Bailey, of Bridgerton and Wicked fame. In addition to seeing the production, the event involved:

• An introductory lecture on the play from Dr Diana Hallam, A-level specialist and founder of Literary Lectures, which explored the contextual significance of the play;
• A drama workshop from Mandy Dassa (from QE’s drama partners, RM Drama), exploring the play from a practical perspective;
• Seminars exploring key scenes and speeches from the text, led by Mr Hyland and teachers from the girls’ school;
• A tour of the Globe Theatre combined with a drama workshop on Richard II, led by Royal Shakespeare Company and Globe Theatre actor Chu Omambala.

“We wanted to take students away from their exam specification, and help them understand what it might be like to study Shakespeare at a higher level and through different methods than the A-level allows,” said Mr Hyland. “By picking a text they were unfamiliar with, and allowing them to explore it beyond the normal classroom setting, students were able to develop their skills of interpretation and analysis. And by pairing up with our colleagues at HBS, they could also work with new faces, gaining new ideas and original perspectives.

“With the range of activities on offer, from university-style lectures, seminars, drama, and fieldwork, this partnership event really did give a sense of how exciting and varied studying English at a higher level can be.”

The Robert Dudley Studio, QE’s new facility for drama and the spoken word, has been demonstrating its flexibility in a string of events. 

The studio, created from two existing large rooms towards the rear of the Main Building, hosted early rounds of the English Speaking Union’s Schools’ Mace debating contest and of the national Performing Shakespeare competition. 

Two events were held there as part of a new partnership with the English National Ballet, while it was also the venue for a special English lesson exploring dramatic imagery and language. 

Headmaster Neil Enright said: “With the installation of audio-visual equipment, The Robert Dudley Studio has really begun fulfilling its potential for helping us develop oracy in our pupils.” 

At the Mace, the country’s oldest and largest debating competition for schools, a senior QE team – including School Captain Chanakya Seetharam, as well as Zaki Mustafa, and Koustuv Bhowmick, all from Year 13 – took on Haberdashers’ Girls’ School. Other leading schools from North London and Hertfordshire also competed.  The QE team won the event to progress to the second-round heats in January.  

For the Performing Shakespeare competition, every boy in Year 8 learns a speech to perform in class. The 12 winners from across the six Houses fought it out in the School final, held this month in The Robert Dudley Studio (RDS). 

Head of English Robert Hyland said: “There are some things which reading Shakespeare simply as words on the page can never give – so much of the impact of his work comes from how performers have chosen to interpret, following the rhythms and the imagery of the poetry to bring the words to life.  

“Year 8 have done a brilliant job this year in not only choosing a wide range of speeches from across Shakespeare’s plays, but in showing an audience how they understand the text in a way which essay-writing can never replicate.  

The top three performers were:  

• Param Jani, of Underne House, in first place with Is this a dagger I see before me?  from Macbeth 

• Sai Rushil Manchiraju, of Pearce, the runner-up, with Hamlet’s To be or not to be   

• Kavin Rajan, of Harrisons’, who took third place with Henry V’s Once more into the breach dear friends. 

 “The standard overall was very high,” said Mr Hyland. “Param’s speech from Macbeth was a worthy winner, allowing the audience to see and viscerally feel the conflicting emotions and feelings that Macbeth is experiencing at this point in the play.”  

The top two go through to the regional round in the Spring Term.   

The special English lesson held in RDS also focused on Shakespeare, looking at scene 3 from act 3 of The Tempest, where Ariel (under instruction from Prospero) is creating visions for the royal court. Some members of the court are responsible for deposing Prospero from his Dukedom in Milan before the play starts.

Mr Hyland said: “The focus was on the language of the royal court as it was expressing amazement at natural phenomena, and then on how tableaux could be used to depict the key visual moments of the natural world interacting with humanity (Ariel appearing as a harpy, the vanishing banquet, and so on).

“We subsequently returned to the language, thinking about the delivery of the speech which Ariel gives, and what key or words ideas come to light when presented dramatically.”  

Finally, the studio’s versatility came to the fore for the English National Ballet partnership events. 

First, a screening for 30 Year 9 boys of the ENB’s and choreographer Akram Khan’s award-winning production of the classical ballet, Giselle, was held in RDS. Then, the boys toured the ENB’s design and rehearsal studios in Canning Town, learning about the many jobs associated with ballet and meeting some of the creative team behind Giselle.   

ENB dancers and a musician later came to QE and gave the boys a two-hour contemporary ballet workshop, testing the RDS’s audio equipment to the full. They explored ways of moving, inspired by the plot, characters and choreography of Giselle – and all to live beats and rhythms. The boys gained an insight into the coordination, balance and agility needed in ballet. 

Assistant Head (Pupil Involvement) Crispin Bonham-Carter said: “It was brilliant to see the studio being used flexibly as both a fantastic surround-sound cinema and then, with the seats retracted, a fantastic dance studio!

“Best of all though was the enthusiasm and energy the boys put into their dancing. Who knows – maybe the next Akram Khan has just learnt his first dance steps? 

“Having a dedicated space for performing arts helps facilitate such work, but also provokes staff to seek out new and creative opportunities for the boys.” 

 

 

Queen Elizabeth’s School remembered its war dead in traditional fashion with a wreath-laying ceremony, the 11am two-minutes silence, and the participation of the Combined Cadet Force in the High Barnet Remembrance Sunday parade.

But this year has also seen some of the youngest boys wax lyrical in a poetry competition, one Old Elizabethan publish a novel based on the experiences of a soldier in the two world wars, and hundreds of pupils and staff take part in a Remembrance Day quiz.

Headmaster Neil Enright said: “We reflected with gratitude on those whose service in sacrifice in the two world wars and other conflicts paved the way for the peace and freedom we enjoy today, while also being mindful that wars are raging today in various places around the world, with all the horrors that that entails.”

At the School, the Armistice Day wreath-laying took place at the memorial to Elizabethans lost in the First World War. The CCF led the proceedings, with the Last Post and Reveille played by Year 13 trumpeter Joel Swedensky.

The School observed the national silence, with a silence also held before each of the weekend’s rugby fixtures.

On Sunday, the parade took the CCF members from the Army Reserve Centre on St Albans Road to the parish church. After the church service, Last Post and a wreath-laying ceremony, the boys joined in the march-past, with the Representative Deputy Lieutenant of the London Borough of Barnet, Martin Russell, taking the salute.

More than 600 pupils and staff took part in QE’s Remembrance Day quiz. Presented to the boys in a colourful PowerPoint presentation, its 18 multiple-choice questions included both some relating to international matters and others directly connected to the School. Here are three examples (scroll to the bottom to see the answers):

1. After the outbreak of war in 1914, QE offered scholarships to refugees from which country?
2. On 11^th November 1941, QE was hit during the Blitz. The bombs damaged the old refectory and which other area of the School?
3. Where did QE’s loyalties lie during the English Civil War (1642–1651), and why?

The quiz was fiercely contested by the boys: none got full marks, but Krithin Jaichandran, of Year 12, achieved 15/16. The staff winner was English teacher Yioda Menelaou.

One 2024 leaver, Tharun Dhamodharan, has recently published a novel that spans both the First and Second World Wars. It tells the story of a former soldier at the Somme who later becomes a teacher and has to confront his memories in the classroom during the Second World War. A copy of the novel, entitled The Forgotten Warrior, is available in The Queen’s Library. Tharun thanked Jenni Blackford, Head of Library Services, for her help and guidance.

Earlier this term, to coincide with International Day of Peace, pupils in Year 7’s Underne form wrote poems about peace. The winning poem was written by Vivaan Karalkar. It was picked by Head of English Robert Hyland, who described it as “very good indeed”. He praised its “creative use of perspective and form, using the 1st person to tell the story with imaginative use of rhyming, and presenting peace in an original way through the imagery of strength”.

The poem, set out below, was also the popular choice among the boys.

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I fly through the breeze, a wave of calm,

I lurk in the tides, tranquillity my psalm,

Warm and comfortable, I surround you, a fleece,

I protect you from war, for I am peace.

 

I live in the soul, free and untouched,

Unrest and violence, my power has crushed,

In frightened hearts and minds, my strength will soothe,

For I am peace, bound to protect you.

 

I flow through all blood, an endless force of qi,

I thrive in all places, whatever there is to see,

I am passed down from generations, a young face looking into an old,

For I am peace, a fire against the cold.

 

Life can be a struggle, a perpetual night,

But war and unrest can truly make light flight,

But fear not now, I’ll tug you from quicksand,

For I am peace,

Ready to make a stand.

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Remembrance Day quiz answers

1. Belgium
2. Rooms L and Y
3. The School was on the royalist side because many of the Governors had royalist sympathies.

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• Click on the thumbnails to view the images below.

Year 13 Geography and English Literature students joined forces on a trip to see John Steinbeck’s Depression-era novel, The Grapes of Wrath, at the National Theatre.

The 1939 novel tells the story of a tenant-farmer family from Oklahoma who struggle to survive during the Dust Bowl, a period of severe dust storms that greatly damaged agriculture in the American prairies during the 1930s.

The book is a set text for the English A-level students, while for the geographers, the story illustrates the inter-relational nature of phenomena such as drought & desertification, mass migration and food security.

Head of English Robert Hyland said: “The Grapes of Wrath is, among other things, an environmental and ecological novel. Teaming up with the Geography department to run this trip was a great way of highlighting how seemingly disparate subjects like English and Geography can shed light on the climate crisis which affects us all.”

He added that it is helpful for English Literature students to see a performance of a novel at the start of their study of it, since it helps them understand the characters and narrative.

Deputy Head (Academic) and Geography teacher Anne Macdonald said: “The novel addresses significant geographical themes linked to people’s relationship with the environment, mass migration caused by climate change and environmental degradation, and the shattered dream of a better life experienced by migrants searching for a new home. While set in 1930s America, its themes are relevant to the current world on the brink of mass migration caused by climate change.”

The Grapes of Wrath recounts the Joad family’s journey west to California in a dilapidated lorry as they pursue a better life. It ends with the story’s protagonist, Tom Joad, going into hiding after killing a policeman who murdered his friend for organising a strike, and with the family’s eldest daughter, Rose of Sharon, breastfeeding a starving man to save his life.

On its publication, it caused considerable controversy because of its negative depiction of the USA of the time.

Epic in its scope, the story was retold in a three-hour performance at the National Theatre, produced by Carrie Cracknell, which followed Frank Galati’s 1998 play, based closely on the novel.

Some of the pupils gave their reactions afterwards:

• Geography student Andreas Angelopolous said: “I found the portrayal of the Dust Bowl migration powerful. The depiction of the Joads’ struggle against poverty and discrimination was compelling and mirrors challenges faced by many migrants today.”
• His fellow geographer, Saim Khan, said: “It brought to life just how deeply influential the topics we learn in the classroom – like drought – are in shaping the lives of people around the world. There are few forms of media more able to capture sense of place than theatre.”
• English Literature student Vaibhav Gaddi said that the story “demonstrated the resilience of the human spirit when encountered with intense hardship. The Joad family endures death, miscarriage and losing family members, and yet are still unbowed at the play’s shocking end.”

Mrs Macdonald and Assistant Head of English Victoria Maule accompanied the boys on the trip to the South Bank.

 

Having won QE’s internal round of the national Performing Shakespeare competition and made it through the London heats, Year 8’s Vihaan Pal then performed strongly in the regional final held at the School.

Vihaan, pictured here and  top, delivered the speech from Romeo and Juliet given by Romeo as he lay dying – giving a repeat of his performance in School, which was praised for its maturity and sensitivity.

The regional heats and final were both hosted by QE, in the Main School Hall and Friends’ Recital Hall respectively. Two boys had reached the semi-finals, Vihaan and Daiwik Khedekar, with Vihaan progressing to the regional final.

Head of English Robert Hyland said: “Performing Shakespeare is integral to student understanding: as we remind the boys, Shakespeare’s plays were written not to be studied in class, but performed in theatres. Learning and performing a speech requires students to make judgements about what a character is saying, and how this will affect things like their movement, their vocal tone, and their interaction with the audience, in a way which analysing in an essay is not able to.

“We were therefore delighted to host two rounds of the competition. Although Vihaan did not progress through the regional final, he did very well to make it through the semi-finals and is to be congratulated on a series of accomplished performances.

“At QE, we recognise the importance of oracy and the ability to perform in front of others as important skills that will help our boys in their later lives and careers. That is why the School has invested heavily in the new Robert Dudley Studio for drama and the spoken word, which is now nearing completion.”

All Year 8s were invited to take part in the internal round of the competition and could choose any speech from a Shakespeare play. They initially learned their speeches during the Autumn Term (alongside their studies of Macbeth).

The boys were judged not only on their physical performance and their vocalisation, but on how far their performance suited the speech, and how far their interpretation of the speech met their artistic intention.

Vihaan said: “The reason I chose my piece [Romeo’s Dying Scene from Act 5 Scene 3] is because I found it inspiring that the message is so simple, clear in its affirmation of the power of love over hate, and showing the strong loyalty Romeo had for Juliet. Although it is different from the classic booming speech with loud expressions, I felt that the acting of this piece with the sad tone, the detailed imagery, and the soft movements made me feel like I was really there.”

Their classroom teachers judged the QE boys’ initial attempts, while the judges in the School final were Kanak Shah, Extra-curricular Enrichment Lead and an English & French teacher, Head of Year 8 Andrew Collins, and Sixth Form actor Keiaron Joseph.

Ms Shah praised the work that the QE boys put into their performances. “I was amazed by the vulnerability of some of these speeches and the maturity and sensitivity with which they were delivered. These qualities were particularly obvious in the speech of our winner Vihaan, who chose Romeo’s last speech to Juliet. He conjured Juliet’s body out of thin air with his delivery of Shakespeare’s words, and his choice of a vulnerable speech was a brave one.”

Dr Collins said that the boys had shown the full range of emotions when they took to the stage, “from rallying battle cries to internal moments of anguish”. He added: “It was extremely difficult to come up with a winner; Vihaan’s portrayal of Romeo was very tender and he showed great power on the stage even when in such a compact physical form on the floor  – a very worthy winner.”

 

A sixth-former’s review of Balenciaga’s autumn collection has been named among the winners in a New York Times writing contest.

Suryansh Sarangi was selected as one of nine overall winners – and one of only two from outside the US – after penning a review that commented not only on the clothes, but on the collection’s relationship to the American dream.

He drew inspiration from his interest in fashion, but also from his A-level English classes, and especially American literature lessons on F Scott Fitzgerald’s The Great Gatsby.

Head of English Robert Hyland said: “Full marks to Suryansh on this outstanding success! Having discovered the competition for himself, he then submitted an entry that was at once lively, original and thoughtful.”

There were more than 3,200 entries to the NYT’s Ninth Annual Student Review Contest. Entrants, who had to be school pupils aged 13 to 19, were invited to write original reviews of up to 450 words on any kind of creative expression covered by the Times, one of the world’s most influential newspapers.

In his review, Suryansh began by noting the importance of the show’s setting – “Draped in the golden Californian sun on a pristine neighborhood boulevard punctuated with postcard-perfect palm trees, everything about the Balenciaga fall 2024 collection just screams Los Angeles.”

The city, he noted, carried special significance for Balenciaga’s creative director,  Demna Gvasalia: “Having grown up in a dreary ‘post-Soviet vacuum’, Demna himself states that the very culture he idolized as the perfect, colorful life was that of L.A.”

The collection, with its “relaxed yet stylish outfits” and its mixed messages – “Perhaps celebrities are just like us. But are they?” – was, Suryansh concluded, “an ironic highlighting of inequality…nothing more than a testament to the modern American dream, an illusory ideal we can only chase, yet never achieve”.

Suryansh, who is in Year 12, found out about the competition through a friend he made at a US universities fair. “I was compelled by the immense creative scope it allowed entrants. I realised this was a great opportunity to express my passions about my non-academic interests: this competition gave me a free licence to write about whatever I wanted

“Social commentary through the media of fashion piqued my interest and I was drawn to brands which did this, like Balenciaga. Balenciaga’s philosophy is to make every piece a work of art, something that transcends mere fashion and becomes a statement of expression, emotion and creativity.

“I did not have to research much; I just had to watch the fashion show on YouTube, and from there, it was just about interpreting it and analysing it beyond its face value.

“When doing The Great Gatsby, we talked and learned a lot about the American dream, with it being a key focus of the novel, and I was able to incorporate this into my review.”

Suryansh writes for The Econobethan and The Arabella – pupil-run magazines at QE – and recently led a creative writing workshop at the School.

He recommends that anyone interested in fashion’s role in social commentary should look into:

• Raf Simons Fall 2001 Show, Riot! Riot! Riot!
• Alexander McQueen’s spring/summer 2010 collection, Plato’s Atlantis
• The work of other designers and fashion houses such as Rick Owens, Maison Margiela, Yohji Yamamoto and Jean Paul Gaultier.

As his prize, Suryansh’s review has now been published, along with those of the other eight winners, on the NYT’s educational resource website, The Learning Network.