Richard Collins is now an award-winning composer writing bespoke music for film, TV and games, with his first musical release and collaboration with Universal’s Aurora Production Music label just out.
Yet, if it had not been for the sage advice he was offered by a teacher when in the Sixth Form, it could all have been very different.
Richard (OE 2005–2012) originally planned to study Law at university. “Although I really struggled to write my personal statement, I managed to get something together and got ready to send off my applications.
“It was only when I gave my personal statement to Mr Hargadon [Liam Hargadon, currently Head of Politics] that he made me realise I was heading in completely the wrong direction.
“Writing my personal statement to study Music was one of the easiest 500 words I’ve ever written.
“Also, there is no doubt my musical experiences at QE were instrumental in laying the foundation for my career.”
After achieving straight As at QE – where he had been a Music Scholar – Richard went on to read Music at Durham, where he first acquired a love for composition. He went on to take a first-class Master’s degree in Composition for Film and Television at Bristol University.
In 2016, his music featured in a Student BAFTA-nominated documentary film, A Lion’s Tale. The following year, he was nominated for the Monkey Bread Tree Award for best original score for the film Rambling On. And then, also in 2017, he won second prize at the annual film-scoring competition for the California Independent Film Festival (CAIFF).
A pianist and clarinettist, Richard has performed at the Royal Albert Hall, Birmingham Symphony Hall, Croydon’s Fairfield Halls and at one of the Queen’s garden parties. He gives private piano or music production tuition to students. In September, he will be joining QE as a peripatetic Music teacher (piano and composition).
He is the co-founder and director of White Square Films, a production company covering all types of video and media production. He has also worked as an assistant to leading composers Martin Phipps and Samuel Sim on productions including Season 3 of Netflix’s The Crown and the BBC’s Black Earth Rising (Phipps) and The Spanish Princess and The Bay (Sim).
In April 2019, Richard’s work appeared on Aurora Production Music’s latest album, Nature’s Way.
- Richard’s music can be heard on his website.
The Service of Nine Lessons & Carols at Chipping Barnet Parish featured Christmas music spanning the centuries. Boys and staff raised money for local charities seeking to help the disadvantaged. And the penultimate day of term brought the ever-popular full Christmas lunch in the Dining Hall.
The ‘nine lessons’ (Bible readings) were read by a boy from each year, including School Captain Aashish Khimasia, and by staff, culminating in the Headmaster’s traditional Christmas contribution from the opening chapter of St John’s Gospel.
While charity work takes place throughout the year at QE, a special effort is made at Christmas, the traditional season of goodwill. This year, there was a collection for the local food bank and for a local homelessness charity. Boys and members of staff contributed over a week-long period, and a large volume of donations was made.
“There were a number of highlights, from the Symphonic Winds stirring performance of Cantique de Noel and the stylish playing of the Saxophone Ensemble of The Most Wonderful Time of the Year to the Barbershop’s unusual and very comedic version of The Twelve Days of Christmas.”
The concert then began with All I want for Christmas is you from the Year 12 Ensemble, followed by O Come, All Ye Faithful, for which the audience were invited to join in the singing. The Senior Indian Ensemble performed Sabhapathiku; their performance was followed by Mr Santa from the B Minors. Have yourself a merry little Christmas from the Chamber Choir led into the interval, during which mince pies were offered to the guests and the traditional Rotary Club raffle was drawn.
Mr Enright congratulated the award-winners and explained how they could learn from the former South African President and 1993 Nobel Peace Prize-winner, speaking on what would have been his 100th birthday.
Just as Mr Mandela had spoken of “keeping one’s head pointed towards the sun, one’s feet moving forwards”, the boys should “keep taking those forward steps” and should also be “highly, but realistically, ambitious”.
The ceremony was enhanced by music performed by the boys, including three pieces from British composers – Samba Triste from Three Piece Suite by Sir Richard Rodney Bennett, Promenade from Le Tombeau de Couperin by John McLeod and Hypnosis by Ian Clarke.