Alumnus and former QE teacher Tim Adnitt is now firmly established with a multinational music technology company, while continuing to work very successfully as a record producer and sound engineer.
Tim (OE 1988–1995) is a Product Owner for Native Instruments, leading teams in London and Berlin for the German company, which creates software and hardware for computer-based audio production.
He has also worked on several award-winning albums, including Saluting Sgt. Pepper by British musician Django Bates, in collaboration with Frankfurt Radio Big Band and Eggs Laid By Tigers. This creative re-imagining of the Beatles’ seminal LP was named The Times & The Sunday Times 2017 Jazz Album of the Year. As a composer, Tim has written music for the Royal Opera House, the Royal Shakespeare Company and the Globe Theatre.
His work centres on Komplete Kontrol, the award-winning keyboards used by many of the world’s leading composers and producers including Stevie Wonder, Herbie Hancock, Jean-Michel Jarre, Hans Zimmer, Junkie XL, John Powell, Noah Shebib, Jacob Collier and Justin Kauflin.
He played a key role in the creation of Native Instruments’ Native Kontrol Standard (NKS), the de facto industry standard for browsing and hardware control of virtual instruments and effects.
Tim is known as an advocate for accessibility in music technology, working to promote a change in mindset across the industry towards musicians and producers with disabilities. He co-designed Komplete Kontrol’s accessibility features for visually-impaired musicians. Tim has spoken at numerous events and conferences around the world on this topic, including: last year’s Audio Developer Conference in London; Moogfest 2018 in North Carolina, USA (where he co-presented a workshop with Stanford University’s Thinking Matters Fellow, Tiffany Naiman), and Berklee College of Music Accessibility Conference 2018 in Boston, USA.
He is supported at Native Instruments by fellow Old Elizabethan and former Music Technology student Adil Ghanty (2003-2010), who joined the company in summer 2015 – an appointment that is “testament to the strong tradition of Music and Music Technology at QE,” Tim says.
After leaving QE, Tim read Music at City, University of London, before going on to take a Master’s degree in Composition. Tim taught Music Technology at the School between 2005 and 2014.
The day, a great highlight of the School’s summer calendar, included a morning church service and subsequent ceremonial proceedings, before culminating in the popular afternoon fete on Stapylton Field.
The day got off to a stirring start with the School Choir’s rendition of Handel’s coronation anthem, Zadok the Priest, performed as the introit in Chipping Barnet Parish Church.
Major Russell told the congregation of boys, staff and VIPs of his experiences in 2010, when he and a fellow soldier were very seriously injured in Afghanistan, where he was serving with The Royal Gurkha Rifles. “We were on the operating table in Camp Bastion within 25 minutes of the blast, and back in Birmingham two days later.
Major Russell added that he had been “touched beyond words” to receive a card from the QE staff as he lay immobilised in his hospital bed. “Not only was there a card, but a parcel was delivered containing a spanking new iPad: these had just come out in the UK and were seriously hot pieces of technology then.”
After the service, the day continued, in accordance with cherished QE tradition, with the roll call and the reading of the School Chronicle in front of the main building.
The afternoon also saw the annual Stanley Busby Memorial Cricket Match between old boys of the School and the current First XI. Played on the Third Field at the rear of the School, it was this year won by the pupils after a close encounter with a strong team of OEs.
One innovation in the programme this year was the introduction of a drinks-and-canapés reception for Old Elizabethans and other special guests immediately prior to the Service of Nine Lessons and Carols in the parish church. This was held in the nearby Tudor Hall – the historic home of the School until it moved to its present site in 1932. The venue was filled to capacity, with 60 guests spanning all generations of OEs, including several who were in London from abroad (including the US and Canada). The prominent feature of the building’s ‘whipping post’ proved a talking point.
The other major musical highlight of the run-up to the end of term was the Christmas Concert in the Shearly Hall, where the School’s choirs led the audience in favourite carols and QE’s leading instrumental ensembles performed music from Bach to Irving Berlin. The Symphonic Winds (a new name for the former Concert Band) produced one of the highlights of the evening, their Selections from Home Alone refreshing memories of what has become a Christmas film classic, while the Senior Indian Ensemble also evoked joy with their rendition of Vilayaadum Pillaikal (The Joyful Children) by Madhurai Mani Iyer.
Between the concert and the carol service, the School site itself became a festive scene, thanks to an early snowfall. Hard work by the staff ensured that no School days were lost.