Viewing archives for Trips

Year 12’s Technology students saw for themselves how start-up Batch.Works is using 3D printing as a true manufacturing technology by focusing on specialist design techniques and by automating its array of printers.

They learned how the company is pioneering a truly sustainable approach by recycling already-recycled materials to produce the plastic filament used by the printers.

And the 17-strong group had the chance to present their own design projects to Batch.Works’s Chief Industrial Designer, Liam Hwang.

Head of Technology Michael Noonan said: “This visit provided the Year 12 cohort with unique and exciting insights into a company that is at the leading edge of sustainable design and manufacture, using heavily recycled materials to help its customers reduce their carbon footprint, and thus making the circular economy a reality.”

Now operating out of London Fields, Hackney, and from Amsterdam (and with plans to open a base in Rotterdam soon), Batch.Works was founded by designer Milo Mcloughlin-Greening and digital fabrication specialist Julien Vaissieres.

It first made waves in its sector during the pandemic when producing PPE for East London hospitals from its then-home in Bethnal Green.

Recently awarded an innovation grant of £1.8m to create a network of manufacturing hubs that will use local recycled materials, Batch.Works is now investigating ‘urban mining’, the notion of turning waste streams into new products. It launched an equity crowdfunding campaign in September.

“Our students were absolutely thrilled to be told about the history, current works and future plans for the company by Dean Pankhurst, Design Co-ordinator at Batch Works,” said Mr Noonan.

“The company engages in specialist design for 3D printing, using the skills of industrial designers and project managers to enable a faster design-to-print lead time than most companies. Liam spoke about optimisation in design – how they alter designs to use ‘vase design’ principles so that no unnecessary bodies are created. As a result, unlike in other companies, at Batch.Works 3D printing can be used as a manufacturing technique, rather than only for making prototypes.

“Most impressive of all was that the company have themselves closed the loop of all the PLA filament they use, using recycling techniques on already recycled plastic: they are proud to use only 100% recycled materials in their work.”

During a tour, the boys first visited the company’s co-working room, where they saw technologies, collaborative techniques and methodologies similar to those which they use in their own product design work.

“Next, they were shown into the wildly impressive plant room by Dean and Liam,” said Mr Noonan. “The room contained 40 3D printers, some of which could print items as large as 1 metre square. Many of these were stacked on server cabinets, and the designers had impressively ‘hacked’ the G code [the most commonly used 3D-printing programming language] which drives the printers to turn them into automated 3D printing machines that could work around the clock. This means the rate at which the designers can prototype and manufacture is unrivalled.”

The boys were given an overview of the company’s projects and clients, from commercial giants such as M&S, to smaller medical companies and furniture businesses seeking sustainable design solutions. They were able to peruse prototypes that Batch.Works had created, including medical devices, personal hygiene products and headphones.

“It was at this point that the students began to ready themselves for their own presentations, as Liam had kindly agreed to take in the students’ presentations on their own recent vacuum cleaner projects. These, in fact, utilised many of the prototyping techniques with which he was familiar from his own studies in Product Design at the RCA and Central St Martins.”

Each pupil had five minutes to present, followed by two or three minutes of questions and direct feedback from Liam on their designs.

During the presentations, all other students were linked into a scoresheet via MS Teams and could score their peers using a system of comparative assessment. Liam and Mr Noonan had casting votes.  “Aniththan Kugathasan, Kiaron Lad and Aadish Praveen were crowned champions, earning a hearty round of applause for their superb presentation and an especially well-finished prototype.”

Liam told Mr Noonan: “The skills these students have in terms of presentation and CAD certification is very impressive – much closer to what we see from interns and graduates than from A-level students.”

Hundreds of QE boys have been enjoying new experiences and testing their limits on a series of trips.

First, 72 Year 10 pupils headed off to Wales for a three-day weekend with the Outward Bound Trust and then all of Year 7 and Year 9 made day trips to the Stubbers Adventure Centre in Essex.

Crispin Bonham-Carter, Assistant Head (Pupil Involvement), said: “These trips, which are part of our QE Flourish enrichment programme, are all about boys getting out beyond the classroom and beyond Barnet.

“They can try out new activities, bond with their existing friends – and, of course, have lots of fun! For our incoming Year 7 boys especially, it’s also a great opportunity for them to make some new friends.”

Among the pupils on the Outward Bound trip to Aberdovey was Year 10’s Tuhin Mitra. “I really enjoyed it,” he said. “You can step out of your comfort zone and learn important skills, including how to safely do dangerous activities. It also boosted my confidence while undertaking scarier activities, as I became more comfortable around heights.

“Personally, I enjoyed the water activities the most: my favourite was gorge-walking, as I was in direct contact with nature’s forces,” said Tuhin, adding that he also relished the chance to spend more time with friends and the opportunities to talk with others, especially those in his dormitory.

During their long weekend on the Welsh coast, as well as the gorge-walking, Tuhin and his peers experienced canoeing, raft-building and horizontal rope climbing.

Mr Bonham-Carter said: “The boys leapt (often quite literally) into the different challenges – with the occasional helping hand from their friends or the instructors. They even survived the five-hour coach journey.”

A second group from Year 10 is due to make the trip to Aberdovey in May next year.

Activities at Stubbers, near Upminster, included climbing, canoeing, archery and laser tag, mostly enlivened by the injection of a little healthy competition.

The trip was for the entire year Year 7 and Year 9 cohorts. Each year group was split across visits on two separate days, with Broughton, Harrisons’ and Leicester forms heading east to Essex on one day, and Pearce, Stapylton and Underne making the trip on another.

Boys on a Sixth-Form theatre trip explored one of the seminal moments in modern Indian history – the 1948 assassination of Mahatma Gandhi.

Twenty-two Year 12 boys and their teachers went on the History department trip to the National Theatre to see The Father and the Assassin.

It tells the story of Hindu nationalist Nathuram Godse, who went from being a loyal follower of Gandhi and his non-violent methods to becoming his killer.

History teacher John Haswell said: “The play explores the conflicting narratives and complex desires of those involved in India’s struggle for freedom, and how Gandhi’s vision of an integrated nation of Hindus and Muslims clashed with the vision of others, including that of his assassin, who saw Gandhi’s integrationist ideals as a betrayal to his Hindu nationalist vision of a free India.

“For some of our students, the characters and individuals on stage were familiar through their own engagement with Indian history. Indeed, for some, the play was a portrayal of a more personal history, as family members may have experienced both the fight for independence and the horrors of partition.”

Regardless of their background, the visit enhanced all the boys’ understanding of Indian independence, showing how competing visions of a post-colonial India clashed, Mr Haswell added. They also appreciated the unique power of theatre to bring such ideas to life.

“The play also echoes beyond India, and speaks to conflicts elsewhere in the world where seemingly irreconcilable world-views collide.”

Written by Indian playwright Anupama Chandrasekhar, The Father and the Assassin premiered at the National last year. It completes its second run there this month.

After the visit, the boys, all A-level History students, gave their reactions. Joel Kidangan Justine said: “This was my first time to the theatre, and I’m amazed by how well they are able to capture the story of Indian independence in such a clever and interesting way.”

Kyshaan Ravikumar described the play as “an enticing reimagination of the struggle for Indian independence”, while Vaibhav Gaddi praised “a captivating story that sheds light on the story of Nathuram Vinayak Godse”.

Year 9 boys relished the opportunity to watch a dramatic modern production of Macbeth, complete with witches portrayed as forensic scientists, fight scenes enhanced with special effects, and the spilling of copious amounts of blood.

The visit by the whole year group over three days was only the latest in a series of QE trips to the Globe: in the last three months, more than 400 boys and staff have travelled down the Northern Line to see Shakespeare plays at the modern reconstruction close to the site of the 17^th-century theatre.

Head of English Robert Hyland said: “Allowing all of Year 9 to see the play they are about to study, performed in its original venue, is an exciting and invaluable opportunity. Macbeth is a play about the pursuit of power, the temptation of ambition, and what happens when both of those things are abused by those who are unsuitable to lead – themes which are incredibly relevant to the world we live in today.”

“Theatre is often about creating a sense of spectacle, and our students were treated to a visually exciting performance – from the modern costumes of the actors, to the ways the actors moved in and out of the audience, and finally culminating in dramatic and bloody fight scenes, our students were able to enjoy an experience which only live theatre can truly provide.”

By watching the play, the boys quickly gained a good understanding of stagecraft and dramatic techniques, while the specific setting of the Globe helped them understand the contexts in which Shakespeare’s plays were originally performed.

“Walking into the Globe for the first time can give you goosebumps as you look around the space and imagine Shakespeare himself performing the same words over 400 years ago,” said Mr Hyland.

Other recent trips to the Globe have been to see two comedies: A Midsummer Night’s Dream and The Comedy of Errors, set respectively in the ancient cities of Athens, Greece, and Ephesus, in modern-day Türkiye (Turkey).

The altogether darker Macbeth, often known euphemistically as ‘the Scottish play’ because of the superstition that surrounds it, found an appreciative audience with the QE Year 9 visitors.

Vihaan Bhadra said: “The play truly took us into the mind of Macbeth, with a perfect mix of theatrics and suspense. The actor was able to show the different stages of Macbeth, ranging from victory, through guilt, to complete madness.”

Other comments from the boys included:

• “I liked the modern take on the play – it made it more relatable and brought the entire range of characters to life.” Sarang Nair
• “Seeing characters like the porter portrayed as a security guard, or seeing the witches portrayed as forensic scientists made the performance much more understandable and accessible, and really developed our interest.” Neelesh Fotedar
• “It was an exhilarating experience to enjoy such an interesting play in such a clear and enjoyable manner.” Arhaan Yadav
• “Breathtaking and engaging.” Krish Deebak
• “The engaging acting of the characters made the play come to life. The interaction with the audience gave the play a sense of fun.” Tanush Madadi
• “Going on this trip helped me understand and enjoy the historical significance of the Globe Theatre.” Zahin Khan.

After two-and-a-half years of hard work, patience and perseverance, an electric car built by QE’s first Greenpower team overcame both mechanical challenges and terrible weather to perform strongly against much more experienced competitors in its first race.

Having gathered information at the Dunsfold Park track in Surrey early in September, the Year 11 team travelled to Castle Combe in Wiltshire for their first competitive outing.

A mechanical failure in the first race threatened to scupper their efforts, but the pit crew overcame the odds to get the car – called New Horizon – ready for the starting grid just a couple of minutes before the start of the second, and final, F24 race of the day.

Congratulating the team, Head of Digital Teaching and Learning Michael Noonan said: “Torrential rain was abundant, and while many other cars either could not hold the track, or simply retired, our team stuck to their task: in the second race, they finished a highly respectable 44^th out of 79 competitors – a feat all the more impressive given that they carried out an extra driver swap to give all our students a chance to drive.”

The event was one of a series of races run by the Greenpower Education Trust, a UK-based charity which aims to get young people enthusiastic about science and engineering.

The boys planned, built and refined the car using a Greenpower kit. Having promoted the car themselves, they won sponsorship from Horizon Builders, a North London construction, decorating and property maintenance company.

“Using the experience gained at Dunsfold Park, home to the BBC’s Top Gear, the students spent many late evenings (including a few quick runs  around the School site) testing braking, circuitry, and speed,” said Mr Noonan.

Castle Combe is some 115 miles (186km) from the School, so the 12 team members had a 5.15am Sunday morning start on the day of the event. “They arrived in Wiltshire expecting a small crowd, given the early hour, but were instead greeted by the awesome sight of a total of 79 F24 (age 12–16) and 24 F24+ (age 16–24) teams in full flight with their preparations for the race day ahead. The sheer challenge which Greenpower would entail suddenly dawned on both staff and students!”

The boys duly threw themselves into preparing for the rigorous scrutineering process. “Following some adjustments to the braking system, and with the absolute minimum amount of time left, the team passed all tests, with only small notes on adjustments required for future races.

“From here, it was on to their first practice session – in some cases, students’ first experience of driving this car. The car, number 241 on the day, seemed to be performing admirably and was operating without fault. Each driver managed his session without any major issues, although it quickly because apparent that conditions were to worsen over the day, and that our performance would have to be adjusted to account for the wet weather.

“Following minor tweaks in the ‘paddock’, which had all the necessary tools and equipment, the first sets of drivers for the first race took to the grid. As the track lights signalled the commencement of the race, our relatively inexperienced team seemed to be punching above their weight; the last-minute aerodynamic and cooling adjustments provided for smooth racing.”

“It was at the point of driver change that a minor mechanical noise was noticed, and an inspection took place. With no obvious issue evident, the new driver took over and upon his first acceleration he managed to delink the chain! What had happened was that vibrations across the rear axle had loosened grub screws. With this looseness, the axle was ‘coasting’ left to right (which would slow the drive down enormously), and when our second driver took his seat and hit the throttle, the chain lodged against the chain guard at the link point and immediately disconnected!”

“The team was faced with disaster,” said Mr Noonan. “Having only covered 9.25 kilometres in their first race, they had to bow out just before the halfway point and immediately go about repairing the damage caused.”

With only two hours between races, the team had to strip back all mechanical items and re-assemble them to produce a working car. “Through sheer grit, determination and thanks in no small part to the kindness of other teams who happily supplied spare parts, New Horizon was race-ready with around two minutes to spare.”

Buoyed by their success in reaching the tight deadline, the boys set about trying to better their first race score and duly achieved this, ending the day with a score of 22.59. (Greenpower F24 race results are determined by a formula based on furthest distance travelled within the 90-minute time period, taking the better figure from the two races.)

Afterwards, team members reflected on the day. Adithya Raghuraman said the team had been “nervous from anticipation leading up to the day”, but that it had proved a “memorable” experience. “Even the journey to the track was incredible, despite it being brutally early in the morning. Getting to meet and collaborate with other schools, scavenge for parts from fellow teams, and enthusiastically wait for our car to come around near our pit each lap, were all valuable chances to learn, compete, and most importantly, enjoy.”

His fellow teammate, Daksh Vinnakota, and Year 10 apprentice Keeyan Shah were both also thrilled with the experience: it had been “a good opportunity to finally demonstrate our work over the past two years in a competitive situation,” said Daksh, with Keeyan adding that the day had provided “a unique insight into professional racing”.

Although after the start of the 2023 Autumn Term , the Castle Combe races were in fact the final regional round in the 2022–2023 Greenpower season. The QE team are now handing over to Year 10 boys, who were their apprentices in the 2022-23 season, and will be mentoring and supporting them throughout the rest of the new season.

“As the season unfolds, the 2023–24 Greenpower team will be looking for around four willing Greenpower apprentices from Year 9 to join the cause and ‘upskill’ with a view to competing in Year 10,” said Mr Noonan.

“This year’s team are already plotting a climb up the national leaderboard, which if they are fortuitous, will result in their participation at the Goodwood World Finals in October 2024.”

He added that the outgoing team had thanked their sponsors and the staff involved  – Science teacher Timothy Panis and Technology assistant Felix Chillingworth, as well as himself  – “for their support in finally seeing the Queen Elizabeth’s Greenpower team make their presence felt”.

Team members 2022–2023 season (current Year 11)
Soham Kale
Siddarth Oruganti
Rudra Patel
Adithya Raghuraman
Kavin Rameshshanker
Siraj Sidhu
Vinujan Sivakumar
Binaga Solangaarachchi
Ishanth Thangella
Daksh Vinnakota
Ethan Dias
Danyl Malchyk

Apprentices 2022–2023 season (current Year 10)
Taha Sebbar
Keeyan Shah
Dev Malde
Balaram Kataria
Yuvraj Patel
Ayush Saha
Parv Gandhi
Shashank Devaguptapu
Akshaj Vyas

Ten Art & Design pupils from Year 13 spent a day exploring some very different exhibitions in London to gain inspiration for the final stages of their A-levels.

First stop was the Tate Britain, where they visited the very recently opened Requiem exhibition by British painter Chris Ofili. Huge and colourful, it commemorates the tragedy of the Grenfell Tower fire and the life of Khadija Saye, a fast-rising Gambian-British photographer who died in the 2017 blaze.

Head of Art Craig Wheatley said the boys had been moved by what they saw there: “The scale and beauty of such a poetic piece that highlights the tragedy was very poignant and a reminder of the impact art can have on the viewer.

“Overall, the art we saw during the day was diverse and thought-provoking; the pupils experienced areas and spaces of London for the first time, and I believe the day was a great success – even the weather was kind to us!” Mr Wheatley explained that the focus of the trip was to shape the final-year students’ ideas and thinking for ‘Component 1’ – non-examined coursework involving ‘personal investigation’ which is worth 60% of their eventual A-level grade.

Headmaster Neil Enright said: “At Queen Elizabeth’s School, we are keen to take advantage of our position in one of the world’s great capital cities, and this trip was an excellent example of our boys taking advantage of the exciting cultural, intellectual and sporting opportunities that London affords. I wish I had been able to join them!”

Moving on from the Tate, the group walked to Newport Street Gallery and enjoyed the glass work of British artist Brian Clarke.

“Vast in scale, the work offered an opportunity for the boys to consider material use and a wide range of visual themes, from motifs and patterns to more literal representation using combinations of colour, glass, print and lead,” said Mr Wheatley.

Then it was a further walk to the South Bank to take in the bamboo installation by Indian Asim Waqif on the Hayward Gallery terrace. “The juxtaposition of the natural forms of the bamboo against the brutalist design of the South Bank gave the boys interested in architecture and sculpture a fantastic first-hand experience that they will be able to respond to in their own work,” Mr Wheatley added.

A bus ride followed to look at Ethiopian American painter Julie Mehretu’s solo exhibition at White Cube Bermondsey. Entitled They departed for their own country another way (a 9x9x9 hauntology), the paintings used images taken from current affairs media as her subjects, especially the war in Ukraine and the US Capitol insurrection of 6^th January 2021.

The exhibition explored themes of conflict, displacement and the asymmetry of power. Mr Wheatley said: “The large abstract pieces challenged the boys’ understanding of artwork that makes numerous social and political references without the use of a literal visual narrative.”

After crossing London by tube, the boys’ final stop was the Sadie Coles HQ gallery, just off Regent Street, for an exhibition of the work of London-based Alvaro Barrington, the son of a Grenadian mother and Haitian father. “The vibrant sculptures inspired by memories of shacks in Grenada, combined with video and photographic imagery of Notting Hill Carnival, functioned as a visual tool and signifier of cultural and political histories that the pupils could engage with,” Mr Wheatley concluded.