Virtuoso performances by QE’s senior musicians – with a little help from their friends

Help was on hand when QE’s Music students had to perform their own GCSE and A-level compositions.

Not only did their fellow pupils turn out in numbers to play alongside them at the special concert, but two Old Elizabethans returned to the School to support them, too.

As well as the new works, the Chamber, Choral and Composition Concert featured Beethoven, Brahms and Schubert, together with pieces by lesser-known 20th-century luminaries, such as the Polish-Lithuanian Grażyna Bacewicz and Czech composer Bohuslav Martinů.

Adding to the entertaining mood in The Friends’ Recital Hall, there was a Barbershop rendition of Journey’s Don’t Stop Believing, not to mention sixth-former Leo Sellis’ quirkily titled piece, 7W Microwave (purportedly inspired by some of the random titles given to jazz tracks).

Director of Music Ruth Partington said: “It was a splendid evening, with a spectacular quality of composition and performance. The criteria for the GCSE and A-level compositions were that they should make full use of the instrument for which they were composed, so we had lots of virtuoso performances.

“It was lovely to see boys investing so much in playing the work of their friends and peers, and doing those works great justice.”

Miss Partington especially thanked Old Elizabethans Conor Parker-Delves (2015-2022) and Tristan Boldy (2013-2020) for returning to play the saxophone and trumpet respectively. Conor had travelled down from Manchester, where he is in his final year at the Royal Northern College of Music.

The final performance filled the floor of The Friends’ Recital Hall as the Chamber Choir and Orchestra combined for sections of Mozart’s Requiem. It was, said Miss Partington, “stirring, powerful, and a demonstration of the massed strength of QE’s singers and musicians”.  Those involved had attended a workshop with the Barnet Choral Society on this work back in January, and Miss Partington duly thanked the society’s Musical Director, Rory McCleery.

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