Thirty-five years after leaving QE, a group of rugby-loving Elizabethans returned to the School on a specially arranged visit that included an opportunity to see the current First XV in action.
The group from the class of 1986 enjoyed a sometimes-emotional day hosted by Headmaster Neil Enright: some were meeting for the first time in more than three decades, while even those who had remained in closer contact had been kept apart for the past year-and-a-half because of Covid.
Several of the 16-strong group sported new alumni rugby shirts designed by current Head of Rugby James Clarke (OE 1999–2004), which they had purchased through the School Shop. As well as the 15 old boys, all of them 1986 leavers, the visitors included the sister of Graham Dunkley OE, Gail, who was at Queen Elizabeth’s Girls’ School at a time when some lessons in the Sixth Form were mixed between the schools.
Mr Enright said: “I really enjoyed the occasion, which all sprang out of a request from one of the group, Simon Butnick, in a conversation I had with him on LinkedIn earlier this year. It was great to welcome Simon and his peers back and to see them rekindling old friendships – in some cases, for the first time since they left the School.
“With a group of this size, we were able to offer something quite bespoke – knowing they would enjoy the chance to see the First XV game and talk to the players afterwards. We look forward to having the group as active members of our alumni network and keen supporters of the School.”
Among current and former staff present were Mr Clarke, Deputy Head David Ryan, Headmaster’s PA Nicola Weston (who knew many of the visitors from her own schooldays) and Dave Maughan, who was Head of Games from 1974–2003.
The group then set off on a tour of the School, led by the Headmaster, who was assisted by QE’s new Development Officer, Sharla Worrall. There were many comments about how the campus had changed – the visitors left the School just two years after the arrival of reforming Headmaster Eamonn Harris (1984–1999) and well before the major building projects that began in the late 1990s.
Afterwards, several of the group reflected on the day on LinkedIn, with OE Jason Rush writing: “It was a great day. The First and Second XV played their hearts out and reminded us what it used to feel like to play rugby at this wonderful school. Thank you for accommodating us. We will all remain in contact.”
It was, in fact, a day of mixed fortunes for the School’s rugby teams: while the First XV lost their match, the Second XV won theirs. Other victories went to the U16A, U15A, U14B and U13B teams, while the U15B, U14A and U13A sides lost.
- The School is currently asking all alumni to spend ten minutes filling in a survey it has commissioned from independent education consultancy RSAcademics. The results will help shape the School’s offer to its former pupils in the coming years. The closing date for the survey to be completed is Monday 11th October 2021.
Mr Noonan spearheaded a London-wide effort by schools’ Design & Technology departments to 3D-print face shields and stave off a looming crisis as hospitals’ supplies of PPE ran low when Covid-19 cases soared in spring 2020.
The DTA’s Chief Executive Officer, Tony Ryan, also congratulated him on his “positive impact at a time of crisis”, adding: “Through your efforts and those of other D&T departments across the country, we showed the real value of our subject.”
In the magazine’s table, based upon university destinations in 2020, Queen Elizabeth’s School won the second-highest number of places at Oxford and Cambridge universities of any 11-18 state school in England and Wales, beaten only by Brampton Manor Academy in East Ham.
Headmaster Neil Enright said today: “I am very proud of the achievements of our boys and of our staff, and it is gratifying to read further objective confirmation of QE’s outstanding success in securing places at Oxford and Cambridge.
During the visit – QE’s first live theatre visit since before the pandemic – all of Year 11 experienced a radical take on Shakespeare’s tragic tale of two young Italian ‘star-crossed lovers’ that eschewed romance in favour of an unsparing focus on mental health.
Throughout the play, the boys stood in the theatre yard, or pit – the area which in Elizabethan times was the cheapest part of the theatre, with no seats provided. “This meant that sometimes the actors were moving between groups of students as they performed,” said Mr King.
For his part, TimeOut’s Andrzej Lukowski’s said: “…I thought the billboard was an interesting idea in a mercurial show that often manages to be frustratingly dysfunctional and giddily fun at the exact same time….Essentially Ince’s desire to offer up two hours of hard-hitting social realism and two hours of wild escapist fantasy at the same time is not entirely reconcilable. Kitchen sink regietheatre* isn’t really a thing. But just because it doesn’t always ‘work’ doesn’t mean it’s not good: I loved the wild, irreverent roar of the ball [the scene in which Romeo first sees Juliet]; equally, I think Ince is on to something in choosing to earnestly highlight the number of references to suicide in the play – it seems quite reasonable to interpret the star-cross’d lovers as being depressed.”