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Spice of life: Electrum combines career investigating financial fraud with Latin dance and teaching the Bible

Eleven years after he left the School, Electrum Anpitan’s life is as varied as it is full.

Electrum (OE 2001–2008) manages to fit in his demanding role as a Forensic Analyst for KPMG with extensive work in the local community and with running a dance business that has led to collaborations with some of the most famous Latin dancers in the world.

His community work includes promoting increased knowledge and understanding of the Bible; as he has done for many years, Electrum continues to give regular public discourses to large audiences, as well as teaching on a one-to-one basis.

Working, by his own estimation, 15-20 hours a day “pretty much every day of the week, all year round”, Electrum has no regrets about following the advice of his Headmaster, Dr John Marincowitz, to “get stuck in”.

While at QE, he was variously First Form Captain, Games Captain, Colt Lieutenant and Senior Lieutenant. He was involved in chess, debating and peer mentoring, and gained several commendations and bursary awards, including the John Owen Prize for House Service.

Involved in several sports teams, he counts among his proudest memories “scoring the winning try against Haberdashers’ whilst playing for the First XV”, which he had joined in Year 11.

On leaving QE, Electrum went to King’s College London to read Physics.

In the intervening years, he has:

  • Returned to the School in 2010 as Guest of Honour at Junior Awards while still an undergraduate;
  • Become a qualified party wall surveyor – “I have extensive experience in this industry due to some business connections that were successfully explored,” he explains. He joined the Chartered Institute of Architectural Technologists, before eventually leaving to focus on his work in financial services and the Arts;
  • Undertaken work experience for the government of Ghana, working on its Land Administration Project – liaising with several UN dignitaries. “[This came about] because of a business connection made whilst I was still at QE, actually. Hopefully this will encourage the current boys to keep their eyes, ears and minds open for any suitable opportunities that may present themselves, and to realise they are never too young to demonstrate an entrepreneurial spirit!”

KPMG Forensic focuses on helping clients reduce reputation risk and commercial loss. His career in its London offices involves international work in areas such as: fraud risk management, anti-bribery and corruption, anti-money laundering, investigations & compliance, forensic technology, contract governance and intellectual property.

It is, he says, “an extremely rewarding and challenging field of work which makes a tangible difference to real-life situations in the business world and in people’s lives. There exists an excellent business network, and the work itself provides exciting opportunities to participate in newsworthy, high-profile cases.

“Working for a Big Four firm, I encounter QE alumni every month. It’s empowering to exchange success stories and have a ready-made network to give you an advantage over your competition,” he says.

His aims for the future include qualifying as an Accredited Counter Fraud Specialist and securing “a secondment in a financial services/law firm to broaden my practical experience”.

Alongside that demanding career, Electrum relishes the challenge of running his dance business, which offers its services to corporate, commercial and domestic clients. There have been performances in front of hundreds, he says, including celebrities and other notable figures, such as Sir David Attenborough, Mayor of London Sadiq Khan, TV presenter Kate Humble and singer-songwriter Sofia Karlberg.

“Though physically very demanding, this area of my activities is particularly enjoyable not only for the pleasure and exhilaration that I derive from it, but also because I am able to tutor and assist others (from a wide range of backgrounds) who aspire to improve their dancing skills, to express themselves and connect with others in life-changing ways that they never thought possible. My approach to dance is that it is more than mere movement or rhythm – it is a medium inviting one to strive for consummate artistry and expressive beauty.”

In addition to the time he spends teaching the Bible, his community work takes in mentoring young people in challenging circumstances and helping with construction projects that benefit the community.

Reflecting on what he has learned over the past decade, Electrum has two further pieces of advice for current pupils at the School: “Never be intimidated by senior staff in the workplace. If they are worth their salt, they will value your insights!” and “Your career starts the moment you join QE, so plan ahead – secure some work placements during your GCSEs, A-levels and degree courses.”

QE poet-in-residence up for top prize

QE’s poet-in-residence, Anthony Anaxagorou, has been shortlisted for the prestigious TS Eliot prize for poetry.

After the Formalities, a collection of poems by Old Elizabethan Anthony (1994–1999) was selected by the judges among the nominees for the £25,000 prize, the UK’s most valuable poetry award.

The work, which is also a Poetry Society recommendation, features poems in which the threat of violence is never far away, looking at episodes including the pulling of a knife, racial abuse of an Uber driver, a father bathing his son in ice water and a schoolboy driving a pin into a map of the world.

The title poem is a meditation on racism and ‘race science’ that draws on the Cypriot heritage of British-born Anthony.

A poet, fiction-writer, essayist and poetry educator whose work has appeared on the BBC, ITV, Channel 4 and Sky, Anthony won the Groucho Maverick Award in 2015 and this year he was made an honorary fellow of the University of Roehampton. He has toured extensively in Europe and Australia.

At QE, Anthony is a contributor to the School’s academic enrichment programme, leading workshops and other events promoting and developing creative writing among the boys.

As reported by the Guardian, the chairman of the judges, John Burnside, has paid tribute to all the shortlisted writers, whom he describes as “some of the finest and most fearless poets working today”.

“In an excellent year for poetry, the judges read over 150 collections from every corner of these islands, and beyond,” said Mr Burnside. “Each had its own vital energy, its own argument to make, its own celebration or requiem to offer, and we knew that settling upon ten from so many fine books would be difficult. Nevertheless, as our deliberations progressed, the same titles kept coming to the fore.”

Guardian reviewer Jade Cuttle wrote: “Anthony Anaxagorou’s After the Formalities is a novel response to anxieties surrounding the growth of the immigrant-descended population, informed by his British and Cypriot heritage. […] The poet speaks out ‘against darkness’ to a divided nation and seeks the solace of home, whether assigned or adopted.”

Published by Penned in the Margins – a company producing new work live, in print and online – the anthology has also been praised by rapper, poet and political activist Akala as a work by “a poet at the peak of his powers”.

Anthony dedicates the collection to the memory of “my beloved grandmother who passed away during the writing of this book”. In a note of thanks at the start of the book, he also addresses his son, Tabari: “I hope when I’m old you’ll read these poems with the same fondness I discovered when writing them.”

  • Previous winners of the TS Eliot prize include Carol Ann Duffy, Ted Hughes and Alice Oswald. The winner will be announced on 13th January 2020.
Staff and boys shine in concert – and there’s no stopping Cambridge scholar Drew

QE’s first concert of the year delivered a “very high standard” of performance from both pupils and staff, including the School’s new Director of Music, Ruth Partington.

The programme featured well-known items from the classical repertoire – a Chopin Nocturne and an excerpt from Mendelssohn’s Songs without Words, for example – as well as several lesser-known pieces.

Soloists included sixth-former Drew Sellis, who was celebrating the news that he had won an Organ Scholarship at Jesus College, Cambridge, for next year. Drew, one of the School’s leading musicians pictured here with his saxophone, played the piano at the concert, performing Dussek’s Sonata in Bb Movement I.

Headmaster Neil Enright said: “This was a splendid evening, with a great deal of talent in evidence from boys who played to a very high standard. My congratulations go to all involved, and especially to Drew upon his very special achievement.”

Drew is to be the first Oxbridge organ scholar from the School since Peter Yarde Martin (OE 2002-2007), who attended Pembroke College, Cambridge, and provided advice to Drew as he prepared his application.

With nine pieces played in each half of the concert held in the Main School Hall, there was variety a-plenty, from Year 13’s Mubin Kazmi’s rendition of Grammy Award-winner Steve Vai’s Die to Live on the electric guitar to Year 12 cellist Karan Zakharia’s performance of Bach’s Cello Suite No. 1 Prelude and Sarabande.

Entitled Senior Concert, the event in fact featured not only older boys but pupils from throughout the School; they were selected according to their seniority in terms of talent and proficiency.

Alongside the boys’ performances, there were also pieces from several members of staff. Miss Partington and another newcomer, Caroline Grint, QE’s new Music Graduate Assistant, brought out their clarinets in their first QE concert, playing Mendelssohn’s Concertpiece No. 2 Movements II and III. Peripatetic teacher Tadashi Imai accompanied them and other musicians during the evening, but also played two piano solo pieces, Debussy’s Feux d’artifice (Fireworks) from Preludes Book II and Chopin’s Heroic Polonaise.

Ensembles taking part included the Celli, playing Fauré’s Fugue in A minor Op.84, and the Brass Ensemble (Zingarelli’s Adagio and Presto), while the Chamber Choir opened the evening with John Ireland’s The Hills.

Solidarity not stereotypes: QE’s senior pupils hear from LGBT activist

Society and the mass media are the source of stereotypes that lead to prejudice and discrimination, an LGBT activist told QE’s senior pupils.

Jessica Amery, from Haringey-based charity Wise Thoughts presented an assembly on LGBT issues to Years 11-13 in the Shearly Hall.

She told the boys that although she had a transgender parent, she nevertheless faced homophobia when coming out as a lesbian.

And she pointed out the ways in which LGBT people’s mental health is at risk. According to research, she stated, schoolchildren hear ‘that’s so gay’ every 14 minutes: “Every time it’s said, it’s like a little stab to the LGBT community.”

Wise Thoughts’ website says that it “creates dynamic local, national and international arts initiatives and delivers services that help address social justice issues for the lesbian, gay, bisexual, transgender, queer, intersex (LGBTQI+) and black, Asian & minority-ethnic (BAME) communities”. The charity runs the GFEST (Gaywise FESTival), which starts next month on the theme of #QueerQueeries.

Jessica began her talk by asking the boys to take 10 seconds to think about how comfortable it is to talk about LGBT. Then she asked them to take another 10 seconds to discuss stereotypes, explaining that stereotypes are defined by ‘putting someone in a box’ – for example, ‘you are gay if…’

Such phrases create fear, making people feel it is unacceptable to hold hands or touch those who are gay, she stated, adding that stereotypes result in segregation. Stereotypes, prejudice and discrimination are thus all part of the same picture, she said.

Some 50% of LGBT people experience bullying, which Jessica defined as including texts, social media messages, people ignoring you or making comments. LGBT students have the highest rate of truancy and homelessness, and their education also suffers disproportionately, she said.

Headmaster, Neil Enright said: “This was an important assembly on tackling homophobic, biphobic and transphobic language. There will be some pupils for whom this is deeply personal, whilst for others it is about understanding the lives of those with different experiences to them and being tolerant, supportive members of the School community and wider society.”

Artist’s commitment rewarded in international competition

Year 10 pupil Dylan Domb’s dedication to art and to the work of one of the greatest 20th-century British artists won him a prize in an international drawing competition.

After starting a sketch in class towards the end of last term, Dylan completed it at home and duly submitted it to the Henry Moore Drawing Competition run by the Henry Moore Foundation.

The drawing, a pencil sketch of Dylan’s own Moore-inspired sculpture produced at School, took third prize in the secondary-age category of the competition. At 14 (at the time of drawing), Dylan was younger than both the category winner and the runner-up.

His untitled artwork is on display until 1st November at the Visitor Centre at the Henry Moore Studio and Gardens in the Hertfordshire hamlet of Perry Green.

Art teacher Jillian McAteer said: “Dylan is an incredibly committed student whose attention to detail and refinement of work regularly sets him apart from his peers. He is also quite independent, pursuing ambitious personal projects and extending class work.”

In Year 8, Dylan was part of the annual QE visit to the Henry Moore Foundation. In that year, his class were set the task of producing their own sculptures that ‘responded’ to Moore’s famous large, biomorphic landscape sculptures.

Dylan then based his sketch – started for a drawing exercise set towards the end of Year 9 – on the sculpture he produced.

“Not all were able to finish this before School ended for the summer, but Dylan developed the drawing independently at home. It is a stunning photorealistic drawing; he achieved a very high standard,” said Mrs McAteer.

The drawing competition, which drew almost 500 entries, was organised as part of the Henry Moore Foundation’s 2019 season celebrating the drawing practice of the artist, who died in 1986. He was a prolific and talented draughtsman, producing nearly 7,500 drawings during his career.

Entries were required to reflect themes in Moore’s art: reclining figure; mother and child; natural forms, or life drawing. They had to be submitted on paper or card, with the majority of the work being drawn, not painted.

The judging panel was led by Foundation’s Head of Collections and Exhibitions, Sebastiano Barassi.

Dylan went to the exhibition opening and took photographs of his work on the wall.