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QE’s pupil-run arts magazine, The Arabella, looks both to the past and the future in a special edition for the School’s 450^th anniversary year.

The 44-page publication features 26 pieces of poetry, prose, and art, many of them inspired by its anniversary-related theme, How did we get here? The approach, looking both backward and forward, mirrors that of the School’s anniversary celebrations on Founder’s Day which included a display of the School’s 1573 Royal Charter alongside the burying of a time capsule intended for the pupils of 2073, when QE will mark its 500th anniversary. Work on the magazine began last academic year, but it has only now been published.

Assistant Head (Pupil Involvement) Crispin Bonham-Carter said: “The ninth edition of The Arabella has been worth the wait: with its expanded contents and an eclectic mix of topics and styles, it is a great demonstration of the fruits of free-thinking scholarship and academic curiosity.”

The magazine includes contributions from boys throughout the School, although boys from the current Years 8 and 9 feature especially heavily.

In his introduction, one of the editors, Chanakya Seetharam, of Year 12, addresses his fellow QE pupils: “Just as the [450^th anniversary thanksgiving] service at Westminster Abbey in the Spring Term so well captured, this is as much cause to look back with an inquisitive eye into the past as to look forward to the future. It is this spirit of investigation that is the kernel of this edition, and which was so well taken up by you….

“You are what keeps The Arabella alive. This is a magazine by you and for you. We hope you will find all of the work here thoroughly insightful, interesting, and enjoyable, and here’s to a great next edition!”

The poetry section is highly varied, with contributions ranging from Year 9 boy Yingqiao Zhao’s piece about the moon – which is in the shape of a crescent and has key words picked out in different colours – to the nine-stanza rhyming French poem, La Mort de L’Ancien, composed by Year 13’s Aayush Backory. The poetry section closes with Nikhil Francine, of Year 9, addressing the anniversary directly with a poem entitled Thriving from Ancient Roots – the School’s slogan for the anniversary year.

The creative writing pages included Year 9 pupil Raaghav Dhanasekaran predicting a dystopian future amid huge hurricanes caused by climate change.

The music writing section on the other hand looks mostly to the past, from Nikhil Francine’s essay on A brief history of song to Moneshan Rathaparan and Eshwara Masina, both of Year 8, jointly exploring The Enduring Influence of Classical and Baroque Music on Contemporary Culture.

Year 12 student Akheel Kale, from the editorial team, praises the quality of Year 13 pupil Ashish Yeruva’s essay on Justice for Ukraine: How to Put Russian Leaders on Trial Using International Law. Ashish’s contribution had inspired the team to open a current affairs section in the magazine and to invite further such submissions in the future, Akheel says.

Similarly, the magazine has a new section on Science, featuring Year 10 boy Zain Syed’s submission of an extensive flow chart setting out A Natural History of the Earth.

Interspersed throughout The Arabella are artworks exploring themes including Expressive Heads, Distortion and Identity; Dystopian Landscape; and Art Inspired by Music. Shown in this news story, from top to bottom, are:

• Expressive Heads, Distortion and Identity, by Sushan Naresh, Year 10 (main image)
• Dystopian Landscape, by Krishav Sundar Rajan, Year 9
• Art Inspired by Music, by Galinghan Balamurugan, Year 8
• Expressive Heads, Distortion and Identity, by Ayush Saha, Year 10

The magazine is named after Arabella Stuart, a descendant of Henry VII and sixth in line to the throne, who fell foul of King James I when in 1610 she secretly married another potential heir to the throne, William Seymore. Her husband was sent to the Tower of London, while Arabella was committed to the care of the Bishop of Durham, but fell ill in Barnet en route. She stayed for some months at the home of QE Governor Thomas Conyers, her spiritual needs attended to by another Governor, Rev Matthias Milward, who was subsequently appointed Master (Headmaster) of the School.

• For anyone with access to the School’s eQE portal, The Arabella is available to read here.

Year 12’s Technology students saw for themselves how start-up Batch.Works is using 3D printing as a true manufacturing technology by focusing on specialist design techniques and by automating its array of printers.

They learned how the company is pioneering a truly sustainable approach by recycling already-recycled materials to produce the plastic filament used by the printers.

And the 17-strong group had the chance to present their own design projects to Batch.Works’s Chief Industrial Designer, Liam Hwang.

Head of Technology Michael Noonan said: “This visit provided the Year 12 cohort with unique and exciting insights into a company that is at the leading edge of sustainable design and manufacture, using heavily recycled materials to help its customers reduce their carbon footprint, and thus making the circular economy a reality.”

Now operating out of London Fields, Hackney, and from Amsterdam (and with plans to open a base in Rotterdam soon), Batch.Works was founded by designer Milo Mcloughlin-Greening and digital fabrication specialist Julien Vaissieres.

It first made waves in its sector during the pandemic when producing PPE for East London hospitals from its then-home in Bethnal Green.

Recently awarded an innovation grant of £1.8m to create a network of manufacturing hubs that will use local recycled materials, Batch.Works is now investigating ‘urban mining’, the notion of turning waste streams into new products. It launched an equity crowdfunding campaign in September.

“Our students were absolutely thrilled to be told about the history, current works and future plans for the company by Dean Pankhurst, Design Co-ordinator at Batch Works,” said Mr Noonan.

“The company engages in specialist design for 3D printing, using the skills of industrial designers and project managers to enable a faster design-to-print lead time than most companies. Liam spoke about optimisation in design – how they alter designs to use ‘vase design’ principles so that no unnecessary bodies are created. As a result, unlike in other companies, at Batch.Works 3D printing can be used as a manufacturing technique, rather than only for making prototypes.

“Most impressive of all was that the company have themselves closed the loop of all the PLA filament they use, using recycling techniques on already recycled plastic: they are proud to use only 100% recycled materials in their work.”

During a tour, the boys first visited the company’s co-working room, where they saw technologies, collaborative techniques and methodologies similar to those which they use in their own product design work.

“Next, they were shown into the wildly impressive plant room by Dean and Liam,” said Mr Noonan. “The room contained 40 3D printers, some of which could print items as large as 1 metre square. Many of these were stacked on server cabinets, and the designers had impressively ‘hacked’ the G code [the most commonly used 3D-printing programming language] which drives the printers to turn them into automated 3D printing machines that could work around the clock. This means the rate at which the designers can prototype and manufacture is unrivalled.”

The boys were given an overview of the company’s projects and clients, from commercial giants such as M&S, to smaller medical companies and furniture businesses seeking sustainable design solutions. They were able to peruse prototypes that Batch.Works had created, including medical devices, personal hygiene products and headphones.

“It was at this point that the students began to ready themselves for their own presentations, as Liam had kindly agreed to take in the students’ presentations on their own recent vacuum cleaner projects. These, in fact, utilised many of the prototyping techniques with which he was familiar from his own studies in Product Design at the RCA and Central St Martins.”

Each pupil had five minutes to present, followed by two or three minutes of questions and direct feedback from Liam on their designs.

During the presentations, all other students were linked into a scoresheet via MS Teams and could score their peers using a system of comparative assessment. Liam and Mr Noonan had casting votes.  “Aniththan Kugathasan, Kiaron Lad and Aadish Praveen were crowned champions, earning a hearty round of applause for their superb presentation and an especially well-finished prototype.”

Liam told Mr Noonan: “The skills these students have in terms of presentation and CAD certification is very impressive – much closer to what we see from interns and graduates than from A-level students.”

In its first edition of the academic year, the Econobethan celebrates four remarkable Black women – an astronaut, economist, businesswoman and MP – while also looking at the legacy of slavery in the US.

The special section devoted to Black History Month is followed by articles on Economics – including a look at the economic impact of AI – and Politics – where pupils express some forthright views on Prime Minister Rishi Sunak’s recent easing of green commitments.

The Econobethan is a pupil-run magazine from the Economics department. This fifteenth edition is the swansong for Year 13 editors Aditya Kute, Nishanth Bhasuru, Aston Daniel and Avinash Srivastava.

Economics teacher Celia Wallace said: “My thanks go to Aditya and his team for a strong edition and an excellent year.”

In their introductory editors’ note, the four-strong team write: “A topic that remains a staple within our publication is the contribution of people of colour to economics. Therefore, in commemoration of the 36th Black History Month, we have allocated a dedicated section to enhance comprehension of black history as a whole.”

In the first article, entitled Black History Month 2023 — Saluting Our Sisters, Aditya profiles three women:

• Jessica Watkins, who in April 2022 became the first Black woman to complete a long-term mission on the International Space Station
• Rosalind Brewer, who was appointed as CEO of US pharmacy store chain Walgreens in March 2021, thus becoming only the third Black woman ever to lead a Fortune 500 company on a non-interim basis
• Chi Onwurah, Labour MP for Newcastle upon Tyne Central, who entered politics after a high-flying career in the technology and telecommunications sector.

Nishanth’s article on Sadie T M Alexander, a pioneering 20^th-century African American economist and civil rights activist, is followed by Aston’s exploration of How Slavery’s Economic Echo Shapes America Today and Avinash’s look at contemporary Black economist William Darity.

The Economics section featured Year 13 pupil Soumil Sahjpall’s consideration of cryptocurrencies and whether they are being manipulated. He urged that investors should exercise caution and diversify their portfolios, stating that “whether in cryptocurrencies or traditional investments, the game is the same…The house may not always win, but it possesses significant advantages.”

The section featured two articles on AI – Year 12 boy Akheel Kale’s exploration of whether it will reshape the labour market, and Zaki Mustafa and his fellow Year 12 pupil Uday Dash’s examination of the economic impacts of adopting AI.

Akheel also delved into Economics theory, along with Year 12 pupil Shreyaas Sandeep. Shreyaas explored Game Theory and the Nash Equilibrium, while Akheel’s topic was Neuroeconomics: Better than Behavioural Economics? Tejas Banal, of Year 12, asked Are the High Wages for Top-Tier Sportspeople Justified?

In the Politics section – described by the editors as “robust” – Saim Khan, of Year 12,  thought through the question Would Democracies be Better Off Without Political Parties? and concluded with a resounding negative.

The final three articles all had environmental matters in mind. Shyam Jayabal, of Year 13, asked whether the Bank of England’s remit should be updated to address climate change challenges. Saim had the Prime Minister in his sights with his piece entitled Rishi’s Reckless Reversal on Green Commitments. And Year 12’s Dheeraj Karnati homed in on a specific item of Government policy – the recent delaying of the ban on the sale of petrol and diesel cars from 2030 to 2035 – with his piece, An In-Depth Analysis of the UK’s Trade Policies in the EV [Electric Vehicle] Market, in which he outlined the “worrying” situation in which “the Government unintentionally forced domestic car manufacturers to essentially subsidise their Chinese competitors whilst these competitors turn their attention to the UK and flood the market with their cheaper cars”.

Boys on a Sixth-Form theatre trip explored one of the seminal moments in modern Indian history – the 1948 assassination of Mahatma Gandhi.

Twenty-two Year 12 boys and their teachers went on the History department trip to the National Theatre to see The Father and the Assassin.

It tells the story of Hindu nationalist Nathuram Godse, who went from being a loyal follower of Gandhi and his non-violent methods to becoming his killer.

History teacher John Haswell said: “The play explores the conflicting narratives and complex desires of those involved in India’s struggle for freedom, and how Gandhi’s vision of an integrated nation of Hindus and Muslims clashed with the vision of others, including that of his assassin, who saw Gandhi’s integrationist ideals as a betrayal to his Hindu nationalist vision of a free India.

“For some of our students, the characters and individuals on stage were familiar through their own engagement with Indian history. Indeed, for some, the play was a portrayal of a more personal history, as family members may have experienced both the fight for independence and the horrors of partition.”

Regardless of their background, the visit enhanced all the boys’ understanding of Indian independence, showing how competing visions of a post-colonial India clashed, Mr Haswell added. They also appreciated the unique power of theatre to bring such ideas to life.

“The play also echoes beyond India, and speaks to conflicts elsewhere in the world where seemingly irreconcilable world-views collide.”

Written by Indian playwright Anupama Chandrasekhar, The Father and the Assassin premiered at the National last year. It completes its second run there this month.

After the visit, the boys, all A-level History students, gave their reactions. Joel Kidangan Justine said: “This was my first time to the theatre, and I’m amazed by how well they are able to capture the story of Indian independence in such a clever and interesting way.”

Kyshaan Ravikumar described the play as “an enticing reimagination of the struggle for Indian independence”, while Vaibhav Gaddi praised “a captivating story that sheds light on the story of Nathuram Vinayak Godse”.

Year 9’s Kelvin Chen will see his work displayed on billboards in London ahead of the UN Climate Change Conference (COP 28) starting next month after achieving success in a national art competition.

His colourful depiction of young people taking action to create a greener planet – entitled Friends of the Earth – took third place in the Climate Art Prize contest organised by Imperial College London’s Grantham Institute.

As well as the billboard display and £250 in cash, Kelvin’s prize will include seeing his piece alongside a mural in Nine Elms, close to the newly revamped Battersea Power station, that will also include the institute’s 9 things you can do about climate change.

Head of Art Craig Wheatley said: “My congratulations go to Kelvin, who followed the suggestion of my colleague, Jeanne Nicodemus, to enter and was then one of only nine winners and runners-up out of more than 1,000 entries.”

For the biennial competition, the institute, which is a research centre for climate change and the environment, challenged entrants aged 11-25 to create bold designs for outdoor public murals focused on the solutions needed to tackle the climate crisis.

For inspiration, they could look to the institute’s Climate Action Hub’s suggestions for positive actions everyone can take to reduce their impact on the planet, including reducing energy use and bills, green travel, protecting nature and eating less meat and dairy. Young people were asked to interpret these themes and focus on at least one of them when depicting their visions of a greener, cleaner, cooler future world.

The winning entries in each category will become public murals across the UK – in Glasgow, Coventry and West Norwood in London – painted by professional artists.

In his submission, Kelvin, whose third place was in the 11–14 age category, said that his piece of art has “a deep meaning behind it symbolising the actions of many people who have a passion for protecting and nurturing the planet.

“Some of the actions are shown in this drawing,” he wrote. “The left person is painting the world green, showing afforestation and protecting the world’s green spaces; the person in the middle, placing some wind turbines into the Earth, a form of renewable energy; and the person on the right is taking some of the rubbish thrown into the ocean out of the Earth’s waters.”

Speaking about his motivation to participate in the competition, Kelvin said: “I have a passion for tackling climate change and my drawing aims to inspire people to act. I think the environment should be a higher priority for the government, but there are also things we can all do to help the world.

“I’m also always up for a competition. I was excited when I received the email to say I had been chosen in third place.”

Kelvin is pictured receiving a prize at July’s QE Junior Awards ceremony from guest of honour Sunil Tailor (OE 1999–2006). As for the £250 prize money… “I’ve given it to my parents” he said.

Former Afghan refugee Waheed Arian told Year 9 boys the remarkable story of his life, from arriving near-penniless in the UK aged 15 to becoming a doctor and the leader of medical charities that support both refugees in the UK and patients in conflict zones around the world.

Over the past 24 years, he has studied at Cambridge, Imperial and Harvard, qualified as a doctor, been recognised as a World Health Organisation digital health expert and won numerous awards.

Dr Arian recounted his astonishing life and career in his lecture – yet he concluded by instead focusing on the importance of community and of giving back.

Headmaster Neil Enright said: “We are very grateful to Dr Arian for coming in to talk to Year 9.  His lecture was inspirational and it very much chimed with our mission to produce responsible young men who seek to change their world for the better.”

The assembly was led by Chris Butler, Head of Geography, who said: “His story is an important one: not only did Dr Arian highlight the need to be resilient and have ambition; he also outlined the importance of being kind to one another in our everyday lives and the strength that lies in community action and collaboration – values that the School holds dear. The refugee situation across Europe is increasingly becoming politicised, and it is important that QE boys have the opportunity to listen to those who have experienced life as a refugee and wish to re-tell their experience of the process.”

Dr Arian started his talk by outlining his own early years as a child fleeing from war. He was separated from his father and told Year 9 how he, his mother and his sisters would often cross Afghanistan to see his father in clandestine visits, explaining that this was necessary as his father had fled the army after being pressed into conscription.

Later, Dr Arian and his family fled to Pakistan to be together, with a journey that saw them having to avoid air strikes from Soviet forces who had mistaken the refugee column for Mujahideen rebels. Whilst safe in Pakistan, they were living in unimaginable poverty inside refugee camps and informal housing blocks. For most of the time they lived ten to a room, without basic sanitation or access to education. He largely taught himself, from textbooks bought from street-sellers, and learned English from the BBC World Service.

Reflecting on these experiences during the lecture, he emphasised the importance of compassion and empathy, revealing how it was often only the kindness of fellow refugees that allowed him and his family to get by. One example was when a local volunteer doctor treated his bout of tuberculosis – it was then that he determined to devote his life to healing others.

Arian’s family returned to Kabul following the Soviet withdrawal in 1989, but when the ensuing civil war intensified a decade later, his parents, wanting him to have better prospects in life, sent him to the UK.

The focus of the next portion of the talk was hope: alone, in a foreign country, and with just £60 – his parents’ meagre savings – in his pocket, he could have easily given up in despair at the dire hand life had dealt him. Yet instead he persevered. Working through anxiety and PTSD, he supported himself by taking jobs in shops and – disregarding the advice of those who suggested he set his sights on becoming a taxi driver – going to night school. After taking his A-levels, he was accepted into Trinity Hall, Cambridge, later finishing his clinical studies at Imperial.

He impressed upon the Year 9s the value of always holding on to hope, even in the toughest of times, explaining how his dream of becoming a doctor fuelled him during his studies, which culminated in him eventually getting a scholarship at Harvard Medical School. He now works as a Accident and Emergency doctor in North West England.

In the last part of the talk, Dr Arian focused on the importance of giving back to the community. He highlighted how his own experiences shaped his desire to start the charity, Arian Teleheal, in 2015. It links doctors in conflict zones such as Afghanistan with colleagues in the UK, helping to ensure that people living there can have a decent standard of healthcare, not least so that disease does not hold them back in their lives.

Dr Arian has risen to become one of the most influential medics in the NHS. In addition to working as an NHS doctor and running Arian Teleheal, in 2020 he also founded Arian Wellbeing, which aims to link psychologists, licensed therapists, personal trainers and nutritionists to offer unique, personalised holistic care for refugee trauma and PTSD patients.

He discussed his work with the two charities and took questions from the boys, declaring himself later to have been impressed with their eloquence and their understanding of the migration process.

Dr Arian was introduced to the Year 9 audience in the Friends’ Recital Hall by Saim Khan, a Year 12 geographer, who said afterwards: “It was an inspiring and insightful talk, and one which created much food for thought.”