Alumnus and former QE teacher Tim Adnitt is now firmly established with a multinational music technology company, while continuing to work very successfully as a record producer and sound engineer.
Tim (OE 1988–1995) is a Product Owner for Native Instruments, leading teams in London and Berlin for the German company, which creates software and hardware for computer-based audio production.
He has also worked on several award-winning albums, including Saluting Sgt. Pepper by British musician Django Bates, in collaboration with Frankfurt Radio Big Band and Eggs Laid By Tigers. This creative re-imagining of the Beatles’ seminal LP was named The Times & The Sunday Times 2017 Jazz Album of the Year. As a composer, Tim has written music for the Royal Opera House, the Royal Shakespeare Company and the Globe Theatre.
His work centres on Komplete Kontrol, the award-winning keyboards used by many of the world’s leading composers and producers including Stevie Wonder, Herbie Hancock, Jean-Michel Jarre, Hans Zimmer, Junkie XL, John Powell, Noah Shebib, Jacob Collier and Justin Kauflin.
He played a key role in the creation of Native Instruments’ Native Kontrol Standard (NKS), the de facto industry standard for browsing and hardware control of virtual instruments and effects.
Tim is known as an advocate for accessibility in music technology, working to promote a change in mindset across the industry towards musicians and producers with disabilities. He co-designed Komplete Kontrol’s accessibility features for visually-impaired musicians. Tim has spoken at numerous events and conferences around the world on this topic, including: last year’s Audio Developer Conference in London; Moogfest 2018 in North Carolina, USA (where he co-presented a workshop with Stanford University’s Thinking Matters Fellow, Tiffany Naiman), and Berklee College of Music Accessibility Conference 2018 in Boston, USA.
He is supported at Native Instruments by fellow Old Elizabethan and former Music Technology student Adil Ghanty (2003-2010), who joined the company in summer 2015 – an appointment that is “testament to the strong tradition of Music and Music Technology at QE,” Tim says.
After leaving QE, Tim read Music at City, University of London, before going on to take a Master’s degree in Composition. Tim taught Music Technology at the School between 2005 and 2014.
In addition to the OEs he holidays with, Surya meets up with others from his year group “both by chance at university, and on purpose for intermittent catch-ups at the pub. As a year, we have a pretty large group of people who seem to be fond of each other, which I’m thankful for. Even when at a new university or stage of life, when you find yourself having to make new friends, it’s always nice to be able to also catch up with well-known faces every once in a while.”
Surya returned to QE last year to talk to Year 11 about the virtues of studying English at university and to conduct mock university interviews. Looking back to his own School days, he recalls with affection certain characteristic sights and sounds: “The noise of the atrium at lunchtime, with people constantly banging on lockers as they play cards or scramble to finish off some work, sticks in my mind.
Ken Cooper (OE 1942–1950), David Farrer (1954–1961) and John Todd (1958–1964) were introduced by Head of History Helen MacGregor. There was an opportunity for the Year 7 boys to ask them questions, which typically focused largely on the disciplinary regime of the time!
At first, all that lay behind the Main Building was the ‘Gun Field’. Later, an unheated, open-air swimming pool was built; boys were expected to swim in it in all weathers.
During his tenure, the strictness of the regime was seen in the use of corporal punishment. The cane was still very much in use and boys could, in the schoolboy slang of the time, be ‘whacked’ for a variety of misdemeanours. The three alumni reported, though, that they accepted this as being a normal part of school education and thought that there was usually good reason for the punishment! Mr Todd recalled going to be caned and being asked to select which of three different canes should be used. He remembered being concerned that it would be very obvious that he had hidden a workbook down the back of his trousers to cushion the blows, although this was, in fact, not commented upon by the master.
The day, a great highlight of the School’s summer calendar, included a morning church service and subsequent ceremonial proceedings, before culminating in the popular afternoon fete on Stapylton Field.
The day got off to a stirring start with the School Choir’s rendition of Handel’s coronation anthem, Zadok the Priest, performed as the introit in Chipping Barnet Parish Church.
Major Russell told the congregation of boys, staff and VIPs of his experiences in 2010, when he and a fellow soldier were very seriously injured in Afghanistan, where he was serving with The Royal Gurkha Rifles. “We were on the operating table in Camp Bastion within 25 minutes of the blast, and back in Birmingham two days later.
Major Russell added that he had been “touched beyond words” to receive a card from the QE staff as he lay immobilised in his hospital bed. “Not only was there a card, but a parcel was delivered containing a spanking new iPad: these had just come out in the UK and were seriously hot pieces of technology then.”
After the service, the day continued, in accordance with cherished QE tradition, with the roll call and the reading of the School Chronicle in front of the main building.
The afternoon also saw the annual Stanley Busby Memorial Cricket Match between old boys of the School and the current First XI. Played on the Third Field at the rear of the School, it was this year won by the pupils after a close encounter with a strong team of OEs.
Adam has just started his Internal Medicine Residency at Baystate Medical Centre in Central Massachusetts, where he lives in Springfield with Saima. “It’s a role that doesn’t exactly exist in the UK,” he says. “I basically cover all non-surgical medical problems in the hospital for adults. I tell my non-medical family and friends that I do what JD and Dr Cox do on Scrubs – a programme I watched at lunchtimes on a very small screen in the Sixth Form Common Room at QE!”
His professional experience of life in the USA has been overwhelmingly positive. “America is at a very unusual point. Most people’s views of the country are based on its domestic and international politics, which at the moment is very chaotic. Personally, my experience of the USA has been very different: it is an incredibly open country, where large institutions are desperate for the best employees they can find, regardless of where you are from. They highly regard international experience and yearn to learn about different perspectives.”
At School, Sahil was elected a drama director and also ran the QE dance club for four years. He has built significantly on this QE experience at Harvard: “I was the lead male actor in a play called JOGGING, which was performed eight times at the American Repertory Theatre and directed by professional director Melissa Nussbaum. The play is set in Beirut, deals with themes of religious violence, feminism, and motherhood, and involved me playing six different men at different stages of life. It was definitely the most intense (and rewarding) theatrical experience I’ve had so far; luckily, my mum was able to visit and watch!”
During his first year at Harvard, he has taken a few trips with fellow students, which has served both to deepen friendships and to further his love of travel. These included a road trip & trekking expedition in Texas and a last-minute trip to Iceland a week before examinations, with Sahil and his fellow students taking advantage of $100 tickets and studying on the aeroplane to make sure their results did not suffer.