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Drawing inspiration: boys view work of artist Phyllida Barlow on Tate Modern visit

Twenty Year 10 GCSE Art students seized the opportunity to study at first-hand the work of leading British artist Dame Phyllida Barlow – a key figure in their current lessons.

The boys, who have spent the term using her Bad Copies series as a starting point to develop their painting and drawing skills, headed straight to the rooms in Tate Modern’s Materials and Objects collection dedicated to her work.

Head of Art Craig Wheatley explained why her paintings and drawings are so influential: “Barlow’s drawings are often derived from her environment, but never drawn from life; they range from swift biro and pencil sketches in notebooks and diaries to more heavily worked acrylic drawings and oil paintings, which experiment with surface textures as well as colours, forms and arrangements.”

The boys also enjoyed finding out about aspects of her oeuvre that were less familiar to them: “After responding to Barlow’s paintings and drawings, the natural progression was to explore and respond to her three-dimensional work.”

During the visit, the boys took time to analyse and record their observations in the form of written annotation and observational drawing. Guided by teaching staff, they were challenged to contemplate the meaning of the works on display and the artist’s intention, giving both objective analysis and subjective opinion.

There was also time for them to explore the gallery space independently, so that they could make comparisons between different genres.

“It was a productive day: starting at St Paul’s Cathedral, we walked across the Millennium Bridge photographing the ever-evolving landscape, before enjoying a great time at Tate Modern – the first visit for a majority of the boys,” said Mr Wheatley.

“They enjoyed the opportunity to see artwork first-hand and to be inspired. Having their appreciation and understanding challenged is significant in ensuring that pupils’ own work continues to develop and become more sophisticated.

“Furthermore, the visit developed their ability in out-of-classroom research and in generating independent ideas. Those are transferrable skills that the boys will be able to apply across their current and future curriculum.”

Born in 1944, Barlow taught for 40 years and in 2004 was appointed Professor of Fine Art and Director of Undergraduate Studies at Slade School of Art before retiring from teaching in 2009.

Her break as an artist came late: it was in 2010 when she was shown at the Serpentine Galleries. Solo exhibitions around the world followed, and in 2017 she represented Great Britain at the Venice Biennale.

She has had an important influence on younger artists, including Rachel Whiteread and Angela de la Cruz, who were among her students at the Slade.

Exploring the lingering legacy of Japan’s worst modern disaster

Old Elizabethan Makoto Takahashi, a global expert on the Fukushima Daiichi nuclear power plant meltdown in Japan, gave a group of current sixth-formers a special invitation to an exhibition he has curated.

Featuring photography and a number of essays, the exhibition, which marks the tenth anniversary of the nuclear disaster and the earthquake and tsunami that precipitated it, is being held at the Royal Geographical Society in London. The earthquake and tsunami killed more than 15,000 and triggered a triple meltdown at the power station, forcing 200,000 people from their homes.

Makoto (OE 2003-2010) treated the 13 Art & Design and Geography A-level students to a lecture and a personal tour.

Head of Art Craig Wheatley said: “The exhibition explores the lingering legacy of the 2011 disaster. There is a sophisticated and diverse range of photography that challenged the boys’ appreciation of both the aesthetic and conceptual. Having Makoto’s insight was invaluable; his willingness to explain and unpack the work was matched by the boys’ enthusiasm and desire to learn more.”

“In his QE days, Makoto was himself a talented A-level artist and geographer,” Mr Wheatley said.

He is a lecturer at the Technical University of Munich and will be returning to the Harvard Kennedy School of Governance as a Fulbright-Lloyd’s Fellow in early 2022.

He began work on the Fukushima Daiichi disaster ten years ago, soon after it happened. He received his BA, MPhil and PhD from Cambridge University and was a visiting fellow at Waseda University in Tokyo.

His thesis, which examined how claims to expert authority are made in conditions of low public trust, received the American Association of Geographers’ Jacques May Thesis Prize.

The exhibition, entitled Picturing the Invisible, sees his research interests coming together with his longstanding engagement with the London art scene: while in the Sixth Form at QE, he took part in in the Royal Academy’s attRAct programme and in the Louis Vuitton Young Arts Program; he has also been an Event Manager at the OPEN Ealing community art gallery.

Expressing his gratitude to Makoto, Mr Wheatley added: “As a cross curricular trip between the Art and Geography departments, this was a fabulous opportunity for learning.  It combined detailed analysis of visual language with geological narrative of the ‘worst crisis Japan has faced since World War II’.”

The exhibition is on until 23rd December.

Dig deeper, look closer, think bigger: Black History Month at QE

Queen Elizabeth’s School marked Black History Month with a diverse range of special activities both inside and outside of the classroom that drew lessons from the past, while also saluting those building a path today towards a better future.

One undoubted highlight was the online assembly given to the Sixth Form by Roni Savage ­(pictured above) – engineering geologist, founder of a multi-million pound construction industry consultancy, multiple award-winner…and a QE mum.

Headmaster Neil Enright said: “We sought to provide lots of different opportunities during Black History Month to ensure that our boys could, in the words of a BHM slogan, ‘dig deeper, look closer, think bigger’, coming up with an array of innovative ideas. These ranged from our Lower School History Raiders group researching ancient Black kingdoms and civilisations, to Year 7 PE lessons promoting sports in which athletes have either faced racism or have changed the world due to their participation, such as basketball, boxercise and indoor athletics.

“I am especially grateful to Mrs Savage, who, as a Black woman working at a high level as an entrepreneur in construction, is a true pioneer in her industry, with an impressive list of achievements and accolades to her name. She has certainly proved people wrong who doubted her because of her race, gender and age.

“And she inspired our sixth-formers with her injunction to ‘stand up, stand out, stand tall’ and her insistence that ‘there are no limits to what you can achieve’ with hard work and talent.”

Mrs Savage, whose son, Jayden, is in Year 13, is the founder of Jomas Associates, a large engineering and environmental consultancy, and Policy Chair for Construction within the Federation of Small Businesses. She is a Fellow of both the Royal British Institute of Architects and the Institute of Civil Engineering, and is on the current UK Powerlist of Britain’s most influential people of African/Caribbean heritage.

Her message was that diversity is vital to the capacity, capability and sustainability of all sectors, but that to achieve it, the status quo, with its harmful stereotypes, must be challenged.

Here is a selection of the many activities and initiatives that took place at the School as part of this year’s Black History Month:

  • A discussion in MedSoc (Medical Society) of the work of Malone Mukwende, who as a second-year medical student at St George’s, University of London, developed a book to help doctors diagnose skin rashes and diseases on black and brown skin, addressing decades of racial bias in medical education;
  • The Year 9 Shakespeare Film Club watching Othello and discussing the racial issues in the play, as raised in a British Library article;
  • Publication of a special Black History Month (and COP26) issue of the Economics department’s magazine, Econobethan;
  • Cancellation of all Music rehearsals one lunchtime, with the pupil team from the Music Enrichment Society instead giving a presentation about Black musicians. Pictured, above, are boys giving a special performance ahead of the talk;
  • Year 9 had a special Depicting Jesus Philosophy, Religion & Society (PRS) lesson, which focused on different representations of Jesus, including those from the Ethiopian Church and Rastafari traditions, and on the use of images of white Jesus for imperialist ends;
  • Year 8 geographers started a new, permanent unit on Migration towards the end of October, with a first homework task linked to Black History Month.
Out of the ordinary

Boys from Years 7–10 relished the opportunities offered to them during Enrichment Week 2021, when all four year groups were given a day off from their normal lesson timetables.

From the cerebral and scientific challenge of cryptography to the literary, emotional and rhetorical attractions of Shakespeare, the week featured a very diverse range of activities designed to be both stimulating and fun.

For Year 10, the brief was to work in groups to design and construct ‘wearable architecture’, using 6mm paper tubes.

Assistant Head (Pupil Progress) Sarah Westcott said: “The boys were asked to give consideration to form and structure. Many of the groups demonstrated good team-working skills, with some of them even managing to include moving parts.”

Year 10 were also involved in drama workshops that included performances of a heavily abridged version of Romeo and Juliet.

Year 7 enjoyed the chance to apply a little lateral thinking in an RAF cyber security challenge.  This STEM (Science, Technology, Engineering & Mathematics) activity involved tackling a series of cryptography and coding tasks and helping a company retrieve its stolen data from cyber criminals. Working in teams of six, the boys competed against each other and against the clock, battling to be the first to unlock the stolen data.

The task helped inform them about ‘phishing’ and other techniques used by criminals to compromise their targets’ data.

Originally the day was to be led in person by RAF personnel, but because of Covid restrictions, the School managed it virtually, starting the day with a live stream through YouTube in which the boys were given an outline of their tasks and an overview of the importance of cyber security. Funded by the RAF, the event was run in collaboration with the Smallpeice Trust, an educational charity promoting careers in science and engineering to young people.

“We wanted to raise awareness of digital careers, whilst developing students’ problem-solving and research skills,” said Dr Westcott. “Students found it challenging to work to time and benefitted from the need to think creatively to solve problems whilst coordinating their team’s efforts.

“The event was intended to give an insight into the types of skills required for careers in cyber-forensics. The boys discovered that it isn’t all about coding – you must be a collaborative member of a team and keep a cool head under time pressure, too.”

In addition, Year 7 flexed their vocal cords in a singing workshop, while Years 8 and 9 took to the countryside on their respective sponsored walks.

 

 

Let the playing commence!

Scores of the School’s young musicians battle it out today in a competitive Pianoathon Challenge being held to raise money to buy pianos for the new Music School.

Each of the School’s Houses has been challenged to provide an hour of sound, with small teams of musicians and soloists playing for up to three minutes each: the result should be six hours of non-stop music in the Main School Hall.

The event has been arranged as one of the special events taking place to celebrate tomorrow’s Founder’s Day.

Director of Music Ruth Partington said: “This is part of our last big push to ensure that our brilliant new Music School is equipped to the highest standards when it opens in the autumn. Thanks to the generosity of the School’s Foundation Trustees, we have already secured the purchase of a superb grand piano for our new recital hall, but that still leaves seven new practice rooms all needing a high-quality piano – and that is what we are raising money for today.

“If you haven’t already donated, please give now, sponsoring your House, or your son’s House, via our dedicated eQE Pianoathon page. This is a real first for QE and promises to be a thrilling event: let the playing commence!”

Parents and friends can watch the musical action unfold live in a special YouTube broadcast (above), which can also be viewed on the eQE page and via the Music department’s YouTube page.

Each House has entered small teams comprising up to five musicians – including at least one pianist – to play music of their choice. There is a visiting guest adjudicator, Mr Huw Jones, Director of Music at The John Lyon School in Harrow, who will be helping to pick the winners in the various categories, which cover team and solo performances (both for each year group and overall), also including a prize for the Best House Overall. Houses that raise large amounts of money will also have the opportunity to have one of the new pianos named after them.

Today’s musical menu chosen by the boys includes a rich range of genres and styles, and features instruments ranging from violins to electric guitars, and from oboes to tablas. Here is a small selection of the repertoire to be heard, House by House:

  • Broughton: Canon in D, Pachelbel; Étude op 10 no. 12 ‘Revolutionary’, Chopin; Peppa Pig theme
  • Harrisons’: Es war einmal, Grieg; Downton Abbey theme, John Lunn; Samba Nights, Proudler
  • Leicester: Attack on Titan Opening Theme 1, Sawato; Merry Christmas, Mr Lawrence, arr. Sakamoto; I See Fire, Ed Sheeran
  • Pearce: Sonatina in C major, Kuhlau; Opening Night Jazz, Martha Mier; Sonata No. 3, Prokofiev
  • Stapylton: Romanze Op. 28, Schumann; Sonatina Movement 1, Dušek; Toccata in G minor
  • Underne: Pink Lady, Pam Wedgwood; Prelude in C-sharp minor, Rachmaninoff; Your Song, Elton John.

The £3.5m-plus Music School, which is currently in the final stages of construction, received the go-ahead in 2019 after the Department for Education accepted the School’s £2.2m bid, which consisted of a £1.2m grant and £1m loan.

Like all major improvements at the School over the past two decades, the project is relying on the generous financial support of the Friends of Queen Elizabeth’s and other benefactors. Pride of place in the building will go to the Yamaha CF6 grand piano in the recital hall, which was chosen by the Music Department after a week-long audition process. Valued at just under £75,000, it is being paid for by the School’s Foundation Trustees.

For those without an eQE account, donations can be made to each House’s total by clicking on the relevant name: Broughton; Harrisons’; Leicester; Pearce; Stapylton; and Underne.

 

Senior soloists in full flow in a live-streaming first for QE

The Music department have adapted to Covid-19 conditions with the first-ever concert from the School to be live-streamed on YouTube.

The Senior Chamber Concert featured a restricted audience in the Main School Hall, but was also filmed and broadcast online so that the wider QE community could see it in real time.

Director of Music Ruth Partington said: “It is exciting to be live streaming to YouTube. As ever, the boys in the concert have been practising hard and they should all be congratulated on achieving such a high standard of performance.”

The programme for the first major concert of the academic year exclusively featured soloists, with 13 performances during the course of the early-evening event.

Playing instruments ranging from the electric guitar to the flute, they were drawn from Year 11 and the Sixth Form. The repertoire was similarly diverse, from Beethoven (Year 12 pianist Alex Woodcock performed the Sonata in G Op.14 Allegro) to contemporary American guitarist Steve Vai’s Die to Live (performed on the electric guitar by Kirtinandan Koramutla, of Year 11).

The concert, which ran for 1hr 17mins, opened with another electric guitar piece – Soma, by Simon Troup – played by Year 11’s Atul Kanodia.

The sole vocalist of the night was Shivas Patel, of Year 12, who performed songs by the 19th German composer Robert Schumann (Ich Grolle Nicht from Dichterliebe) and his protégé and friend, Johannes Brahms (Ständchen).

Year 12 alto saxophonist Conor Parker-Delves brought the evening to a close with his performance of Pequeña Czarda by Pedro Iturralde, a Spanish saxophonist and composer celebrating his 91st birthday this year, who composed the virtuoso piece in 1949.

Mr Tadashi Imai, one of QE’s visiting music teachers, accompanied the soloists on the piano.

The technical operations, including the live-streaming of the concert on the QE Barnet Music YouTube channel, were run by Indrajit Datta of Year 10.

The concert is still available for viewing on the Music department’s YouTube channel.