Countless hours spent jamming with friends in the Music block at QE sowed the seeds of Sergio Ronchetti’s career as a composer and sound designer for video games and films.
Returning to the School to deliver a careers lecture to Senior School pupils, Sergio (OE 2004–2011) recalled that when he decided to go into music instead of taking a place at university, everyone around him said he was making a mistake.
But, he told the boys, he had no regrets about his chosen path, since it had put him in control of what he was doing. He loves practising music six-to-eight hours a day as he finds it therapeutic and it gives him direction. He had been true to himself, his career giving him opportunities to learn from, helping him to mature and making him happy. “It’s more about the journey, rather than the end game. Every day I get a little bit better at something, I progress.
“Give yourself time to make decisions – meditate and do something productive,” he advised the boys gathered in the Shearly Hall. “If you don’t know what to do for a career, take a year out, work, take a course. There’s no rush!” Just as in rugby, you must actually take steps forward in order to achieve your career goals, particularly if those goals are ambitious, he said.
Sergio spent the first four years after leaving QE as a professional musician, culminating in the release of a full-length album. During this time, he achieved several accolades, including an artist endorsement from ESP Guitars and Laney Amplification, while also performing at major festivals and at sold-out shows in both UK and mainland Europe.
He did eventually go to university – but in his own time and as the next logical step in his career plan. Although he came from a rock background (influenced by his uncle’s heavy metal collection), he decided to eschew a possible future in a touring band playing guitar, because he “wanted to be a part of something bigger”. He loves the indie game scene and says his ambitions include working on “the biggest video game in history”. Asked what his ten-year goals were, Sergio staed: “I would like to score a couple of good jobs in film – possibly become head of a music production department”.
Thus, in 2016, in order to facilitate this burgeoning ambition to become a film and game composer, he went to Goldsmiths, University of London, to study Music, from where he graduated with a First.
Today, Sergio works as a freelancer, describing himself on his own website as a ‘composer/sound designer’. His recent work on the indie game Eldest Souls was showcased at E3 Los Angeles, the premier trade event for the video industry.
He is a regular supporter of the School and gave a presentation on sound design in video games at last year’s Year 11 Careers Convention.
Headmaster Neil Enright said: “Sergio’s story is a very interesting one – through a combination of determination and talent, he is successfully forging a career in a highly competitive industry. Of course, unlike him, a very large majority of our boys do go on to university immediately on leaving the School or after a gap year, but we are keen to make sure that pupils are fully informed about all the different options available to them so that they can make the choices that are best for them.”
Sergio advised any boys interested in following in his footsteps not to rely on making money from such a career in the beginning. “Freelance work takes a while to build up. Do it as a hobby first. You don’t have to spend a lot of money, either; you can use your laptop or iPhone.”
Sergio was happy to dispense a little technical advice – he suggests Logic or Ableton software for music production, using Logic himself, while Pro Tools is good for film-editing.
Asked about the skills required for a career similar to his, Sergio urged the boys to be open to possibilities and to be prepared. “If someone comes to you and says ‘are you ready to mix this album?’ you need to take the challenge.” He does not believe in luck: “It’s all about work ethic and discipline.”
There were also questions about the UK grime & rap industry and whether it incites violence. Sergio said he believed not; artists were merely expressing the violence going on around them. He added, however: “As a musician you do have a level of responsibility and need to be aware of what messages you’re spreading.”
In a two-hour Body Percussion workshop led by experts from music and dance organisation Inspire-works, pupils were shown how to produce exciting rhythms and sounds by stamping their feet on the floor, patting thighs with open palms, clicking fingers, clapping hands and patting or knocking their chest.
A strong performance at Sports Day helped Broughton overtake Pearce to claim overall victory as the leader of QE’s six houses – a victory announced to great excitement at the end-of-year House Assembly.
running Sai School Appeal, which aims to help the Sri Sathya Sai English Medium School in Kerala, India.
For the Sai School Appeal, a FIFA Tournament saw staff and pupils battle it out, games controllers in hand, in what was perhaps the most popular charity event of the year. One notable match included that between the Headmaster and the 2019 School Captain, Bhiramah Rammanohar.
The assembly also reviewed other activities of the year.
Years 8-11, as well as those who performed strongly in the UK Chess Challenge. Junior, intermediate and senior chess colours were presented.
In a very varied programme that ranged across the genres from traditional Indian classical and western classical to jazz and pop, the boys explored mankind’s enduring fascination with the moon, featuring a number of space-related pieces.
Brass Ensemble played an arrangement of Debussy’s beautiful Clair de Lune, while the School Choir sang Moondance, the jazz-infused title track on Van Morrison’s third album, released in 1970.
achievement.”
s Brown also highlighted other aspects of the concert in the Shearly Hall including the collaboration between two different ensembles, the Sinfonietta and Flute Ensemble to perform Moon River, “very professionally directed” by Music teacher Hannah Morgan.
“String Quartet is another example of an ensemble brilliantly led by pupils themselves. Whilst the Shostakovich [String Quartet No. 8] did not link to our space theme, it was great for the boys to have the opportunity to perform it to a large audience in preparation for the prestigious South East Schools’ Chamber Music Competition they will be entering in the Autumn Term.
The Telugu lyrics of the piece performed by the Junior Indian Ensemble implore Lord Krishna, “Please come my lord Venugopala”. The popular composition, using the carnatic raga Bilahari, is one of the early compositions that children learn when they start carnatic music lessons.
The multi-million pound project can now be brought forward, enabling QE to offer a host of additional facilities to its young musicians even sooner than expected.
complex in the heart of the School will feature a new performance venue and a number of much-needed teaching and rehearsal rooms. These will be larger than the existing Music facilities and will all be fully equipped to the very latest standards.
QE’s estates strategy has transformed the fabric of the School since the mid-1990s, backed by FQE support.
Richard (OE 2005–2012) originally planned to study Law at university. “Although I really struggled to write my personal statement, I managed to get something together and got ready to send off my applications.