Colourful, diverse, compelling: QE pupils draw inspiration from Grayson Perry’s latest work

GCSE Art students enjoyed exclusive access to a Sir Grayson Perry exhibition on a visit to a London art gallery. 

The Year 11 boys had the popular exhibition, Delusions of Grandeur, to themselves during their visit to The Wallace Collection museum. 

They then had the chance to give their own creative responses in a special workshop. 

And before leaving, the group found time to see the gallery’s famous portrait of Robert Dudley, Earl of Leicester – a key figure in QE’s founding in 1573. 

Headmaster Neil Enright said: “This Art department trip amply demonstrates the advantages of our proximity to London, which gives our boys easy access to all the exciting opportunities that the capital presents.” 

The purpose of the trip was to explore the work of Grayson Perry, who is known especially for his ceramic vases and tapestries. The results of this exploration then informed the boys’ own work on the theme of Personal Identity.   

Arranged to mark the artist’s 65th birthday, the exhibition featured more than 40 new works. It was the largest contemporary exhibition ever held at the museum. 

Art teacher Linda Mitchell said: “We were lucky to have exclusive access to the exhibition in the morning. 

“We then had an excellent workshop, where students could respond to the work by Perry through drawing, painting, collage and print-making. 

“It was a thoroughly enjoyable and rewarding day.” 

Several of the boys afterwards gave their reflections on the day:  

• Gyan Nadhavajhala praised Perry’s “handling of pre-existing images and his fusion of different media…. His combination of older, physical art with modern tools such as Photoshop drew me in and differentiated his work from others’.” 

• Akshay Jigajinni was impressed by the artist’s “inspiring” manipulation of colour and shape. “I truly felt that each splash of paint or each pen stroke evoked a different emotion.” 

• Alan Fang was also struck by the use of colour, as well as by the sheer range of work on display, from single-colour sculptures and tapestries to an extremely colourful sculpture that featured multi-coloured pins. 

• Kevin Peduru Hewa liked “the quickness and looseness of the drawings in the first room…and the 3D quality and use of materials in the second room”.  

With the visit to the exhibition and the workshop complete, that still left time for the boys to take in all The Wallace Collection’s other artworks, including the portrait of Dudley, which is attributed to Steven van der Meulen. Dated to 1560-1564, it is thought to be the earliest portrait surviving of the earl at whose request Queen Elizabeth I granted the charter for the establishment of Queen Elizabeth’s School.