A performance of Othello by the School’s senior actors has been roundly praised by a representative of the Shakespeare Schools Festival.
The production of the tragedy, performed during the SSF at the Arts Depot in Finchley and then again in School to Year 11, was a central part of the inaugural QE Shakespeare Festival. This week-long celebration of the works of England’s greatest playwright was brought to an end by an “inspiring” and “hugely entertaining” lecture to Year 10 from John Mullan, a professor of English at University College London.
In her written appraisal of the performance addressed to the cast of 18 boys from Years 9–13, Lisa Ors, of the SSF, said: “Congratulations on a dramatic, dynamic and deadly production. Staging a Shakespeare play in these changing times takes extra courage, tenacity, and creativity. You should be incredibly proud of what you and your teachers have achieved.”
Praising their “brilliant evening of theatre”, she singled out various elements, such as: their use of space and the “wonderful stage pictures” they created “including the opening scene on a motorbike”; the “effective use” of lighting and sound; their “fantastic” characterisation; their use of gesture, and their deployment of “varied vocal qualities to convey emotion with clarity”.
QE’s Othello was also lauded by the School’s Assistant Head (Pupil Involvement), Crispin Bonham-Carter, whose own background is as a well-known professional actor and theatre director.
“Our boys’ performance of Othello at the Arts Depot and again at School was a dark journey into the psychology of jealousy and revenge. Patrick Bivol [Year 11] played Iago with a hands-in-pockets insouciance that made his lies and plotting deliciously painful to watch, while Sultan Khokhar [Year 13] gave the Moor [Othello himself] a calm nobility as he met his tragic downfall.
“The protagonists were brilliantly supported by one of the strongest ensembles we’ve seen in QE drama. Keiaron Joseph [Year 11] was particularly moving as the faithful Desdemona, and Augie Bickers [Year 10] set new standards in drunk acting as the reputationally challenged Cassio.
“This was a genuinely entertaining piece of theatre and is a great reflection of the progress that drama here has made in recent years. Our resident director, Gavin Molloy, treats the boys as professionals, and this cast should be extremely proud of themselves.”
In his talk to Year 10, Professor Mullan, Head of Department and The Lord Northcliffe Chair of Modern English Literature at UCL, asked the boys: “What links the following words: assassination, bloodstained, cold-blooded, deafening, fashionable, lonely, undress, vulnerable?”
The answer is, of course, Shakespeare, he said. “He invented nearly 2,000 words never seen before in the English language.”
Professor Mullan is a regular TV and radio broadcaster and a literary journalist; he writes on contemporary fiction for The Guardian and was a judge for the 2009 Man Booker Prize.
Mr Bonham-Carter said: “Professor Mullan was hugely entertaining and made a passionate case for further literature studies, noting, in passing, that his English Literature graduates were going on to the highest-earning jobs of all UCL’s departments…”
“Year 10 listened intently and asked many intelligent questions.”
Headmaster Neil Enright said: “My thanks go to my colleagues and the boys for making our inaugural QE Shakespeare festival a resounding success, with Othello an undoubted highlight and Professor Mullan’s visit constituting a very satisfying conclusion. A perusal of our archives at QE Collections will reveal that the resurgence of drama in recent years picks up on an older tradition of offering high-quality productions here.
“In fact, our connections with the theatre go back to the time of Shakespeare himself, and even a little before that. Court favourite Robert Dudley, Earl of Leicester, who successfully petitioned Queen Elizabeth I for the School’s founding charter, granted in 1573, was an important patron of theatre in Tudor England, supporting his own troupe, Leicester’s Men, and the establishment of the Theatre in Shoreditch, forerunner of London’s famous Globe Theatre.
“As we approach our 450th anniversary next year, I am very proud to see current Elizabethans take up the mantle of delivering excellence in areas such as drama, oratory and debate.”
- Next up for QE’s thespians is courtroom drama, with a production of Twelve Angry Men planned for the Summer Term.
Shaun Dellenty, who has been honoured at the National Diversity Awards and was praised by then Prime Minister David Cameron for his work, led a virtual assembly for the Sixth Form, urging the boys to use their voices to advocate for what they believe in.
By becoming an ‘upstander’ – one who intervenes on behalf of those who are being attacked or bullied – he had had influence beyond his expectations, with a life journey that had taken him all the way to Downing Street. He told the boys he hoped the boys would reflect on how they could similarly use their voice to advocate for what they believe in.
Head of Year 13 Simon Walker thanked Mr Dellenty for his talk. He noted as a History teacher that it was striking that LGBT histories were only now just starting to be unearthed or be focused on: they had previously simply not been regarded as a priority.
“It was Leicester, one of the great figures of the Elizabethan age, a leading patron of the theatre and, of course, a near-contemporary of Shakespeare, who, in 1573, asked Queen Elizabeth I for the Charter to establish Queen Elizabeth’s School,” said Mr Enright. “Thus, our Shakespeare Festival Week in a sense honours his legacy to the arts as we prepare to celebrate the 450th anniversary of our School next year. We are seeking to build on that legacy today through promoting drama and through the central importance we attach to oracy and verbal communication.”
For the final, the English department drafted in their own panel of ‘guest’ judges – History and Politics teacher Liam Hargadon, Head of Geography Emily Parry and Mrs Elaine White, retired teacher of drama at QE. The event was hosted by Assistant Head (Pupil Involvement) Crispin Bonham-Carter.
“The overall House winner was Stapylton; Snehal Das gave a powerful empathetic performance as Shylock from The Merchant of Venice, and Nimesh Nirojan seemed like he was speaking to thousands in the Roman forum as he gave Antony’s funeral oration from Julius Caesar.”
The carefully curated collection of 232 photos of form groups, year groups, sports teams and prefect teams is displayed along the ground-floor corridor of the Main Building.
Headmaster Neil Enright said: “It has been very exciting to have the ground floor of our Main Building transformed with this celebration of continuity and change. The photos are a striking visual representation of our inspiring heritage, showing many thousands of people with this one thing in common: they all attended our School.”
“One of the sparks for the entire QE Collections project was Richard’s desire to see the preservation of the old group photographs that used to line the top-floor corridor,” he explained. “He has left a great legacy to the Elizabethan community in Barnet and we are indebted to him.”
In the years since, camera technology has undergone frequent change, with, for example, the introduction of colour and, more recently, of digital technology, replacing analogue film.
Dr Bhattacharya’s book, entitled The Man from the Future: The Visionary Life of John von Neumann, was named a Financial Times and Times Literary Supplement Book of the Year in 2021.
In his talk, Dr Bhattacharya mentioned the Manhattan Project as well as, inter alia, von Neumann’s contributions to set theory, game theory and the development of the first programmable digital computer.