Select Page

Viewing archives for English

From phantoms to whimsy – Rishi “beats QE’s poetic drum” in national competition

When the School put Rishi Watsalya forward for a national poetry recitation competition, he set out both to put smiles on the faces of his audience – and to send shivers down their spine.

And according to the Poetry By Heart competition judges, Rishi, who had previously impressed his teachers in an internal QE poetry memorisation and recitation contest, managed to do just that.

A Year 7 pupil, he received a Highly Commended certificate for his performance of Walter de la Mare’s mysterious, supernatural The Listeners, published in 1912, and of James Reeves’s 1964 whimsical nonsense poem, Mr Kartoffel.

In her judgment, the Director of the competition, Julie Blake, said that for his first poem, Rishi gave “a well-paced recitation which created the right atmosphere of mystery and suspense”. Regarding Mr Kartoffel, she added: “We loved the way you engaged with your poem and we enjoyed the spirited way in which you approached it. You brought out the humour in the poem very well.”

Poetry By Heart was founded in 2012 by educator Dr Blake and by Andrew Motion, UK Poet Laureate 1999-2009. In addition to the annual competition, there is a website with teaching and learning resources for all ages.

QE English teacher Panayiota Menelaou explained how Rishi came to be selected to take part in the national event. “Initially, we ran an internal competition within the School in which all Year 7 pupils were required to learn by heart and perform a poem of their choice. We held classroom-based heats and then an internal final, and Rishi was chosen as the overall winner.”

For Poetry By Heart, Rishi had to learn two poems, a pre-1914 and a post-1914 poem, which were recorded and submitted to the judges.

“Rishi recited the poems with confidence, and I was very impressed with his use of voice intonation, body movements and hand gestures which helped bring the poem to life and give the words meaning, said Mrs Menelaou, who oversaw QE’s participation in the event.

Head of English Robert Hyland congratulated Rishi on his success: “He has shown an outstanding effort here, to be able to perform two poems with the confidence and understanding shown by Rishi is highly impressive.

“There are few better ways to get to understand a poem than being able to perform it – each decision made by the reader about tone, pace, rhythm and emphasis has to be based on an understanding of what the poem and the poet are trying to communicate,” he added.

Rishi himself said he that participating in the event was “extremely fun!” He chose The Listeners because “it was quite mysterious and chilling,” and give him plenty of opportunity to stir up the emotions “For contrast, my second poem, Mr Kartoffel, was quite funny and wacky, and when I first read it, it definitely put a smile on my face.”

Rishi explained the secret to his success: “When learning my poems, I discovered that it was much easier to learn small sections at a time, rather than trying to do it all in one go. When I was performing, I really meant what I was saying and ‘became’ my character, so I really enjoyed it! My aim was to make my audience feel engaged and drawn in to my poems.”

Assistant Head (Pupil Involvement) Crispin Bonham-Carter said: “Poetry should be celebrated loudly! Its ideas, sounds and rhythms should resonate around a school – especially a school founded by Shakespeare’s generation. Well done, Rishi Watsalya for continuing to beat our poetic drum and well done to all who took part.”


The Listeners

By Walter de la Mare

‘Is there anybody there?’ said the Traveller,

Knocking on the moonlit door;

And his horse in the silence champed the grasses

Of the forest’s ferny floor:

And a bird flew up out of the turret,

Above the Traveller’s head:

And he smote upon the door again a second time;

‘Is there anybody there?’ he said.

But no one descended to the Traveller;

No head from the leaf-fringed sill

Leaned over and looked into his grey eyes,

Where he stood perplexed and still.

But only a host of phantom listeners

That dwelt in the lone house then

Stood listening in the quiet of the moonlight

To that voice from the world of men:

Stood thronging the faint moonbeams on the dark stair,

That goes down to the empty hall,

Hearkening in an air stirred and shaken

By the lonely Traveller’s call.

And he felt in his heart their strangeness,

Their stillness answering his cry,

While his horse moved, cropping the dark turf,

’Neath the starred and leafy sky;

For he suddenly smote on the door, even

Louder, and lifted his head:—

‘Tell them I came, and no one answered,

That I kept my word,’ he said.

Never the least stir made the listeners,

Though every word he spake

Fell echoing through the shadowiness of the still house

From the one man left awake:

Ay, they heard his foot upon the stirrup,

And the sound of iron on stone,

And how the silence surged softly backward,

When the plunging hoofs were gone.


Mr Kartoffel

By James Reeves

Mr Kartoffel’s a whimsical man;

He drinks his beer from a watering-can,

And for no good reason that I can see

He fills his pockets with china tea.

He parts his hair with a knife and fork

And takes his ducks on a Sunday walk.

Says he, “If my wife and I should choose

To wear our stockings outside our shoes,

Plant tulip bulbs in the baby’s pram

And eat tobacco instead of jam,

And fill the bath with cauliflowers,

That’s nobody’s business at all but ours.”

Says Mrs. K., “I may choose to travel

With a sack of grass or a sack of gravel,

Or paint my toes, one black, one white,

Or sit on a bird’s nest half the night –

But whatever I do that is rum or rare,

I rather think that is my affair.

So fill up your pockets with stamps and string,

And let us be ready for anything!”

Says Mr. K. to his whimsical wife,

“How can we face the storms of life,

Unless we are ready for anything?

So if you’ve provided the stamps and the string,

Let us pump up the saddle and harness the horse

And fill him with carrots and custard and sauce,

Let us leap on him lightly and give him a shove

And it’s over the sea and away, my love!”

 

Home, our refuge from lockdown silence and sadness

Year 10 boy Arjun Patel has won the plaudits of his teachers for an account of life in lockdown that ends with an unexpectedly positive twist.

Arjun was ‘highly commended’ for his short story on the theme of Silence, written as a remote-learning English class task.

Head of English Robert Hyland said: “Arjun’s impressively mature writing vividly captures many of the images that have become the ‘new normal’ – the empty shops and cinemas, the rainbow symbols – but reassuringly he has structured his writing to reveal an optimistic view of tomorrow, rather than taking it in a dystopian direction, which would have been easy.”

Arjun said he drew his inspiration for the story from a walk that he took during the first lockdown last year, when he remembers having been “astounded at the lack of noise and activity.

“On coming back to my home and hearing all the noises of daily life, I thought about how even though the country is shut down, we don’t have to be alone. Even if you live by yourself, there is always a way to cut out the silence from your life – video calls are a great example.”

His class teacher, Yioda Menelaou, said: “Arjun’s writing captivated me as he displayed his ability to write so gracefully about the way the pandemic has changed people’s lives. His honest depiction of the silence which has engulfed society was elegantly explored, and his final understanding of the importance of family and staying home at such a critical time was both poignant and hopeful. A truly remarkable story, one that will, I am sure, resonate with all of us.”

The story was also technically proficient, she added, with Arjun showing plot progression within the constraints of the 400-word limit, as well as a wide range of vocabulary and a varied structure.

Arjun begins the composition by describing the “deafening stillness” of the empty streets.He observes the boarded-up “bright, pastel-coloured shops” and a deserted park, its swings covered with spiders’ webs. Arjun thinks sadly back to the fun he and his friends had had on these same streets only a few months before, when they heard “the cars rushing past, the low buzz of people walking by” – sounds that were so normal in those pre-pandemic days.

But just as the coronavirus gloom threatens to overwhelm, he comes back to his home “nestled in a cosy corner, of a cosy street, in a cosy town” and its “many sounds”. These, writes Arjun, were the “the sound of laughter. The sound of the crackling fire, and the steaming pots from the kitchen. The sound of the TV, a bad comedian doing his bit. The sound of my family chatting away.

“At that moment, I realised something – I didn’t have to put up with the silence. I had all the noise I could ever want, right here. At home.”

 

The words I love: pupils discover their teachers’ favourite poems

The English department celebrated National Poetry Day by putting together a collection of QE teachers’ favourite poems which included verse that was variously inspiring, thought-provoking and just sheer fun.

Staff from across the departments took part, showing pupils that poetry is enjoyed by teachers from all subject areas. Boy were invited to approach them during the day and ask them about their choices.

The selected poems ranged from ancient to modern, from the emphatically high-brow to some much-loved examples of nonsense verse.

The anthology included poems by two Old Elizabethan poets, George Mpanga (George the Poet, 2002–2009) and QE’s poet-in-residence, Anthony Anaxagorou (1994–1999). Anthony, who runs a weekly poetry workshop for the boys, gave his reaction to the National Poetry Day initiative: “The students of ‘QE Boys’ continue to show a great appetite and appreciation for poetry, which is so heartening to see.”

Head of English Robbie Hyland explained why he had asked colleagues to reveal their favourite lines: “Everyone has a connection with poetry at some point in their lives – we read poems as children, study them at school, and encounter them throughout everyday life. I hope that by sharing poems that resonate with us, we can spark conversations about the values, ideas, and memories that matter to us as individuals.

“The staff have nominated an incredibly wide-ranging selection, from poems that inspire, to poems that address problematic issues in the modern world. I’ve really enjoyed reading the selections which teachers have nominated.”

Boys were informed about the plans for the day during registration, when they were shown a PowerPoint presentation of the teachers’ choice of poems and led in a brief discussion. In total, some 45 poems were picked by 34 teachers.

Here is a selection:

  • Grounded, by Anthony Anaxagorou: chosen by Headmaster Neil Enright
  • Poem 85 (ōdi et amō), by Catullus: chosen by Mr Hyland
  • The Road Not Taken, by Robert Frost: chosen by Technology teacher Sean Kelly
  • Home by Warsan Shire: chosen by Deputy Head (Academic) Anne Macdonald
  • First They Came, by Martin Niemöller: chosen by History teacher Akhil Gohil
  • Errinerung an die Marie A., by Bertolt Brecht: chosen by Languages teacher Rebecca Grundy
  • Ozymandias, by Shelley: chosen by Head of Library Services Surya Bowyer
  • He is blessed as a god by Sappho: chosen by Assistant Head (Pupil Involvement) Crispin Bonham-Carter

The top photos show Year 8’s Pranav Challa and William Fawcett asking History teacher Simon Walker and Geography teacher Helen Davies about their choices of poem – T S Eliot’s Macavity: the Mystery Cat and Lewis Carroll’s Jabberwocky respectively – with Mr Hyland also joining them for the chat.

The full selection of the teachers’ chosen poems has been added to the School’s eQE digital learning platform, where there is also a National Poetry Day resource to encourage further exploration of poetry.

Surya’s pandemic poem wins place in new book

A poem by QE pupil Surya Senthilkumar is being published this month in a special anthology created to raise spirits during the coronavirus crisis.

Year 8 boy Surya’s poem, The Pathway to Triumph!, was selected to feature in an international collection of writing from the Young Writers organisation entitled Write To Unite – Together We Stand.

Young Writers Editorial Manager Jenni Harrison said the anthology aimed to “spread positivity, give thanks, share stories, purge worries and record [contributors’] thoughts during lockdown.

“It’s history in the making and will make an incredible keepsake of an unprecedented time,” she said, adding that more than 4,000 adults, children and families had been involved in the project, contributing writing in various genres.

Surya’s 10-line poem, which is set out below, includes a call for unity – “Only as one will we overcome this disaster” – and a paean to front-line workers battling the virus – “Let us praise the NHS staff at toil”.

Asked for his reaction to his success, he adapted the last line of his poem, saying: “Endeavour from the beginning, and you shall succeed till the end!”

Surya’s triumph comes as GCSE poetry workshops led by QE’s poet-in-residence Anthony Anaxagorou get under way at the School again, helping to develop boys’ creative thinking and writing skills ahead of their English GCSE. Old Elizabethan Anthony (1994–1999) made headlines last month when he spoke out against a Government announcement that poetry was to become optional in next year’s GCSE English examination.

For every copy of the book sold by Young Writers, £1 will be donated to NHS Charities Together. Young Writers is an organisation that has been promoting poetry and creative writing within schools and through poetry competitions for the past 29 years.


 

The Pathway to Triumph

For the nation, we have loved for years,
Our faith and effort shall polish away the tears,
Thy actions must roar wiseness and care,
Avoiding the faces of sorrow and despair,
Only as one will we overcome this disaster,
By being resolute we can prevent the spread faster,
Let us praise the NHS staff at toil,
Valiant and loving, holding our nation up like soil,
So, let us conquer this misfortune together,
By being wise and cooperative, we continue to endeavour!

 

Keeping poetry in its rightful place at the heart of education

Old boy and QE poet-in-residence Anthony Anaxagorou has spoken out against this week’s Government announcement that poetry will become optional in next year’s GCSE English examinations.

Anthony was quoted by the BBC in its report on reaction to the announcement from examinations watchdog Ofqual, while his fellow Old Elizabethan, George the Poet (George Mpanga 2002–2009), was also pictured and mentioned in the article.

And Headmaster Neil Enright said today: “Poetry is, and will remain, core to the curriculum at QE. Throughout last term’s remote learning, staff ensured that poetry kept its important place in lessons delivered through our eQE virtual learning platform.

“We also found that encouraging boys to compose their own poems was a very stimulating, creative activity for the lockdown. And prior to the pandemic, Anthony’s workshops were always a popular draw for the boys.”

Ofqual originally proposed that there would be no changes to the English literature GCSE examination in 2021, but, following a consultation in which some respondents argued that it was hard for pupils “to get to grips with complex literary texts remotely”, the organisation has now said schools can focus on a smaller number of texts.

All pupils will have to write about a Shakespeare play, but they can choose two out of the three remaining content areas: poetry; the 19th-century novel and post-1914 British fiction and drama.

In response, Anthony (OE 1994–1999) said: “Poetry shouldn’t be regarded as an analytical exercise, a response to memory, a means of introducing literary device. Poems do so much more, getting into spaces [and] subjects other modes of language can’t.

“Presenting it as an ‘option’ does nothing but reduce its cultural value more.”

During the Summer Term, School departments including English and Modern Languages ran a number of poetry competitions, and boys’ poems were published in The Arabella – a magazine featuring the work of pupils which is published by the boys.

Teachers found ways to teach poetry remotely, with, for example, the English department making extensive use of pre-recorded video with Year 12 classes, particularly for challenging passages in Shakespeare, Chaucer and the poetry of Wilfred Owen.

‘Collaborative independence and isolated community’: competition winners announced from QE in lockdown

A wealth of creative talent is showcased in this month’s special competition edition of The Arabella – a magazine produced by QE boys featuring the work of the pupils.

Under the theme, Brave New World, the Art and English departments launched Art and poetry competitions which attracted a high level and standard of entry, many of which are celebrated in the special release.

Head of English Robert Hyland said: “As a School community, we are getting used to a ‘new normal’, containing paradoxes of collaborative independence and isolated community, and where we are increasingly working in a ‘brave new world’.

“Boys from all year groups were invited to submit original and creative poems and art works exploring this theme – entries could be witty and humorous, contemplative and reflective, or anything in between, as long as they engaged with the theme.

“We were overwhelmed with the response – and thrilled to see such creativity and artistic flair from our boys. We are proud to see that this extraordinary new chapter is bringing out the best in our boys.”

For the Art competition, Head of Department Stephen Buckeridge first showed the boys some book illustrations as examples.

He ranked their entries on whether the image produced captured the spirit of the Brave New World title and on how it might work as a book jacket design. There were more than 60 entries, covering all the year groups.

“I have chosen eight that I felt illustrated the theme best – reflecting a kind of dystopian vision,” said Mr Buckeridge.

The overall winners​ of the Art competition were Haipei Jiang, of Year 10, whose work is pictured top. Next was Alex Aliev, of Year 12, followed by Kovid Gothi, of Year 8, in third place.

“I felt Haipei’s drawing captured the essence of 1950-60s book jacket design and it reminded me of nostalgic times spent in second-hand bookstores as a teenager,” said Mr Buckeridge.

“Alex’s was a strong, imaginative drawing, suggestive of Amazing Stories magazines from the 1950s.

“And Kovid’s collage captured the spirit of our current times.”

In addition to the three main winners, five boys’ contributions were highly commended:

Anik Singh, Year 7
Manthan Thakkar, Year 8
Anubhav Rathore, Year 10
Abhiraj Singh, Year 10
Pierre Mougin, Year 12

Overall winner Haipei said: “It feels incredible to have won an art competition with so many great entries.​ There is much anxiety worldwide regarding the recent outbreak of COVID-19. However, if we look through another’s eyes, we can see the essence of hope for the future.” ​

Alex, who was placed second, added: “I wanted to combine the past, present and future within one drawing. I chose to use a traditional, well-known, scene of a cowboy [pictured above right] overlooking a typical western setting of a desert, but replace it with a futuristic, almost dystopian, element with tall trees and an unknown distant city of skyscrapers. The large viruses that hang above the cowboy are obvious references to the current situation we live in.”

Kovid meanwhile was excited by the opportunity to participate: “Despite the fact that there are a lot of brave key workers risking their lives to keep our community and economy running, I was most inspired by the front-line NHS staff who, with limited PPE supply, kept on fighting against the coronavirus and were undeterred by the possibility of losing their own lives. This is my tribute to their bravery and dedication to put themselves in harm’s way to save the rest of the world; Brave New World indeed.” His collage is pictured above left.

There was also a high level of interest in the poetry competition. Mr Hyland chose a winner from each year group:

​Year 7 – Keon Robert
Year 8 – Rajanan Shanmugabalan
Year 9 – Akshaj Pawar
Year 10 – Nivain Goonasekera
Year 11 – Ethan Solanki
Year 12 – Tristan Lolay
Year 13 – Matt Salomone

Keon used the word ‘change’ as the basis for his poem. “I wanted my readers to think about what they can do to make an impact on the world. When I found out I was my year group winner I was shocked. I had been able to see some of the other poems through the School’s forums. I’m very proud of my achievement.”

The sensation of feeling trapped was the starting point for Rajanan’s entry, especially having to stay indoors along with finding the courage to get through. “I hope the people that read the poem take away the fact that they aren’t alone, although they may feel like it. We are feeling alone together! To conclude, my reaction to being a year group winner is – amazing! It means the world to me!”

Mr Hyland was impressed to see such a diverse range of approaches to the theme. “They ranged from the natural to the historical to the contemporary. The competition was particularly noteworthy for its technical skill in form and structure, and for the vividness of the imagery.”

The full range of poems can be seen in The Arabella, but two of the winning poems are reproduced below, with some explanatory notes from the authors:

Into a Butterfly
By Akshaj Pawar

How does it feel, the caterpillar? Half of its legs are gone.
It used to like to walk but now –
Now its wings must fly it on.
How does it feel, the caterpillar? Its teeth and jaws are dead.
It cannot crunch on the stalks and stems,
A change has changed its head.
How does it feel, the caterpillar? It can’t hide anymore.
How can it stay safe from the ants?
The ants would kill it for sure.
What can it do in this brave new world without teeth or stealth or legs?
It will drink, it will flee, it will fly.
It will play, it will laugh, it will cry.
In a brave new world, we cannot not know if it will survive.
But the once-caterpillar, it will try.
We all must try.

“This triumph is a great personal victory,” said Akshaj. “I’m honestly mainly glad people like it. While making it, I struggled with rhythm, although I suppose I managed to sort it out in the end. I wanted to make the change in the poem seem striking, and I realised the most striking change possible is being given an entirely different body. Hence the use of a caterpillar’s metamorphosis as a metaphor for a changing world. I realised that the caterpillar’s ability to so easily transition from one form to another and keep going was quite poetic. If you were to take a lesson from Into a Butterfly, it should probably be: don’t let change daunt you, and keep on moving forward.”

Brave New World
By Ethan Solanki

The champions of yore stood arrayed on the field,
And their arrows flew true but were blocked by the shields
And their foes would roar out and then level their spears
And those heroes together laid siege to their fears.
For the sound of the drums was the beat in their chests,
And after the clash each would count themselves blessed,
And the flames of the fallen continued to blaze
As they were embraced by Death’s cold, endless haze
For each soul lived with passion eternal and strong;
And their names in the annals of history belong,
And the deeds of these men changed the world’s warp and weft
And in a glorious state was this brave new world left.
The champions of now stand there tall but alone
As this new war is waged from the confines of home,
As tactics devolve into words on a screen
And the fears of the people are shown by their miens.
For the safety of all is being ripped apart,
As tension and peace conflict within the heart;
As love and wealth come to invisible blows,
As we see to ourselves all the danger we pose.
For whilst Death himself runs rampant on a wild spree
And the flames of the fallen are numbers to be seen,
A lone soul should simply this dark void embrace:
For only as one can we this brave new world face.

Ethan said: “From the way people were talking about the coronavirus, it was made out to be the second coming of the Black Death. So I thought it was important to consider the past and all of the things that occurred to bring us to where we are today. I drew inspiration largely from Lord Byron’s The Destruction of Sennacherib, which to date remains my favourite poem. I hope that people will take away not only the importance of the past, but also that in this time of crisis we don’t abandon one another, but remain in contact over social media, through text, or through Facetime. When I found out that I had won the competition in my year group, I was both surprised and honoured.”

The special edition of The Arabella can be read here.