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Drama features for the first time in the 12th edition of The Arabella – QE’s pupil-run creative magazine.

Drama joins art, music, poetry & other creative writing, politics, science and foreign languages & linguistics as areas covered, with the latest edition focusing on an overall theme of Expression.

The theme has been widely interpreted by the boys. Their hugely diverse contributihassanons range from a poetic exploration by one of the School’s younger pupils, Huy Bui, of the famous opening line of Hamlet’s soliloquy, ‘To be or not to be’, through to a coruscating take on the Democrats’ performance in the recent US election written by another Year 7 pupil, Hassan Omer.

The boys were assisted by a staff team including Library Services Assistant Corinna Illingworth. She said: “The student editorial team have once again produced a high-quality publication. There is surely something to interest everyone in its 54 pages: in exploring the theme of Expression, the boys have expressed themselves creatively and in very diverse ways!”

The magazine is named after Arabella Stuart, fourth in line to the throne, who in 1610 secretly married William Seymore, a descendant of Henry VII and himself sixth-in-line to the throne. To prevent any chance of a Tudor attempt to seize the crown from the Stuarts, James I sent Seymore to the Tower of London and committed Arabella to the care of the Bishop of Durham. Her connection to the School is that she stayed for some months in Barnet in the house of Thomas Conyers, a QE Governor, after falling ill en route to Durham, while Rev. Matthias Milward, a Governor and subsequently Master of the School, attended to her spiritual needs.

Anyone with access to the eQE portal may read The Arabella here.

Head Editor Timi Banjo, of Year 12, leads a 12-strong team of editors and advertising managers drawn from the senior year groups. He said: “This edition of The Arabella captures the spirit of creativity, exploration, and expression that defines our school community.”

Year 11’s Soham Sapra got the drama content off to a good start with an essay on the ‘spell-binding performance’ of comedian Robin Williams’ in his voice-acting for Disney’s 1992 animated film, Aladdin.

Here is a small selection of the many other contributions:

• The above artwork produced by Year 11’s Kyaan Syed
• A poem by Danyal Rahim, of Year 10, extolling the praises of sweets and chocolate
• Year 10 boy Nikhil Francine’s analysis of Sibelius’ Violin Concerto
• A piece of creative writing by Elijah Bedion, of Year 7, entitled The Window
• Year 11 pupil Vu-Lam Le-Nguyen’s exploration of The Intertwined
• Lexicons of France and its Former Colonies
• Sixth-former Harshith Sharavana’s account of the work of 19^th-century doctor Ignaz Semmelweis in introducing antiseptic procedures in hospitals and thus reducing fatal infections
• A short Classics essay by Felix Calder, of Year 12, on Is Roman Satire a genuine expression of feelings? A defence of Juvenal’s Satire 6.

The Robert Dudley Studio, QE’s new facility for drama and the spoken word, has been demonstrating its flexibility in a string of events. 

The studio, created from two existing large rooms towards the rear of the Main Building, hosted early rounds of the English Speaking Union’s Schools’ Mace debating contest and of the national Performing Shakespeare competition. 

Two events were held there as part of a new partnership with the English National Ballet, while it was also the venue for a special English lesson exploring dramatic imagery and language. 

Headmaster Neil Enright said: “With the installation of audio-visual equipment, The Robert Dudley Studio has really begun fulfilling its potential for helping us develop oracy in our pupils.” 

At the Mace, the country’s oldest and largest debating competition for schools, a senior QE team – including School Captain Chanakya Seetharam, as well as Zaki Mustafa, and Koustuv Bhowmick, all from Year 13 – took on Haberdashers’ Girls’ School. Other leading schools from North London and Hertfordshire also competed.  The QE team won the event to progress to the second-round heats in January.  

For the Performing Shakespeare competition, every boy in Year 8 learns a speech to perform in class. The 12 winners from across the six Houses fought it out in the School final, held this month in The Robert Dudley Studio (RDS). 

Head of English Robert Hyland said: “There are some things which reading Shakespeare simply as words on the page can never give – so much of the impact of his work comes from how performers have chosen to interpret, following the rhythms and the imagery of the poetry to bring the words to life.  

“Year 8 have done a brilliant job this year in not only choosing a wide range of speeches from across Shakespeare’s plays, but in showing an audience how they understand the text in a way which essay-writing can never replicate.  

The top three performers were:  

• Param Jani, of Underne House, in first place with Is this a dagger I see before me?  from Macbeth 

• Sai Rushil Manchiraju, of Pearce, the runner-up, with Hamlet’s To be or not to be   

• Kavin Rajan, of Harrisons’, who took third place with Henry V’s Once more into the breach dear friends. 

 “The standard overall was very high,” said Mr Hyland. “Param’s speech from Macbeth was a worthy winner, allowing the audience to see and viscerally feel the conflicting emotions and feelings that Macbeth is experiencing at this point in the play.”  

The top two go through to the regional round in the Spring Term.   

The special English lesson held in RDS also focused on Shakespeare, looking at scene 3 from act 3 of The Tempest, where Ariel (under instruction from Prospero) is creating visions for the royal court. Some members of the court are responsible for deposing Prospero from his Dukedom in Milan before the play starts.

Mr Hyland said: “The focus was on the language of the royal court as it was expressing amazement at natural phenomena, and then on how tableaux could be used to depict the key visual moments of the natural world interacting with humanity (Ariel appearing as a harpy, the vanishing banquet, and so on).

“We subsequently returned to the language, thinking about the delivery of the speech which Ariel gives, and what key or words ideas come to light when presented dramatically.”  

Finally, the studio’s versatility came to the fore for the English National Ballet partnership events. 

First, a screening for 30 Year 9 boys of the ENB’s and choreographer Akram Khan’s award-winning production of the classical ballet, Giselle, was held in RDS. Then, the boys toured the ENB’s design and rehearsal studios in Canning Town, learning about the many jobs associated with ballet and meeting some of the creative team behind Giselle.   

ENB dancers and a musician later came to QE and gave the boys a two-hour contemporary ballet workshop, testing the RDS’s audio equipment to the full. They explored ways of moving, inspired by the plot, characters and choreography of Giselle – and all to live beats and rhythms. The boys gained an insight into the coordination, balance and agility needed in ballet. 

Assistant Head (Pupil Involvement) Crispin Bonham-Carter said: “It was brilliant to see the studio being used flexibly as both a fantastic surround-sound cinema and then, with the seats retracted, a fantastic dance studio!

“Best of all though was the enthusiasm and energy the boys put into their dancing. Who knows – maybe the next Akram Khan has just learnt his first dance steps? 

“Having a dedicated space for performing arts helps facilitate such work, but also provokes staff to seek out new and creative opportunities for the boys.” 

The 2024 School Play delved deep into the tumultuous events that marked the decades-long run-up to Indian independence in 1947.

Lions and Tigers explored not only the conflict between the eponymous British lions and Bengal tigers, but also between factions of the independence movement, including those, led by Gandhi, who espoused civil disobedience, and those favouring violent insurrection.

Written by British playwright Tanika Gupta, the play combines the story of her great-uncle, Dinesh Gupta, a 19-year-old Indian freedom-fighter hanged by the British in 1931 after shooting dead the Inspector-General of Prisons, with the broader history of the fight for Indian independence.

Congratulating all involved, Headmaster Neil Enright said: “The production did not shy away from the pain, violence and brutality of the period, but dealt with the complex issues sensitively and conveyed the emotional depth of the characters. It was impactful and, at times, shocking, yet done with a gravitas and maturity that belied the age of some of the young performers.”

Lions and Tigers was first performed in 2017 at the Sam Wanamaker Playhouse in Southwark, coinciding with the 70^th anniversary of Indian independence.

QE’s production involved 15 boys in the principal roles, supported by an acting ensemble playing other parts.

Two very well attended performances were held after school on consecutive days in the Main School Hall, while Year 9 attended a final dress rehearsal.

“The play was notable for a host of powerful and impassioned performances,” said Mr Enright. “The whole cast, including the ensemble, did a brilliant job, with Akshay Shah setting the tone with an amazing performance as the central character, Dinesh Gupta.”

Other notable mentions should go to Daniel Kollo as Charles Tegart, Nittant Moudgil as Mahatma Gandhi, Soham Sapra as Subhash Bose, and Aahan Shah as Jyotish Gupta, he added.

“It was nice to see a good number of other pupils attending, whether aspiring actors, older students who have been part of the QE drama community, or those who were just there to support friends.”

The play was directed by RM Drama’s Gavin Molloy. Musical support was provided by QE’s Indian Music Ensemble.

Assistant Head (Pupil Involvement) Crispin Bonham-Carter lauded the “immersive and visually interesting staging”, which was done ‘in the round’, as well as “the clever and effective use of newsreel footage and recorded voice-overs”. One example of the latter was that the actors had voiced in advance the words to the letters their characters had sent (as set out in the script): these were then played through the sound system while the boys acted out what had been written.

• Click on the thumbnails below to view the images.

Young theatre director and writer Neetu Singh’s story drew rapt attention from Lower School boys when she visited as part of the QE Futures programme.

Still aged only 24, Neetu founded Haldi, a collective for South Asian artists, while an English Literature undergraduate at Oxford and is now studying towards a Master’s in Creative Writing at Cambridge.

Her most recent work was as Assistant Director of The Cherry Orchard, directing the Bush Company’s 14–17 Young Company at the Donmar Warehouse in Covent Garden. The production of Chekhov’s masterpiece, which wowed the critics, finished its successful run on Saturday.

Assistant Head (Pupil Destinations) James Kane described her talk, given in a special assembly to Years 8 and 10 in the Main School Hall, as a “real highlight” of the term’s Lower School QE Futures activities. “Being from a south Asian heritage, she was able to relate to many of our students here at QE.

“Neetu spoke eloquently about the difficulties in constantly having to find work as a creative, saying that although there are many benefits, it is very stressful, particularly since she has financial responsibilities at home. Our boys really enjoyed seeing an alternative creative career prospect being executed well by someone who is young and relatable, and we will see how this impacts them in years to come when they graduate and enter the world of work.”

During her talk, she referenced working with actors Riz Ahmed and Adeel Akhtar, names many of the boys recognised from the satirical comedy film, Four Lions. Adeel played Lopakhin, one of the leading characters, in The Cherry Orchard.

She described the change from seeing these actors on screen as a child to then graduating and learning how to have the confidence to reach out to them and see if she could work with them.

Neetu’s CV as a writer and director features: being an alumna of the Squint Playwriting Award and Young Vic’s Fresh Direction Programme; assistant directing credits including Kabul Goes Pop with Brixton House, Noor with Kali Theatre and Run, Rebel with Pilot Theatre; and directing credits including Tako at the Camden People’s Theatre, Coconut at the Edinburgh Fringe, and Brown Girl Noise at the Camden Fringe.

She came to the School as part of QE Futures – a programme launched this year which aims to guide every pupil towards competitive degree-level university or apprenticeship courses and then to help them thrive both at university and beyond.

Other events organised this term by QE Futures Co-ordinator Nathan Lawson (pictured above with Neetu) included an assembly talk to Year 10 from Evangeline Addai-Gyimah, a lawyer-turned-broadcaster, about working in television. Evangeline, a Law graduate, joined Sky last year and works in sports broadcasting.

She also supported the School in February by speaking to boys at the Year 11 Careers Convention (pictured).

Having won QE’s internal round of the national Performing Shakespeare competition and made it through the London heats, Year 8’s Vihaan Pal then performed strongly in the regional final held at the School.

Vihaan, pictured here and  top, delivered the speech from Romeo and Juliet given by Romeo as he lay dying – giving a repeat of his performance in School, which was praised for its maturity and sensitivity.

The regional heats and final were both hosted by QE, in the Main School Hall and Friends’ Recital Hall respectively. Two boys had reached the semi-finals, Vihaan and Daiwik Khedekar, with Vihaan progressing to the regional final.

Head of English Robert Hyland said: “Performing Shakespeare is integral to student understanding: as we remind the boys, Shakespeare’s plays were written not to be studied in class, but performed in theatres. Learning and performing a speech requires students to make judgements about what a character is saying, and how this will affect things like their movement, their vocal tone, and their interaction with the audience, in a way which analysing in an essay is not able to.

“We were therefore delighted to host two rounds of the competition. Although Vihaan did not progress through the regional final, he did very well to make it through the semi-finals and is to be congratulated on a series of accomplished performances.

“At QE, we recognise the importance of oracy and the ability to perform in front of others as important skills that will help our boys in their later lives and careers. That is why the School has invested heavily in the new Robert Dudley Studio for drama and the spoken word, which is now nearing completion.”

All Year 8s were invited to take part in the internal round of the competition and could choose any speech from a Shakespeare play. They initially learned their speeches during the Autumn Term (alongside their studies of Macbeth).

The boys were judged not only on their physical performance and their vocalisation, but on how far their performance suited the speech, and how far their interpretation of the speech met their artistic intention.

Vihaan said: “The reason I chose my piece [Romeo’s Dying Scene from Act 5 Scene 3] is because I found it inspiring that the message is so simple, clear in its affirmation of the power of love over hate, and showing the strong loyalty Romeo had for Juliet. Although it is different from the classic booming speech with loud expressions, I felt that the acting of this piece with the sad tone, the detailed imagery, and the soft movements made me feel like I was really there.”

Their classroom teachers judged the QE boys’ initial attempts, while the judges in the School final were Kanak Shah, Extra-curricular Enrichment Lead and an English & French teacher, Head of Year 8 Andrew Collins, and Sixth Form actor Keiaron Joseph.

Ms Shah praised the work that the QE boys put into their performances. “I was amazed by the vulnerability of some of these speeches and the maturity and sensitivity with which they were delivered. These qualities were particularly obvious in the speech of our winner Vihaan, who chose Romeo’s last speech to Juliet. He conjured Juliet’s body out of thin air with his delivery of Shakespeare’s words, and his choice of a vulnerable speech was a brave one.”

Dr Collins said that the boys had shown the full range of emotions when they took to the stage, “from rallying battle cries to internal moments of anguish”. He added: “It was extremely difficult to come up with a winner; Vihaan’s portrayal of Romeo was very tender and he showed great power on the stage even when in such a compact physical form on the floor  – a very worthy winner.”

QE’s production at this year’s Shakespeare Schools Festival was uncompromising and unflinching in its depiction of the brutal feud between the Montague and Capulet families that is at the heart of Romeo and Juliet.

Crispin Bonham-Carter, Assistant Head (Pupil Involvement), lauded the vivid depiction given by the School’s senior actors of the dark themes that pervade the perennially popular tragic tale set in the Italian city of Verona – including depression, street brawls, domestic violence, duelling and poisoning.

Yet he also praised Year 10’s Dhruv Pai (Romeo) and Year 12’s Anshul Nema (Juliet) for their “sensitive and intelligent portrayals of the ‘star-cross’d’ lovers” immortalised in the title of the play.

The 19-strong cast drawn from Years 10–13 travelled to Finchley’s Arts Depot to take part in the local performances for the national festival, run by the Coram Shakespeare Schools Foundation. In addition, the boys put on three showings in Main School Hall, giving all of Years 10 and 11 the opportunity to see the play, which is part of the GCSE English syllabus.

“Two sullen gangs facing off… faces masked… hoodies up… suddenly a knife is drawn and all hell breaks loose! That was just the start of our brilliant senior drama production of Romeo and Juliet,” said Mr Bonham-Carter.

“The surrounding cast provided a wonderful supporting ensemble of raging fathers, desperate friends and loutish thugs. It would be churlish not to mention [Year 13’s] Keiaron Joseph’s outstanding Mercutio, who delivered one of the best ‘Queen Mab’ speeches* I’ve seen. That and [Year 12’s] Saim Khan’s convincingly thuggish Capulet – complete with gold necklace – almost stole the show!

“Special praise must go to the protagonists, Anshul Nema and Dhruv Pai: it can’t be easy falling in love in front of an audience of your school mates, but it is a credit to both the cast and the audiences how convincingly this was handled.

“All in all, a fantastic experience for all.”

Saim reflected afterwards on an “amazing experience” that encompassed making new friends across year groups, sharing funny moments in rehearsals when things went wrong, and getting to see a different side of people as they fully embraced their characters.

“Getting the chance to perform in front of all our friends and family at the Arts Depot, one of the best venues in Barnet, was a unique opportunity – a truly special day for all the cast.

“On a personal level, playing the part of Lord Capulet was fascinating, since I could explore the nuances in his character, and delve deeply into how quickly he turns from a caring, but slightly overbearing, father at the start of the play, to one who raised a hand to his own daughter towards the end of it.

“It also meant that I got to wear a rather flashy costume for the performance, complete with that large (sadly fake) gold chain!”

* In his speech, Mercutio teases his friend, Romeo, about an unrequited romantic infatuation for a girl called Rosaline, telling him that the mischief-making Mab, queen of the fairies in English folklore, has been infecting his dreams. Romeo later meets, and falls in love, with Juliet.

• Click on the thumbnail images below to scroll through photos from the production.