Viewing archives for Music

The Autumn Term ended in seasonal style, with the parish church echoing to the traditional sounds of the carol service and with the Christmas lunch proving more popular than ever.

The Service of Nine Lessons and Carols featured not only congregational singing of familiar favourites, but also some lesser-known Christmas music from the School Choir and Chamber Choir. Senior staff and boys from throughout the School delivered the readings, culminating in Headmaster Neil Enright reading the Prologue to St John’s Gospel.

Christmas lunch was served to all who requested it – and well over 800 boys and staff took up the option of hand-carved British turkey with all the trimmings (or a vegetarian alternative), with yule log or Christmas pudding to follow, as well as other treats from the catering team. The figure is believed to be a record, in recent years at least.

For Years 10 and 11, there was the added bonus of eating the meal in the pristine surroundings of the Mayes Atrium Café – part of the new Music School complex, which is due to be officially opened next term. The facility, built on the site of the previous Mayes Building, is named in honour of Harry ‘Curly’ Mayes, who served the School as butler, porter, steward and caretaker for 60 years, from 1902 to 1962.

Mr Enright said: “These festive traditions are an important facet of life at Queen Elizabeth’s School, and I am pleased that we were able to go ahead with them this year, albeit with measures put in place to protect everyone as the national Covid situation changed rapidly in the run-up to the end of term.”

The choral pieces at the carol service included:

• In the stillness, by Sally Beamish
• Masters in this hall, to an old French melody arranged by Gustav Holst
• Gaudete from Piae Cantiones, arranged by Michael Engelhardt
• Angelus ad virginem, a 14^th-century Irish carol, arranged by David Willcocks
• Tomorrow shall be my dancing day, by John Gardner
• O little town, by Bob Chilcott, arranged by Daniel Bishop.

The congregation sang: Once in royal David’s city; O, Come all ye faithful; Away in a manger God rest you merry gentlemen, and Hark! the herald angels sing.

Twelve of the School’s best and most committed pianists took their places to celebrate the eagerly awaited delivery of pianos to the new Music School.

With the Yamaha CF6 grand piano taking pride of place, seven new upright pianos and four refurbished pianos were arranged in The Friends’ Recital Hall, centrepiece of the £3.5m-plus facility.

Twelve carefully selected pupils – chosen for their talent as pianists, but also their commitment to music at QE – were invited to be the first to play the instruments in their new home.

Led by Year 13’s Raphael Herberg at the keyboard of the Yamaha CF6, the boys performed The Twelve Pianos of Christmas, a version of the festive favourite that Raphael had specially arranged for 12 pianos.

Headmaster Neil Enright said: “The boys revelled in the opportunity to spend some free time with these wonderful pianos, swapping around to try the different instruments and then enjoying the chance to perform together.

“This event was an important milestone in the delivery of this major project. We are on to final snagging now, with boys to begin using the recital hall and The Friends’ Music Rooms – the classrooms and practice rooms – next term.

“We are very grateful to the Foundation Trustees for purchasing the CF6 and to all those who have supported the Friends of Queen Elizabeth’s in raising funds for the other new pianos, not least in donating to the Pianoathon and Virtual Founder’s Day celebrations this year. These developments and the amazing opportunities that they enable us to provide for the boys just wouldn’t happen without the support of the Elizabethan community.”

The 12 Pianos of Christmas performance saw each piano take one of the twelve ‘lines’ or ‘parts’, with the sounds building up and coming together, so that, by the end, all were playing simultaneously.

The occasion was attended by the Headmaster, Director of Music Ruth Partington, Assistant Director James McEvoy-Stevenson, Music teacher Caroline Grint and piano teacher Tadashi Imai, all of whom took part in the process of selecting the CF6 grand. Other attendees were David Halford, of Coach House Pianos, from where the new pianos were purchased, and some of those working on site.

An opening festival for the Music School is being planned for early February – details to follow – all things being well!

The four pianos that have been refurbished were all brought across to the new building from the original Friends’ Music Rooms, which were one of the first facilities to be established in the 1990s thanks to giving through the Friends of Queen Elizabeth’s. “The pianos’ longevity is testament to our long-standing policy of ‘buying quality,” added Mr Enright.

The pupils involved, who include three sets of brothers, were:

Raphael Herberg, Year 13
Conor Parker-Delves, Year 13
Shivas Patel, Year 13
Alex Woodcock, Year 13
Jao-Yong Tsai, Year 12
Arjun Patel, Year 13
Keir Parker-Delves, Year 11
Nathan Woodcock, Year 11
Danylo Gutsulyak, Year 11
Jason Tao, Year 10
Zeyuan Wu, Year 10
Rajveer Mukherjee, Year 12

No fewer than 13 different ensembles performed as the School’s musicians came together for QE’s first major in-person concert since December 2019.

The Christmas Concert in the Shearly Hall featured scores of instrumentalists and singers tackling a programme that, although based around a festive theme, was very eclectic in nature.

Headmaster Neil Enright said: “It really was a wonderful evening of very high-quality music, and performers and audience members all seemed to hugely enjoy being back together for the first time in two years. My congratulations go to our Director of Music, Ruth Partington, and her team on a splendid concert.

“There were many highlights, with the Jazz Band maintaining their customary high standards – including amazing saxophone solos! – and the Orchestra taking on some challenging works.

“The Indian Ensemble’s piece, Dhanashree Thillana, went down really well, as did the Guitar Ensemble’s rendition of Ozzy Osbourne’s Crazy Train. The inclusion of such repertoire in the programme amply demonstrates the importance of making space for different genres and sounds, while also showing very clearly that performance music can be fun.”

Boys introduced some of the pieces, acting as hosts for the concert: for example, Year 13 Orchestra clarinettist Conor Parker-Delves explained the story of Berlioz’s Symphonie Fantastique, preparing the audience for the moment when the guillotine falls towards the end of the piece.

“Several of the ensembles were rehearsed by pupils – and judging by the performances, they did a great job,” Mr Enright added.

“The large numbers of participants in our junior ensembles, such as Junior Strings, was very noticeable: their involvement bodes well for the future.

“Such enthusiasm and, indeed, the success of this concert as a whole gives us strong momentum to take forward for the opening of our Music School, planned for next term. Of course, the new facility should itself further participation and excellence in performance music.”

The School Choir and Orchestra brought the evening to a traditional conclusion with the carols,  Once in Royal David’s City and Hark, the Herald Angels Sing.

Queen Elizabeth’s School marked Black History Month with a diverse range of special activities both inside and outside of the classroom that drew lessons from the past, while also saluting those building a path today towards a better future.

One undoubted highlight was the online assembly given to the Sixth Form by Roni Savage ­(pictured above) – engineering geologist, founder of a multi-million pound construction industry consultancy, multiple award-winner…and a QE mum.

Headmaster Neil Enright said: “We sought to provide lots of different opportunities during Black History Month to ensure that our boys could, in the words of a BHM slogan, ‘dig deeper, look closer, think bigger’, coming up with an array of innovative ideas. These ranged from our Lower School History Raiders group researching ancient Black kingdoms and civilisations, to Year 7 PE lessons promoting sports in which athletes have either faced racism or have changed the world due to their participation, such as basketball, boxercise and indoor athletics.

“I am especially grateful to Mrs Savage, who, as a Black woman working at a high level as an entrepreneur in construction, is a true pioneer in her industry, with an impressive list of achievements and accolades to her name. She has certainly proved people wrong who doubted her because of her race, gender and age.

“And she inspired our sixth-formers with her injunction to ‘stand up, stand out, stand tall’ and her insistence that ‘there are no limits to what you can achieve’ with hard work and talent.”

Mrs Savage, whose son, Jayden, is in Year 13, is the founder of Jomas Associates, a large engineering and environmental consultancy, and Policy Chair for Construction within the Federation of Small Businesses. She is a Fellow of both the Royal British Institute of Architects and the Institute of Civil Engineering, and is on the current UK Powerlist of Britain’s most influential people of African/Caribbean heritage.

Her message was that diversity is vital to the capacity, capability and sustainability of all sectors, but that to achieve it, the status quo, with its harmful stereotypes, must be challenged.

Here is a selection of the many activities and initiatives that took place at the School as part of this year’s Black History Month:

• A discussion in MedSoc (Medical Society) of the work of Malone Mukwende, who as a second-year medical student at St George’s, University of London, developed a book to help doctors diagnose skin rashes and diseases on black and brown skin, addressing decades of racial bias in medical education;
• The Year 9 Shakespeare Film Club watching Othello and discussing the racial issues in the play, as raised in a British Library article;
• Publication of a special Black History Month (and COP26) issue of the Economics department’s magazine, Econobethan;
• Cancellation of all Music rehearsals one lunchtime, with the pupil team from the Music Enrichment Society instead giving a presentation about Black musicians. Pictured, above, are boys giving a special performance ahead of the talk;
• Year 9 had a special Depicting Jesus Philosophy, Religion & Society (PRS) lesson, which focused on different representations of Jesus, including those from the Ethiopian Church and Rastafari traditions, and on the use of images of white Jesus for imperialist ends;
• Year 8 geographers started a new, permanent unit on Migration towards the end of October, with a first homework task linked to Black History Month.

Boys from Years 7–10 relished the opportunities offered to them during Enrichment Week 2021, when all four year groups were given a day off from their normal lesson timetables.

From the cerebral and scientific challenge of cryptography to the literary, emotional and rhetorical attractions of Shakespeare, the week featured a very diverse range of activities designed to be both stimulating and fun.

For Year 10, the brief was to work in groups to design and construct ‘wearable architecture’, using 6mm paper tubes.

Assistant Head (Pupil Progress) Sarah Westcott said: “The boys were asked to give consideration to form and structure. Many of the groups demonstrated good team-working skills, with some of them even managing to include moving parts.”

Year 10 were also involved in drama workshops that included performances of a heavily abridged version of Romeo and Juliet.

Year 7 enjoyed the chance to apply a little lateral thinking in an RAF cyber security challenge.  This STEM (Science, Technology, Engineering & Mathematics) activity involved tackling a series of cryptography and coding tasks and helping a company retrieve its stolen data from cyber criminals. Working in teams of six, the boys competed against each other and against the clock, battling to be the first to unlock the stolen data.

The task helped inform them about ‘phishing’ and other techniques used by criminals to compromise their targets’ data.

Originally the day was to be led in person by RAF personnel, but because of Covid restrictions, the School managed it virtually, starting the day with a live stream through YouTube in which the boys were given an outline of their tasks and an overview of the importance of cyber security. Funded by the RAF, the event was run in collaboration with the Smallpeice Trust, an educational charity promoting careers in science and engineering to young people.

“We wanted to raise awareness of digital careers, whilst developing students’ problem-solving and research skills,” said Dr Westcott. “Students found it challenging to work to time and benefitted from the need to think creatively to solve problems whilst coordinating their team’s efforts.

“The event was intended to give an insight into the types of skills required for careers in cyber-forensics. The boys discovered that it isn’t all about coding – you must be a collaborative member of a team and keep a cool head under time pressure, too.”

In addition, Year 7 flexed their vocal cords in a singing workshop, while Years 8 and 9 took to the countryside on their respective sponsored walks.

Scores of the School’s young musicians battle it out today in a competitive Pianoathon Challenge being held to raise money to buy pianos for the new Music School.

Each of the School’s Houses has been challenged to provide an hour of sound, with small teams of musicians and soloists playing for up to three minutes each: the result should be six hours of non-stop music in the Main School Hall.

The event has been arranged as one of the special events taking place to celebrate tomorrow’s Founder’s Day.

Director of Music Ruth Partington said: “This is part of our last big push to ensure that our brilliant new Music School is equipped to the highest standards when it opens in the autumn. Thanks to the generosity of the School’s Foundation Trustees, we have already secured the purchase of a superb grand piano for our new recital hall, but that still leaves seven new practice rooms all needing a high-quality piano – and that is what we are raising money for today.

“If you haven’t already donated, please give now, sponsoring your House, or your son’s House, via our dedicated eQE Pianoathon page. This is a real first for QE and promises to be a thrilling event: let the playing commence!”

Parents and friends can watch the musical action unfold live in a special YouTube broadcast (above), which can also be viewed on the eQE page and via the Music department’s YouTube page.

Each House has entered small teams comprising up to five musicians – including at least one pianist – to play music of their choice. There is a visiting guest adjudicator, Mr Huw Jones, Director of Music at The John Lyon School in Harrow, who will be helping to pick the winners in the various categories, which cover team and solo performances (both for each year group and overall), also including a prize for the Best House Overall. Houses that raise large amounts of money will also have the opportunity to have one of the new pianos named after them.

Today’s musical menu chosen by the boys includes a rich range of genres and styles, and features instruments ranging from violins to electric guitars, and from oboes to tablas. Here is a small selection of the repertoire to be heard, House by House:

• Broughton: Canon in D, Pachelbel; Étude op 10 no. 12 ‘Revolutionary’, Chopin; Peppa Pig theme
• Harrisons’: Es war einmal, Grieg; Downton Abbey theme, John Lunn; Samba Nights, Proudler
• Leicester: Attack on Titan Opening Theme 1, Sawato; Merry Christmas, Mr Lawrence, arr. Sakamoto; I See Fire, Ed Sheeran
• Pearce: Sonatina in C major, Kuhlau; Opening Night Jazz, Martha Mier; Sonata No. 3, Prokofiev
• Stapylton: Romanze Op. 28, Schumann; Sonatina Movement 1, Dušek; Toccata in G minor
• Underne: Pink Lady, Pam Wedgwood; Prelude in C-sharp minor, Rachmaninoff; Your Song, Elton John.

The £3.5m-plus Music School, which is currently in the final stages of construction, received the go-ahead in 2019 after the Department for Education accepted the School’s £2.2m bid, which consisted of a £1.2m grant and £1m loan.

Like all major improvements at the School over the past two decades, the project is relying on the generous financial support of the Friends of Queen Elizabeth’s and other benefactors. Pride of place in the building will go to the Yamaha CF6 grand piano in the recital hall, which was chosen by the Music Department after a week-long audition process. Valued at just under £75,000, it is being paid for by the School’s Foundation Trustees.

For those without an eQE account, donations can be made to each House’s total by clicking on the relevant name: Broughton; Harrisons’; Leicester; Pearce; Stapylton; and Underne.

The portentous ‘dun dun dun duuun’ opening notes of his 5th Symphony are recognised everywhere, but just what is it that accounts for the enduring popularity of Ludwig van Beethoven?

That is the question which Surya Bowyer, QE’s Head of Library Services, examines in the latest episode of The Queen’s Library Roundness podcast.

He drafted in some local expert help – Ruth Partington, the School’s Director of Music, and Caroline Grint, Music teacher – in his exploration of the significance of the iconic German pianist and composer in the musical canon.

“2020 marked the 250th anniversary of Beethoven’s birth in Bonn,” says Mr Bowyer. “Around the world – from London to Melbourne and Shanghai to Sao Paolo – events which had been planned over many months, and, indeed, years, in concert halls and music venues to celebrate his works, in that symbolic year, had to be cancelled.”

Apart from the Nokia ringtone, (Gran Vals by Francisco Tárrega) those opening four notes of ‘Beethoven’s 5th’ – which form the title of the podcast – are probably the best known musical “motif” of all among the general public. And this is attributable, not to concert-going necessarily, but to their ubiquitous use in advertising and films. Yet would this suffice to explain the exceptionally high regard in which Beethoven is still held?

Miss Partington and Miss Grint discuss Beethoven’s acknowledged legacy as the composer whose composition spanned the transition from the classical period to the romantic era, and question whether he was truly ground-breaking in the way he is often presented.

The podcast covers the difference expectations held of composers such as Joseph Haydn and Wolfgang Amadeus Mozart, who were court composers, and Beethoven who, while receiving a stipend, had more freedom. They explore the effect this had in a number of ways, including the duration of his symphonies.

The discussion ranges over whether Beethoven was a musical genius, or a talented musician and composer who happened to be about at the right time, with a rising middle-class who could afford to attend music concerts and the emergence of music critics. It also touches on whether Beethoven would recognise his own work as it is played now on modern instruments.

“The way in which Beethoven and his music are written about leads us to listening to him using the terms that are ascribed to him,” says Miss Grint. “Because we expect universality, we find it, we read the meaning into it. Instrumental music is seen as having universality because it doesn’t tell a story using words, it’s more metaphysical.”

Miss Partington believes Beethoven’s continuing popularity lies in the powerful emotions he evokes. “I’m not a fan of working-out meaning,” she says. She believes there is a mystical element to music, and that it should not be pigeon-holed.

But whether a genius, or a man in the right place at the right time, there seems little doubt his legacy will endure, from the ‘low brow’ – car advertisements, for example – to the distinctly ‘high brow’, such as performances at top music venues, the three concluded.

• The Dun, dun, dun, duun episode of the Roundness podcast is available from the Library pages of the eQE online platform and from normal podcast providers, including Acast, Apple Podcasts and Spotify.

With coronavirus restrictions this year putting paid to QE’s usual spring concert for some of its most advanced musicians, the School instead staged a special online Grade 8 and Diploma Festival with an expert external appraiser.

The event, which is now live on the Music department’s YouTube channel, featured 13 musicians, from Year 7 through to Year 12, playing in the School Hall.

Listening and watching online was Christopher Sparkhall, Director of Music at Canford School in Dorset, who gave the performers immediate feedback on their performances and then sent them longer, written feedback a few days later.

QE’s Director of Music, Ruth Partington, said: “We devised this festival because we wanted to give these accomplished young musicians the opportunity to practise performing in front of a knowledgeable and friendly stranger.

“It was very deliberately billed as a festival, not a competition: in normal years, the boys might have expected a warm round of applause from a live audience; instead, Mr Sparkhall gave them feedback that, while honest, was both generous and constructive.”

Mr Sparkhall, who was an Organ Scholar at Oxford, is an examiner for the ABRSM (the examination board of the Royal Schools of Music) and is on the senior examiners team as reviser for AQA GCSE Music. He sings with a semi-professional chamber choir, Sarum Voices.

The first half of the festival featured seven pianists, all of whom have either achieved Grade 8 and are now working towards their Diploma, or are working towards Grade 8. They played pieces by composers including Debussy, Grieg, Chopin and Rachmaninov. Shreyas Iyengar,  of Year 7, who is pictured, top, performed Passepied, written by 19th-century French Romantic composer Léo Delibes as part of his incidental music for the play, Le roi s’amuse, by Victor Hugo.

Following a short interval, the festival continued with musicians playing the viola, alto saxophone and cello, and with performances by two singers, Shivas Patel, of Year 12, and Arjun Patel, of Year 10.

After alto saxophonist Conor Parker-Delves had brought the festival to a conclusion with his rendition of Robert Planel’s Prélude et Saltarelle, Mr Sparkhall said: “Such accomplished playing! What a wonderful end to a brilliant afternoon.”

• Miss Partington recently led a research process to make the key choice of which grand piano should be purchased for the recital hall in QE’s new Music School, which is due to open in the autumn. During a week’s testing, piano teacher and accompanist Tadashi Imai played two instruments brought in on loan. The Music department then unanimously picked the Yamaha CF6 over the other instrument, a Bösendorfer 214VC. The School’s Foundation Trustees (Trustees of the Endowment Fund of the Schools of Queen Elizabeth I in Barnet) have agreed to pay for the piano, valued at just under £75,000. Expressing her gratitude for their contribution, Miss Partington said the aim was now to raise a further £30,000 through giving to QE’s new Piano Fund to cover costs for other pianos and equipment.

A topping-out ceremony was held for QE’s new Music School on the last day of term, marking an important milestone in the delivery of this key building.

Representatives of Queen Elizabeth’s School met with senior staff from contractors TJ Evers, architects Hollins and project manager Barkers Associates for the ceremony, which served to confirm the swift progress of the £3.5m project.

The climax of the event came when two Year 11 Music students – Theo Mama-Kahn and Jao-Yong Tsai – climbed to the roof and drilled in place a piece of ridge timber that had previously been signed by everyone present.

Headmaster Neil Enright said: “The Music School will represent a major addition to the School’s facilities, enabling us to meet the growing demands of our Music department and of the boys involved in our many extra-curricular musical ensembles.

“It has been exciting to watch it take shape and to know that, with the project running on time, our pupils and staff will be able to move in during the autumn. Our attention is now turning to funding the musical instruments and other equipment necessary to furnish it to the highest standards.”

The ceremony was led by John Blundell, Site Manager for TJ Evers, who explained a little of the history of topping out ceremonies, which have been held for hundreds of years, usually marking the point at which a new building attains its maximum height. As on this occasion, topping out ceremonies often include an opportunity for those present to sign the uppermost beam, or its equivalent, thus providing a record of the occasion for posterity.

After a welcome in what will become an atrium area, all present signed the final piece of roof timber. Mr Blundell pointed out different areas of the building and what they would be. From the atrium, guests could see through to where the new recital hall will be, as well as to two ground-floor classrooms.

When the party moved into the roof area, the ridge decking was lifted up on to the roof and put in position. The two boys, Jao-Yong and Theo, then went up the scaffolding and fixed it in place with a drill. Everyone then returned downstairs to the atrium for a toast with non-alcoholic bucks fizz.

The go-ahead for the project was confirmed in 2019, following a successful £2.2m bid to the Department for Education. The DfE package includes a £1.2m grant and £1m loan.

Director of Music Ruth Partington, who was among the guests at the ceremony, recently led a research process to choose the grand piano that will take pride of place in the recital hall. The School’s Foundation Trustees have agreed to pay for the selected Yamaha piano, valued at just under £75,000. A new Piano Fund aims to raise another £30,000 over the coming months to meet the associated costs of pianos and further equipment.”

Among those attending the ceremony with Mr Blundell were: Mervyn Denney, Managing Director (TJ Evers); Martin Croot, Contracts Manager (TJ Evers); Joe Richmond, Assistant Site Manager (TJ Evers); Rob Marsh-Feiley, Architect (Hollins), and the project manager for QE, David Mugliston, (Barkers Associates). The School’s other representatives, besides the Headmaster, Miss Partington and the boys, were: Tara O’Reilly, Deputy Head (Operations); James McEvoy-Stevenson, Assistant Director of Music; Hannah Morgan, Music teacher; Caroline Grint, Music teacher; Silvia Shann, Facilities Manager, and Matthew Rose, Head of Project Support Services.

• For an overview of the progress of the Music School. go to our dedicated page about the project.

Renowned saxophonist, composer and educator Mike Hall kept QE’s senior musicians on their toes with a masterclass on jazz improvisation.

His hour-long, richly illustrated, online talk focused on examples of improvisation by two of the jazz greats, Herbie Hancock and Miles Davis.

The boys now have a couple of weeks to submit recordings of their own improvisations before Mike runs another two masterclasses in which he will offer them direct feedback on their work.

Director of Music Ruth Partington said: “This was a great event and we are very lucky to be able to welcome a player of Mike’s stature ‘to’ QE. At this time of year, we would normally be holding our annual Jazz Evening, so the timing of this first masterclass was particularly appropriate.

“Mike’s talk combined the perfect mix of approachability with some challenging concepts for our advanced students. He talked about how to improvise over chords using the notes of the chord, about guide tones and about specific scales such as minor pentatonics.

“And he included some live demonstrations on Zoom: it was wonderful to hear him play.

“The audience clearly enjoyed his presentation, and there were some interesting questions at the end.”

The class briefly covered the history of jazz, with Mike stressing that it is an “aural music…[that] should be learned initially by listening to and emulating great players”. He moved on to the specifics of improvisation, including the need to acquire the requisite skills, such as “strengthening the connection between your ears and fingers”.

Mike was Head of Jazz Studies at the Royal Northern College of Music for 20 years, during which time he directed well over 100 concerts with the RNCM Big Band.  He still teaches at the RNCM and has also taught at many jazz summer schools and been a consultant and composer for the Associated Board of the Royal Schools of Music (ABRSM – a Music examinations board).

He began with the National Youth Jazz Orchestra and then spent 20 years with Michael Garrick, the late English jazz pianist and composer – a period which saw them tour Malaysia as well as make several CD recordings and national radio broadcasts.

Today, Mike is a regular member of the Echoes of Ellington Orchestra and runs his own jazz duo, quartet and octet, for which he also writes.

A video of the masterclass can be seen on the QE Music department’s YouTube channel.